Silk Padded Applique Embroidery (II) – Seemingly Easy Three-Dimensional Embroidery

Written by Gioia Zhang

Silk padded applique embroidery is a decorative pattern made of fabrics. It is produced through a series of steps including embossing, weaving, embroidering, stitching, appliqueing, and silk-drawing. The choice of raw materials used in silk applique likewise shows great ingenuity and creativity. The main material for silk embroidery is called phoenix-tail yarn, since the color of this yarn is a gradient resembling the tail of a phoenix. The yarn is only produced in Beijing, and its beauty endures through time.

wKhQo1WjnW6EEjieAAAAAJpTZhw664.jpgSilk padded applique embroidery made of phoenix-tail yarn

If you are interested in making this handicraft, maybe today you will be greatly inspired by this lesson. Let’s find out how this 3D effect can be achieved. The steps of making silk padded applique embroidery include:

1466128088879.jpgSample drawing (left),                         Reflected sample drawing (right)

  1. Tracing

Put one piece of tracing paper above the sample drawing and one piece of carbon paper with a paperboard below the sample drawing. Trace the sample drawing with a pencil. The drawing will be transferred onto the paperboard.

  1. Drawing the boundaries

Specify the areas that will be covered by another layer of fabrics with shadows. These marked areas keep their raw edges for further attachment to a new layer.

  1. Marking the colors

Mark parts of the pattern with color-coding for different colored phoenix-tail yarns.

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  1. Cutting the paperboard

Cut the paperboard along the black marking line. Make sure to leave the edges smooth.

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  1. Pasting the cotton

Spread glue evenly on paperboard and glue cotton to the paperboard. Shape the cotton along the edge of the paperboards.

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  1. Cutting yarn

Cut phoenix-tail yarn to corresponding color codes along the shape of paperboard. Leave a margin of 3 to 5 millimeters.

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  1. Forming the shape

Spread glue on the edge of the phoenix-tail yarn and hide the margin at the back of the paperboards.

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  1. Organizing the pattern

Place the petals in order and spread glue on the seam. Press the seam flat to set the fabrics.

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  1. Mounting

Glue the piece to a suitable baseboard. Frame the work.

It seems not so difficult after all, right? However, to make silk padded applique embroidery requires not only a pair of dexterous hands, but it also demands one to treat every detail and the position of layered fabrics with extreme care. Only in this way will the whole art piece be lively and vivid.

20170111134746ve6mxjsy3yzuowta.jpg!s700副本.jpgSilk padded applique embroidery: Characters from Eight Immortals

2013062312384655438505.jpgSilk padded applique embroidery of flowers

About Interact China


“A Social Enterprise in E-commerce Promoting Oriental Aesthetic Worldwide” 

Aileen & Norman co-founded Interact China in 2004 with specialization in fine Oriental Aesthetic products handmade by ethnic minorities & Han Chinese. Having direct partnerships with artisans, designers, craft masters and tailors, along with 10 years solid experience in e-commerce via InteractChina.com, we position well to bridge talented artisans in the East with the rest of the world, and bring you direct finely selected products that are of good quality and aesthetic taste.

So far we carry 3000+ goods covering Ladies Fashion, Kungfu Clothing, Home Furnishings, Babies & Kids, Painting Arts, Textile Arts, Carving Arts, Tribal Jewelry Art, Wall Masks and Musical Instruments. Our team speak English, French, German, Spanish and Italian, and serve customers worldwide with passion and hearts.


P.S. We Need People with Similar Passion to Join Our Blogging Team!

If you have passion to write about Oriental Aesthetic in Fashion, Home Decor, Art & Crafts, Culture, Music, Books, and Charity, please contact us at bloggers@interactchina.com, we would love to hear from you!

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Silk Padded Applique Embroidery(I) – The Once-Lost Hidden Gem of the Imperial Palace

Written by Gioia Zhang

 

Speaking of Chinese embroidery, what comes to your mind other than the famous four major styles? Do you know any other styles? Today I want to introduce a special kind of Chinese embroidery – silk padded applique embroidery. It is made of little bits of cloth of different colors, and together they form a brush and ink painting. The finished work is a colorful and well-arranged collage. It is a combination of hard textures like woodcuts and gentle textures like fabrics. This silk embroidery has a long history; since it was initially produced only within the imperial palace, it was also called imperial embroidery of cloth bits or imperial padded applique (宫廷补绣gongtingbuxiu in Chinese). A more popular name among the people would be: patchwork drawing or patchwork flowers or simply jacquard.

