CHINESE LADY LINGERIE IN ANCIENT CHINA (5) – Stories in Totems

Ancient people of China used totems to record many beautiful stories and heroes in their hearts, so as to express their feelings and to make sure future generations remember them.

 

  1. The Eight Immortals

121.pngThe Eight Immortals (Chinese: 八仙; pinyin: Bāxiān; Wade–Giles: Pa¹-hsien¹) are a group of legendary Xian (“immortals”) in Chinese mythology. Each immortal’s power can be transferred to a tool (法器) that can bestow life or destroy evil. Together, these eight tools are called the “Covert Eight Immortals” (暗八仙). Most of them are said to have been born in the Tang or Song dynasty. They are revered by the Taoists and are also a popular element in the secular Chinese culture. They are said to live on a group of five islands in the Bohai Sea (a sea on the coat of north China), which includes the Penglai Mountain-Island.

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  1. The Bridge Breaking Meeting – Legend of the White Snake

104.pngThe Legend of the White Snake, also known as Madame White Snake, is a Chinese legend which existed in spoken tradition long before there was any written compilation. It has since been presented in a number of major Chinese operas, films and television series.

The story is now counted as one of China’s Four Great Folktales, the others being Lady Meng Jiang, Liang Shanbo and Zhu Yingtai, and The Cowherd and the Weaving Maid (Niulang Zhinü).

 

  1. Goddess Meeting – The Cowherd and the Weaving Maid 

602.pngThe Cowherd and the Weaving Maid is a Chinese folk tale. The general tale is a love story between Zhinü (織女; the weaving maid, symbolizing the star Vega) and Niulang (牛郎; the cowherd, symbolizing the star Altair). Their love was not allowed, thus they were banished to opposite sides of the Silver River (symbolizing the Milky Way Galaxy). Once a year, on the 7th day of the 7th lunar month, a flock of magpies would form a bridge to reunite the lovers for one day. There are many variations of the story. The earliest-known reference to this famous myth dates back to over 2600 years ago, which was told in a poem from the Classic of Poetry.

 

  1. Wu Song Slays the Tiger

416.pngWu Song Slays the Tiger is a story in Shi Naian’s “the Water Margin”. The story says that when in Liangshan the hero Wu Song was on the way to back home to visit his brother and when he was passing by the placed called Jingyanggang he drank 18 bowls of wine in the restaurant and he was drunk. He was told that a tiger on the hill would hurt people and was advised not to move on. Wu Song didn’t believe this and sure enough he met a tiger. Wu Song fought with his fists and killed it, removing the pest for the local people. Then, it became a popular tale.

 

  1. Kirin Brings the Child

605.pngThe qilin (Chinese: 麒麟; pinyin: qílín) or kirin is a mythical hooved chimerical creature known of in Chinese and other East Asian cultures, it is said to appear with the imminent arrival or passing of a sageor an illustrious ruler. It is a good omen thought to show the occasions of prosperity or serenity. It is often depicted with what looks like fire all over its body.

 

  1. Liu Hai Plays with a Toad

603.pngLiu Hai Plays with a Toad is an ancient Chinese folk tale, derived from Taoist illusions. When Liu Hai was young he cut firewood in the mountains and rescued an injured toad with only three feet. After, the toad became a beautiful girl and married him with the skill of spitting out money and gold ingots. Therefore,in folk Chinese tales, the toad has the role of acquiring wealth and exorcising evil spirits.

 

  1. Di Qing on the War

604.pngDi Qing was born to a poor family in Xihe, Fenzhou (汾州西河; present-day Fenyang, Shanxi). He sported tattoos on his face and excelled in mounted archery. In 1038, during the reign of Emperor Renzong of Song, Di Qing was appointed as Commander (指揮使) of Yanzhou (延州; covering parts of present-day Shaanxi). He participated in the war between Song and Western Xia. Each time he went to war, he would don a bronze mask and let his hair run wild and disheveled, charging onto the battlefield. Di Qing participated in a total of 25 battles in his lifetime. Of these battles, he was best known for his night raid on the Kunlun Pass on the 15th day of the first lunar month in 1053. He died at age 48.

 

 

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About Interact China


“A Social Enterprise in E-commerce Promoting Oriental Aesthetic Worldwide” 

Aileen & Norman co-founded Interact China in 2004 with specialization in fine Oriental Aesthetic products handmade by ethnic minorities & Han Chinese. Having direct partnerships with artisans, designers, craft masters and tailors, along with 10 years solid experience in e-commerce via InteractChina.com, we position well to bridge talented artisans in the East with the rest of the world, and bring you direct finely selected products that are of good quality and aesthetic taste.

