Written by Maria Giglio
Ever wondered where all that Shakespearian costume vibes that Brocade shoes evoke come from? Well that’s an interesting journey.
Back in Renaissance, Italian folks went crazy about silk brocade. As a matter of fact, the English word brocade derives right from the Italian word broccato (interestingly sharing roots with the word broccoli!) to refer to the embossed (broccus means sprout in latin) effect produced on the surface by the weaving technique. However, brocade carries far more remote origins than Italian renaissance, dating back to the Chinese warring states period (around the 5th Century B.C), a time when the silk-secret had not been unravelled yet.
The character Jin (锦), used to compose the Chinese name for Brocade Zhī jǐnduàn (织锦缎) literally means golden dragonfly and refers to the noble texture of the fabric which originally was refined with gold and silver filigree which nowadays are replaced by copper or alluminium powder. Silk brocade features a unique colourful pattern, usually displaying flowers and nature, the distinctiveness of which is given by an irresistible tri-dimensional effect.
But first, the technical stuff
Brocade is not an independent but an auxiliary weaving technique used to ornate the main fabric with a carving effect. It is usually realised on a draw loom, where the basic design is created on multiple wefts (continuous brocade) while extra inlay effect is created with a supplementary weft (non-continuous brocade).
Chinese Brocade styles: the ones to watch
Chinese silk brocade has a long, established tradition. Mentions of silk brocade can be found in the Book of Songs, the oldest known collection of classic Chinese poetry (11th-7th Century B.C.). During the 1980s, pieces of brocade were retrieved at the Chu tombs of Warring States Period in Hubei Province. Brocade varies from region to region, and many minorities have their own peculiar weaving style. Amongst the all, Yun, Shu and Song brocade are the most ancient and renowned types. To give an idea, Yun brocade developed over 1580 years ago during the Yuan Dynasty and is the most prestigious because of the use of gold and silver foil in weaving.
Shu brocade, coming from Sichuan and flourished between Han and Tang dynasties (3rd Century BC to 10th Century A.D.) is recognised worldwide as a textile gem, being characterised by a strong predominance of red.
Finally, Song brocade originates from Suzhou, in Jiangsu Province, the homeland of silk and reached its peak of popularity during the Song Dynasty because of its soft texture and the bright colourful design.
Today, Chinese silk brocade is acclaimed worldwide as a cultural relic. In 2006, Yun, Song and Shu brocade were enlisted in the national intangible heritage.
An intriguing history of weft and theft
Although silk textiles have been extremely popular in the Western world since Ancient Greece and Roman Empire, where they were being exported via the Silk Road, the Chinese Empire managed to keep the secret of silk production for over 30 centuries, which secured a China’s monopoly on the textile’s trade.
It was under Byzantine Empire that the secret of sericulture was finally revealed to the world. According to the legend, in 550 A.D. two monks sent by Emperor Justinian to discover how silk was made, stole mulberry cocoon, silkworm and eggs and brought them back to Constantinople.
Chinese influence on Italian fashion history
After the disclosure of sericulture to the world, the commercial relations between West and East slowly declined, and by the end of the 14th century, brocade production was not an Oriental prerogative anymore. In Italy, the cultural fervour characterised by a pursuit of beauty and perfection during Renaissance, favoured the evolution of silk weaving techniques and the elevation of textile artisanry to a form of art, contributing to the establishment of Italy as a fashion sanctuary.
Long-lasting cultural interweaving
Sometimes we think of fusion as a concept that belongs to our modern times. Every culture claims its own, unique, virgin identity. And in part that is certainly true. But the fascinating history of humanity tells us something slightly different. Without interaction, there is no inspiration. Without inspiration, there is no progress. What if the silkworm had never slithered out the Silk road?
About Interact China
“A Social Enterprise in E-commerce Promoting Oriental Aesthetic Worldwide!”
Aileen & Norman co-founded Interact China in 2004 with specialization in fine Oriental Aesthetic products handmade by ethnic minorities & Han Chinese. Having direct partnerships with artisans, designers, craft masters and tailors, along with 13 years of solid experience in e-commerce via InteractChina.com, we are well positioned to bridge talented artisans in the East with the rest of the world, and directly bring you finely selected products that are of good quality and aesthetic taste.
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