3f308a04-857a-4d4c-a43d-f20a081769e4.jpegImperial Embroidery “Flowerpot Shoes”

月季花蓝.jpgSilk Embroidery: Chinese Roses in A Basket

More than one thousand years ago in the Northern and Southern Dynasties (420-589), a rudimentary form of these techniques already existed in the Jingchu area (nowadays known as Hubei). For festive occasions, the local custom was to cut colorful silks into shapes of flowers and birds and put them up on screens or use them as headwear.

财神(布堆画).jpgPatchwork drawing: God of Wealth

This tradition was fully developed in the Tang dynasty (618–907) and transformed into a unique skill called silk sticker (贴绢 tiejuan in Chinese) and padded applique (堆绫 duiling in Chinese). Silk sticker is a patchwork made of a single layer of spun silk pieces, while padded applique consists of patterns made from multiple layers of silk and other fabrics. The latter, padded applique, was popular among the common people. For example, It was common to embroider patterns of mandarin ducks, Ruyi jade figures ((a filler word to keep all words in the list plural)), five-colored flowers and birds.

米色“纱贴绢”《桃树仙鹤图》乌木雕花柄团扇副本.jpg1.Beige silk gauze sticker “Peach Tree and Red-crowned Crane” with carved ebony moon-shaped fan, Qing dynasty ;  2.Beige silk gauze sticker “Flower and Butterfly” with blue painted and gold lined moon-shaped fan, Qing dynasty

During the Qing dynasty, the skills and techniques of padded applique reached their peak. Silk and other fabrics were well-selected and exquisite, and workmanship was more than excellent. The whole production strove for perfection at all costs.

堆绫项羽魏豹戏像册2副本.jpgProfile Pictures of Xiang Yu and Wei Bao in a Playbook, from Guangxu’s reign, Qing dynasty (1875-1908).

This playbook has blue satin as the base and a patchwork of satin, silk, damask silk and paperboard on the top. Each layer is stuffed, so that the characters would look fuller. The paillette used on clothes and the red pompon on the crown also make the figures vivid and lively. Their faces are painted with a brush to compensate for the inadequate artistic expression of padded applique. This playbook shows some novel techniques that are rare among padded applique embroideries as well as other embroidery works.

The padded applique technique spread to the Tibetan region and evolved into a new kind of Thangka. For example, among the collection at Yonghe Temple in Beijing, there is a piece called “Padded Applique of Green Tara,” which is listed as a class A national cultural heritage. It was made by Emperor Qianlong’s mother with help from maids in the imperial palace, and now this Tangka is already more than 200 years old.

www.gongmeigroup.com.cn.jpg“Padded Applique of Green Tara” consecrated by Qianlong’s mother, Empress Xiaoshengxian

Unfortunately, padded applique skills were lost for a period of time, and nobody knew how to make them for a long time. However, in the 1990s, after three years of careful studies, the Beijing Drawnwork Institute rediscovered this once-lost technique. The padded applique skill now has transcended its previous boundaries; new variations of padded applique such as painting, embossment, silk-drawing, and tufting have been created. The silk embroidery produced shows meticulous work and patterns displaying the national features of China.

7bac34e0c4eb43e08a88b1d3bfac57b4.jpgFrom the collection of Imperial padded applique embroideries – “Ode to Peace.” It pictures a peony surrounded by peace doves. Through this traditional imperial embroidery, we get a glimpse into the endless charm of the Chinese culture.

 

c77e13a5cb7e4043a5fa3f1f29bfa038副本.jpgDetails of “Ode to Peace”

So, what if I told you there is a secret behind this embroidery skill of padded applique, the fate of which is full of ups and downs? Would you be curious to hear what it is?

Or, perhaps you have seen it already? Well, I will unveil the secret to you in the next article!

 

About Interact China


“A Social Enterprise in E-commerce Promoting Oriental Aesthetic Worldwide” 

Aileen & Norman co-founded Interact China in 2004 with specialization in fine Oriental Aesthetic products handmade by ethnic minorities & Han Chinese. Having direct partnerships with artisans, designers, craft masters and tailors, along with 10 years solid experience in e-commerce via InteractChina.com, we position well to bridge talented artisans in the East with the rest of the world, and bring you direct finely selected products that are of good quality and aesthetic taste.

So far we carry 3000+ goods covering Ladies Fashion, Kungfu Clothing, Home Furnishings, Babies & Kids, Painting Arts, Textile Arts, Carving Arts, Tribal Jewelry Art, Wall Masks and Musical Instruments. Our team speak English, French, German, Spanish and Italian, and serve customers worldwide with passion and hearts.


P.S. We Need People with Similar Passion to Join Our Blogging Team!

If you have passion to write about Oriental Aesthetic in Fashion, Home Decor, Art & Crafts, Culture, Music, Books, and Charity, please contact us at bloggers@interactchina.com, we would love to hear from you!