So far we carry 3000+ goods covering Ladies Fashion, Kungfu Clothing, Home Furnishings, Babies & Kids, Painting Arts, Textile Arts, Carving Arts, Tribal Jewelry Art, Wall Masks and Musical Instruments. Our team speak English, French, German, Spanish and Italian, and serve customers worldwide with passion and hearts.


P.S. We Need People with Similar Passion to Join Our Blogging Team!

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CHINESE LADY LINGERIE IN ANCIENT CHINA (2) —Various Shapes on Little Pieces

Unlike the three-dimensional structure of Western lingerie, Chinese ancient lingerie is made up of layers and it implicitly shapes the rich curve of the female body.

From the outline, there are usually square, diamond, rectangle and fan shapes, triangle shapes, petal shapes, T shapes, cross shapes, Ruyi (a curved scepter, used in Chinese Buddhism) shapes and other, more complex shapes.

 

201.pngRectangle Dudou: Period – Middle Qing Dynasty

 

 

202.pngFan Shaped Dudou: Period – The Republic of China Era

 

 203.pngDiamond Shaped Dudou: Period – Late Qing Dynasty

 

 

204.pngComplexly Shaped Dudou: Period – Middle Qing Dynasty

 

The pictographic shape shows the imagination of the ancient people of China. It conveys moral implications in a person’s life.

 

 

205.pngTiger Shaped Underwear: Period – Middle Qing Dynasty

To banish evil and pray for peace

 

 

 206.pngIngot Shaped Dudou: Period – Late Qing Dynasty

Generally used in children’s underwear and used for wishing for a steady stream of future wealth

 

 

 207.pngCalabash Shaped Dudou: Period – Late Qing Dynasty

One of the treasures held by Tieguai Li, one of the eight immortal gods, this Dudou prays for god’s blessing

 

 

208.png Ruyi Shaped Dudou: Period – Late Qing Dynasty

Used to express one’s wishes for good luck

 

 

209.png Beef Tongue Shaped Underwear: Period – Middle Qing Dynasty

Used to embody elegance and depth of knowledge.

 

 

According to the characteristics of different shapes, there are many wearing styles, and each has its own style and discretion for showing the body’s curves.

210.jpgSome examples of methods to wear a Dudou

 

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Chinese underwear from the past pursues the integration of details and the whole piece to complement to each other. The main pieces are connected with other structures to create a new decoration called Nashao meaning to avoid breaking off connections/ severing ties, which is not an auspicious sign.

 

 214.jpgNashao partten

 

Rich and varied shapes highlight the traditional feminine pursuit of beauty and the desire to show themselves.

 

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About Interact China


“A Social Enterprise in E-commerce Promoting Oriental Aesthetic Worldwide” 

Aileen & Norman co-founded Interact China in 2004 with specialization in fine Oriental Aesthetic products handmade by ethnic minorities & Han Chinese. Having direct partnerships with artisans, designers, craft masters and tailors, along with 10 years solid experience in e-commerce via InteractChina.com, we position well to bridge talented artisans in the East with the rest of the world, and bring you direct finely selected products that are of good quality and aesthetic taste.

So far we carry 3000+ goods covering Ladies Fashion, Kungfu Clothing, Home Furnishings, Babies & Kids, Painting Arts, Textile Arts, Carving Arts, Tribal Jewelry Art, Wall Masks and Musical Instruments. Our team speak English, French, German, Spanish and Italian, and serve customers worldwide with passion and hearts.


P.S. We Need People with Similar Passion to Join Our Blogging Team!

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CHINESE LADY LINGERIE IN ANCIENT CHINA (3) – The Connotations of Colour

We can read a lot of from the color of traditional lingerie. There are different colour schemes for different scenes, areas and identity, as well as other aspects of life.

Different colours have different symbolic meanings and have different connotations to different people.

Red: happiness, marriage, elimination of a disaster, passion, indulgence

304.png

Corset: Period – Middle Qing Dynasty

 

Yellow: royalty, value, power, religion (Buddhism) and fantasy

305.png

Dudou: Period – Early Qing Dynasty

306.png

Dudou: Period – Middle Qing Dynasty

 

Purple: wealth, mystery, power, depression and melancholy

307.png

Dudou: Period – Middle Qing Dynasty

 

Green: nature, civil, purity, life and youth

302.pngDudou: Period – Middle Qing Dynasty

 

Blue: elegance, purity, civil and modest

308.pngDudou: Period – The Republic of China Era

311.pngDudou: Period – Late Qing Dynasty

 

Brown: maturity, honesty, modesty and tolerance

315.pngPaddy Field Dudou: Period – Late Qing Dynasty

 

Black: stability, strength, mystery and depth

301.pngDudou: Period – Late Qing Dynasty

 

White: simple, childish, bright and religion (Muslim)

303.pngPart Dudou: Period – Late Qing Dynasty

 

Gold and silver: success, luxury, auspiciousness and nobility

317.pngPart Dudou: Period – Late Qing Dynasty

321.pngPart Dudou: Period – Late Qing Dynasty

 

Traditional Chinese underwear often uses progression of colour gradients.

312.pngPart Dudou: Period – Late Qing Dynasty

 

Like traditional Chinese clothing, traditional lingerie also shows class through use of colour. There is an order of colour that shows one’s class, from nobility to middle class: bright yellow, gold and silver – purple – red – brown – green – blue – black, white and gray.

The colour of lingerie is also related to age. Dark colours such as dark brown, dark blue and black are often used by middle-aged women.

At the same time, the use of colour in ancient Chinese lingerie has a strong geographical connection. Such as:

  • Jiangnan (an area in southern China) woman love light green and light blue.
  • Shaanxi (province in northwest China) people prefer to use a variety of colour combinations  containing gray.

  • The Saibei plateau (a region in northwest China) like to embroider colourful patterns on white cloth.

  • The Minnan (region in southeast China) loves geometric patterns as well as embroidery of birds and flowers on a black and white background

 

The different colours used will bring different visual effects and feelings to people.

319.pngPart Dudou: Period – The Republic of China Era

Using intense colour contrast brings strong emotions.

 

316.pngBody Coat: Period – The Republic of China Era

Low saturation decor with a bright red background displays an elegant style.

 

322.pngPart Dudou: Period – Late Qing Dynasty

Good use of complementary colours creates a strong visual impact.

 

309.pngPart Dudou: Period – Early Qing Dynasty

The use of similar tones creates a subtle and reserved feeling.

 

318.pngPart Dudou: Period – Middle Qing Dynasty

The combination of small usage of light colours and a small amount of pure block colour makes the piece seem harmonious.

314.pngDudou: Period – Middle Qing Dynasty

The decorative use of the same colour is simple and generous.

 

The rich knowledge and intuition of this traditional lingerie colour shows the exquisite thinking of the ancient people of China.

 

 

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About Interact China


“A Social Enterprise in E-commerce Promoting Oriental Aesthetic Worldwide” 

Aileen & Norman co-founded Interact China in 2004 with specialization in fine Oriental Aesthetic products handmade by ethnic minorities & Han Chinese. Having direct partnerships with artisans, designers, craft masters and tailors, along with 10 years solid experience in e-commerce via InteractChina.com, we position well to bridge talented artisans in the East with the rest of the world, and bring you direct finely selected products that are of good quality and aesthetic taste.

So far we carry 3000+ goods covering Ladies Fashion, Kungfu Clothing, Home Furnishings, Babies & Kids, Painting Arts, Textile Arts, Carving Arts, Tribal Jewelry Art, Wall Masks and Musical Instruments. Our team speak English, French, German, Spanish and Italian, and serve customers worldwide with passion and hearts.


P.S. We Need People with Similar Passion to Join Our Blogging Team!

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CHINESE LADY LINGERIE IN ANCIENT CHINA (1) – Aspiration Beyond Body

Throughout the development of Chinese women lingerie, ancient Chinese lingerie has been used to express the yearns for beauty and the performance of feeling and of body in delicate, subtle ways. Almost every piece of lingerie has a theme and story. The Dudou is a bodice that has been used by women since ancient China. The production cycle of each piece lasts from a few months to several years, and there are differences in craft techniques used to produce them. The Chinese women of the past conveyed the voices of their hearts through the sewing, and colourful totems to convey their deep wishes.

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Dudou: Period – The Republic of China; Totem – three wishes

Pomegranate, Bergamot and Peach-Shaped Flowers express the wish for more children longevity and happiness.

 

100.pngCorset: Period – The Republic of China; Totem – fame and wealth

In Chinese, “公(公鸡)鸣” (Gōngmíng) meaning a rooster’s crow sounds like “功名”(Gōngmíng) meaning fame. The peony is a symbol of the rich.