Mr. Sea, Living Porcelain Sculpture — Bold Experiment by China’s Artist Geng Xue

Written by Yuqing Yang

 

Geng Xue is a rising young multi-media artist born in 1980s in China. She majored in sculpture and graduated from China’s most privileged Central Academy of Fine Arts in 2007. Geng Xue never ceases to innovate and experience with new media such as water color painting, filming, but her favorite medium is still ceramics.  She manages to create a new world and a new sense of aesthetic with ceramics.

Different from last few generations of artists, her intention in choosing ceramics is to demonstrate many hidden aesthetic sides of porcelains. Drawing inspirations from ancient Chinese mythologies and classical stories, Geng Xue constructs a context for her works. The rare combination of translucent porcelains and dream-like classics somehow creates infinite room for imagination and leaves the audience in a fantasy world.

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Left: Geng Xue’s biography; Right: a representative work of Geng Xue – Cadifu’s Mother, 2012

 

Geng Xue has held solo exhibitions over the globe. In one of her solo exhibitions at Klein Sun Gallery, New York – Mount Sumeru (the center of physical and spiritual universes in Buddhist cosmology), most of the sculptures feature different body parts such hands and heads as part of their ethereal surroundings. In this surreal world, porcelain as the main medium conveys a sense of both fluidity and flexibility.

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Ocean Roar, 2016

With previous achievements, Geng Xue goes on and creates the first porcelain film “Mr. Sea” (海公子Hai Gongzi in Chinese). It is a revolutionary combination of film and porcelain. The original Chinese story it is based upon was from Strange Stories from a Chinese Studio written in 1740, a collection that creates an eerie world full of miraculous happenings.

Geng Xue intends to emphasize the dreamlike quality of a scholar’s erotic encounter with a snake spirit on a remote island in such an uncanny and strange literal context. She combines it perfectly with the coldness and fluidity of ceramics and the camera movement.

 

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One scene from Mr.Sea; “It is not merely a ghost story.” Commented by Geng Xue

Geng Xue believes in a kind of inherent quality of ceramics, which she calls 瓷性 cixing. And the ancient Chinese literature with well-built aesthetics is the ideal channel to embody this nature of ceramics. In the artist’s understanding, the literary beauty consists of half other-worldliness and half elegance, which are the very essence of the Chinese culture.

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Check out the following video for a full trailer of the porcelain film, “Mr. Sea”!

 

 

 

 


About Interact China

“A Social Enterprise in E-commerce Promoting Oriental Aesthetic Worldwide”

Aileen & Norman co-founded Interact China in 2004 with specialization in fine Oriental Aesthetic products handmade by ethnic minorities & Han Chinese. Having direct partnerships with artisans, designers, craft masters and tailors, along with 12 years of solid experience in e-commerce via InteractChina.com, we are well positioned to bridge talented artisans in the East with the rest of the world, and directly bring you finely selected products that are of good quality and aesthetic taste.

So far we carry 3000+ goods covering Ladies Fashion, Tailor Shop, Home Furnishings, Babies & Kids, Painting Arts, Textile Arts, Carving Arts, Tribal Jewelry Art, Wall Masks and Musical Instruments. Our team speak English, French, German, Spanish and Italian, and serve customers worldwide with passion and hearts.


P.S. We Need People with Similar Passion to Join Our Blogging Team! 
If you have passion to write about Oriental Aesthetic in Fashion, Home Decor, Art & Crafts, Culture, Music, Books, and Charity, please contact us at bloggers@interactchina.com, we would love to hear from you!

 

 

 

The History of Chinese Ceramics in 5 Minutes

Written by Yuqing Yang

The most well-known Chinese porcelain in the West is the blue-and-white porcelain. Charlottenburg Palace in Berlin has a “Porcelain Cabinet” decorated by the finest blue-and-white porcelains. Not so many people, however, are familiar with other forms of Chinese ceramics. In this case, you are missing out on a lot, because they should surprise you even more! So let’s embark on a time travel and explore this timeless beauty in history!

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The Porcelain Cabinet in Charlottenbug, Berlin, completed in 1706

To get to know the development of ceramics, the first question is – how were they made in the first place? The basic formula for ceramics is stones + high temperature (above 1200 ℃  ) + glaze, all of which would not be achieved without advanced industrial developments. For example, in early times such as Shang and Western Zhou dynasties (c. 1600 – 771 BC), the semi-celadons discovered only had some basic characteristics of modern ceramics.

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Proto-porcelain

After 1600-1700 years of trials and errors, in Eastern Han period (25 – 220 AC), the area called Shangyu (上虞) located in eastern China became the origin of modern ceramics. These ceramics were better manufactured and characterized by a layer of glass-like celadon glaze.