 

111.pngCorset (back): Period – Middle Qing Dynasty; Totem – safe and prosperous

In Chinese, “瓶”(píng) means vase and “平(平安)”(Píng’ān) means safety. This homophone along with the varieties of blooming flowers symbolize a rich and powerful family.

 

131.pngDudou: Period – Late Qing Dynasty; Totem – highly incorruptible

 

101.pngCorset (back): Period – Early Qing Dynasty; Totem – fragrant lotus

The lotus is a symbol of incorruptibility, it is rooted in mud and has luxuriant foliage which symbolizes a stable career and prosperous family.

 

121.pngPart Dudou: Period – The Republic of China; Totem – eight treasures of Tai Chi

In Chinese mythology there are eight immortals. Each carry a treasure that has been bestowed with their own power. The treasures embroidered on this Dudou express the deep desire for good luck.

103.pngDudou: Period – Late Qing Dynasty; Totem – mandarin duck

Mandarin ducks express the love and happiness between husband and wife.

104.pngDudou: Period – Late Qing Dynasty; Totem – to meet on the broken-bridge

The embroidery on this Dudou expresses a deep missing for a lover.

 

150.pngCorset: Period – Early Qing Dynasty; Totem – dragon that plays in the sea

 

153.pngDudou: Period – Late Qing Dynasty; Totem – dragon

A dragon on underwear symbolizes bravery, honour, wisdom and unpredictability.

 

119.pngPart Dudou: Period – The Republic of China; Totem – Qilin stepping on clouds

Qilin is regarded as a mascot and blessing of national peace and order, It is also a messenger of happiness and posterity.

 

107.pngDudou: Period – Late Qing Dynasty; Totem – tiger

 

161.pngPart Dudou: Period – Late Qing Dynasty;·Totem – tiger

 

109.pngDudou: Period – Late Qing Dynasty; Totem – tiger driving away the five poisonous pests

The tiger is a symbol of a spirit that drives out demons.

 

160.pngDudou: Period – Late Qing Dynasty; Totem – a lion playing with a ball

 

108.pngDudou: Period – Late Qing Dynasty; Totem – gold lion

The lion is regarded as a mascot and blessing for driving away evil, praying for good health and is also a symbol of festive events.

 

134.pngDudou: Period – Late Qing Dynasty; Totem – butterflies in love with flowers

 

112.pngDudou: Period – Late Qing Dynasty; Totem – butterflies in love with flowers

 

113.pngDudou: Period – The Republic of China; Totem – butterflies in love with flowers

In Chinese, the ” 芙蓉”(Fúróng) meaning Hibiscus and “夫荣”(Fūróng) meaning Husband’s glory is a homophone. Hibiscus flowers with butterflies is a symbol for a woman of low birth may marrying a man of high status and can therefore enjoy a life with the benefits of her husband’s glory however to be a good wife she must dance to her husband’s tune in order to have a harmonious marriage.

 

The extended meaning in the totems expresses people’s life expectations, and also allows for future generations to interpret them.

 

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About Interact China


“A Social Enterprise in E-commerce Promoting Oriental Aesthetic Worldwide” 

Aileen & Norman co-founded Interact China in 2004 with specialization in fine Oriental Aesthetic products handmade by ethnic minorities & Han Chinese. Having direct partnerships with artisans, designers, craft masters and tailors, along with 10 years solid experience in e-commerce via InteractChina.com, we position well to bridge talented artisans in the East with the rest of the world, and bring you direct finely selected products that are of good quality and aesthetic taste.

So far we carry 3000+ goods covering Ladies Fashion, Kungfu Clothing, Home Furnishings, Babies & Kids, Painting Arts, Textile Arts, Carving Arts, Tribal Jewelry Art, Wall Masks and Musical Instruments. Our team speak English, French, German, Spanish and Italian, and serve customers worldwide with passion and hearts.


P.S. We Need People with Similar Passion to Join Our Blogging Team!

If you have passion to write about Oriental Aesthetic in Fashion, Home Decor, Art & Crafts, Culture, Music, Books, and Charity, please contact us at bloggers@interactchina.com, we would love to hear from you!

Yi Ethnic Satchels- Flowery Bags

Due to a large number of branches and the wide distribution of the Yi people, their costumes and varieties are the richest of all, featuring satchels of varied materials, patterns and decorations. Rough statistics show that Yi satchels fall into the following types:

Leather Bags

 
 ladies fashion

They are generally made of soft cowhide or sheepskin, with some parts still covered in hair, giving the satchels a crude and clumsy appeal. In some places in Northwestern Yunnan, Yi people prefer to use chamois to make satchels, which look elegant and are very precious.

Grass and hemp satchels

 
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Some Yi people in Western Yunnan use a kind of wild grass to make clothing. The locally called “Huocao Grass” is known in Latin as Epilobium angustifolium. The procedure of this kind of cloth is quite complicated, so satchels made of this cloth are very precious and hardly available on the markets.

Satchels made of hemp are fairly common and durable. Stiff and durable, flaxen bags are masterpieces of ethnic satchels and they are the favorite of many tourists from home and abroad.

Cotton Bags

 
 ladies fashion

Satchels made of cotton cloth boast the largest number in terms of pattern and type. Those made of relatively refined cotton cloth mostly feature embroidered patterns — mainly patterns of flowers and plants, human figures, animals, melons and fruit, as well as auspicious signs, bearing beautiful colors.

by Xiao Xiao xiaoxiao@interactchina.com

About Interact China


“A Social Enterprise in E-commerce Promoting Oriental Aesthetic Worldwide”

Aileen & Norman co-founded Interact China in 2004 with specialization in fine Oriental Aesthetic products handmade by ethnic minorities & Han Chinese. Having direct partnerships with artisans, designers, craft masters and tailors, along with 12 years of solid experience in e-commerce via InteractChina.com, we are well positioned to bridge talented artisans in the East with the rest of the world, and directly bring you finely selected products that are of good quality and aesthetic taste.

So far we carry 3000+ goods covering Ladies Fashion, Tailor Shop, Home Furnishings, Babies & Kids, Painting Arts, Textile Arts, Carving Arts, Tribal Jewelry Art, Wall Masks and Musical Instruments. Our team speak English, French, German, Spanish and Italian, and serve customers worldwide with passion and hearts.


P.S. We Need People with Similar Passion to Join Our Blogging Team!
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Xinjiang keeps the traditional way of making Atlas silk

For more than 1,000 years, traditional craftsmen have been making Atlas silk in Hotan prefecture, Xinjiang Uygur autonomous region. Inspired by the shapes of flowers, leaves and fruits, the people weave beautiful patterns.

Model present Atlas silk in the Taklimakan Desert in Xinjiang Uygur autonomous region
 silk

Atlas is a traditional type of Xinjiang silk that means “graceful” in Uyghur language. It is a kind of silk fabric with fine intricate patterns that Uygur women like very much, and is renowned for its multiple and resplendent colors. Usually the colors include sharp contrasts such as viridis, sapphire, indigo, yellow, peach, orange, gold, mauve, black, white, etc. The patterns are well-knit and lifelike, representing the light and color of nature. Atlas silk is soft, flexible, beautiful in patterns and excellent in quality. It is used by the local people not only for costuming but also as an interior ornament.

Drawing Silk

 
 silk

The first step is drawing silk. The cocoons have to be sorted out first and the dirty and abnormal-shaped cocoons have to be boiled in water for about 15 minutes until the cocoons change to green color and are soaked with water. Then a stick is used to stir the cocoons and twist the fiber threads of the raw silk into strands. Normally, 25-30 threads make one strand.

Coloring the silk

 
 silk

Once the silk has been extracted it can be tied and dyed using a tie-dye or dye-resist process. It means plastic bags are used to bundle the threads up before coloring each part.

Based on the design requirement, different patterns are made by staining lightly or deeply. Different colors are made by bundling up different parts each time and dipping into different colored dyestuffs. To get the multi-coloured patterns the silk may be dyed one colour at a time. The traditional Atlas silk has four basic shades: black, red, yellow and multi-color.

Minerals like alum, indigo and natural plant extracts like walnut skin, jujube skin, and tamarisk are used to make dyestuffs.

Tying the silk

 
 silk

The silk is secured to a wooden frame and then tied up according to traditional patterns. Once the threads are placed into patterns the thread is loaded onto the machines for the weaving to be done.

Weaving

 
 silk

In accordance with the designed patterns, workers start weaving on top of the basic colors. Normally, a handmade Atlas silk is 6.45 meters long and 0.45 meters wide.

The traditional weaving method requires workers using their hands and feet at the same time and one person can produce 3-4 meters long silk per day.

 
 silk

Known for its softness, lightness, and bright colored patterns, Atlas silk is made through a complicated process and is extremely popular among Uygur women in Xinjiang. Nowadays, the traditional silk garment has been fused with modern design and is becoming more fashionable.

by Xiao Xiao xiaoxiao@interactchina.com

About Interact China


“A Social Enterprise in E-commerce Promoting Oriental Aesthetic Worldwide”

Aileen & Norman co-founded Interact China in 2004 with specialization in fine Oriental Aesthetic products handmade by ethnic minorities & Han Chinese. Having direct partnerships with artisans, designers, craft masters and tailors, along with 10 years solid experience in e-commerce via InteractChina.com, we position well to bridge talented artisans in the East with the rest of the world, and bring you direct finely selected products that are of good quality and aesthetic taste.

So far we carry 2000+ goods covering Ladies Fashion, Tailor Shop, Home Furnishings, Babies & Kids, Painting Arts, Textile Arts, Carving Arts, Tribal Jewelry Art, Wall Masks and Musical Instruments. Our team speak English, French, German, Spanish and Italian, and serve customers worldwide with passion and hearts.

P.S. We Need People with Similar Passion to Join Our Blogging Team!
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Chinese Ethnic Minority Satchels – Part One

China has 56 ethnic groups distributed across a vast land of 9.6 million square km — each with its own special costumes. However, most Chinese ethnic minorities share the custom of wearing satchels. As a part of their costumes, satchels display different living habits and the craftsmanship of these groups.

Dai Ethnic Minority

 
 ladies fashion

The satchel, called the “Tong pa” in the Dai language, is a practical craftwork adored by the Dai people, for both women and men, young and old. During country fairs, nearly all Dai fellows in the marketplace wear a satchel. The elderly use satchels to hold cigarettes, betel nuts and some sundries, while the young wear them mostly for decorative purposes or to send it to their loved ones. A small bag is usually installed in an interlayer in the satchel to store cash and other valuables.

Satchels worn by the Dai people are mainly made of cotton-woven Dai brocade and feature beautiful hues and rich patterns. Common patterns include auspicious shapes, such as elephant feet, tortoise shells, bats and so on; realistic ones, such as patterns of peacocks, bajiao banana flowers, horses, legendary animals, golden pheasants, lotuses, butterflies and so on; as well as signs, such as auspicious characters and religious symbols. These patterns are not only decorative but also express good wishes.

Miao Ethnic Minority

 
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The Miao people have been famous for their accomplishments in weaving the “five-color cloth” since ancient times and for the Miao brocade and wax printing. The Miao ethnic minority inYunnan Province comprises many groups and is distinguished by its costumes, such as the Red Miao, White Miao, Black Miao, Blue Miao, Big Flowery Miao, etc. Satchels, as an attachment to costumes, should complement the costumes. Therefore, different groups of the Miao people wear satchels of various styles.

The Miao culture and history have been passed down by word of mouth or symbols. As an artistic language of symbols, the patterns on Miao brocades contain many traditional contents from the ethnic minority and recite numerous legends, tales and ancient stories. Therefore, just like costumes of the Miao people, their satchels not only feature a distinctive aesthetic significance, but also carry rich cultural connotations.

Zhuang Ethnic Minority

 
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Folk brocade of the Zhuang people has been famous for a long time and their embroidery is also very unique. One can experience the Zhuang people’s deft embroidery skills from their satchels.

“Nine Dragon s playing with a Ball” is a common subject in the Zhuang brocade patterns. Other brocade patterns on satchels include butterflies, bats, the sun and the moon, flowers and other auspicious elements.

by Xiao Xiao xiaoxiao@interactchina.com

About Interact China


“A Social Enterprise in E-commerce Promoting Oriental Aesthetic Worldwide”

Aileen & Norman co-founded Interact China in 2004 with specialization in fine Oriental Aesthetic products handmade by ethnic minorities & Han Chinese. Having direct partnerships with artisans, designers, craft masters and tailors, along with 10 years solid experience in e-commerce via InteractChina.com, we position well to bridge talented artisans in the East with the rest of the world, and bring you direct finely selected products that are of good quality and aesthetic taste.

So far we carry 2000+ goods covering Ladies Fashion, Tailor Shop, Home Furnishings, Babies & Kids, Painting Arts, Textile Arts, Carving Arts, Tribal Jewelry Art, Wall Masks and Musical Instruments. Our team speak English, French, German, Spanish and Italian, and serve customers worldwide with passion and hearts.

P.S. We Need People with Similar Passion to Join Our Blogging Team!
If you have passion to write about Oriental Aesthetic in Fashion, Home Decor, Art & Crafts, Culture, Music, Books, and Charity, please contact us at bloggers@interactchina.com, we would love to hear from you!