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In Song dynasty (960–1279 AC), the ceramic production reached its peak, and the techniques varied region from region. Among all, there were five main kilns () – Jun, Ge, Guan, Ru and Ding. Each of them produced ceramics of its own distinct style. For example, the potteries from Jun kiln were known for their changing colors and nature-and-animal-like appearances, and those from Ru kiln usually had light-colored glazes.

7D857893-4987-44C9-AA2F-5F178BF2C262
Lotus-like warming bowl from Ru Kiln
BB6E993E-20E0-4322-8622-F897C8F5AC0A
Rose begonia-like purple-glazed flowerpot from Jun Kiln

Since the ancient time, ceramics had gone through phases of glazing. Eventually, not only the color spectrum was expanded rapidly, colors could also be painted both under and over the glaze. For instance, in Ming dynasty (1368 –1644 AC), the famous blue-and-white porcelain for decoration was colored under the glaze.

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With the previous achievements, in Qing dynasty (1616 – 1912 AC), another material, enamel, was introduced in the manufacturing process from abroad. The patterns and images on these Faience ceramics usually came from poems and paintings. Every detail was taken great care of by the most talented painters residing in the imperial palace. These porcelains were mostly small objects such as bowls, plates, tea sets, etc., which were indeed the first-rate Chinese ceramics in history.

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So how do you like this brief introduction of ceramics? Let me know by commenting below! If you still want to know more about this fascinating history, you can surely benefit from the following video:

 

 

 


About Interact China

“A Social Enterprise in E-commerce Promoting Oriental Aesthetic Worldwide”

Aileen & Norman co-founded Interact China in 2004 with specialization in fine Oriental Aesthetic products handmade by ethnic minorities & Han Chinese. Having direct partnerships with artisans, designers, craft masters and tailors, along with 12 years of solid experience in e-commerce via InteractChina.com, we are well positioned to bridge talented artisans in the East with the rest of the world, and directly bring you finely selected products that are of good quality and aesthetic taste.

So far we carry 3000+ goods covering Ladies Fashion, Tailor Shop, Home Furnishings, Babies & Kids, Painting Arts, Textile Arts, Carving Arts, Tribal Jewelry Art, Wall Masks and Musical Instruments. Our team speak English, French, German, Spanish and Italian, and serve customers worldwide with passion and hearts.


P.S. We Need People with Similar Passion to Join Our Blogging Team! 
If you have passion to write about Oriental Aesthetic in Fashion, Home Decor, Art & Crafts, Culture, Music, Books, and Charity, please contact us at bloggers@interactchina.com, we would love to hear from you!

 

 

 

CHINESE LADY LINGERIE IN ANCIENT CHINA (4) – Exquisite Techniques

Written by Gioia Zhang

 

A variety of techniques are used in the decoration of traditional Chinese women’s lingerie such as embroidery, inlay, appliqué, patch and more. Those techniques have distinctive processes and fine degree.

“Embroidery” is divided into four major categories, satin stitch, coil stitch, hand sewn stitch, and braid stitch.

  • Satin stitch is also called painting embroidery. The embroidery patterns are mainly in small size, and the stitches are parallel and arranged neatly. It was used more common in the Song and Yuan dynasties.

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Part Dudou: Period – The Late Qing Dynasty

 

  • Among all kinds of coil stitches, seed stitch is the most distinctive one. Though the stitching process is simple, it produces a solid aesthetic effect.

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Part Dudou: Period – The Late Qing Dynasty

 

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  • Hand sewn stitches are hand sewn sequins and appliqués used to decorate lady lingerie.

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Part Dudou: Period – The Republic of China Era

 

  • Braid stitch was not used very much in traditional Chinese lingerie. In general, the ancient people in China used “cross-stitch embroidery”.

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Part Corset: Period – The Republic of China Era

 

The ancient people of China were good at decorating lingerie with golden line embroidery.

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Part Dudou: Period – The Middle Qing Dynasty

 

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Part Dudou: Period – The Republic of China Era

 

 

“Inlay” refers to the use of a decorative strip of cloth /lace /embroidery sewn on the edge of underwear to form a decoration. This brocade (a type of tightly woven fabric) shows the idea of trimming the edge with exquisite silk.

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Part Corset: Period – The Middle Qing Dynasty

 

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Part Corset: Period – The Republic of China Era ·

 

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Part Corset: Period – The Early Qing Dynasty

 

“Trimming”/ “rolling off” is the process of wrapping the edges with cloth.

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Part Corset: Period – The Middle Qing Dynasty

 

“Appliqué” is a quick stitching decoration technique, an integration of embroidery and other processes to form a flat or semi perspective effect.

 

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Dudou: Period – The Late Qing Dynasty

 

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Dudou: Period – The Late Qing Dynasty

 

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Dudou: Period – The Late Qing Dynasty

 

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Dudou: Period – The Late Qing Dynasty

This Dudou is appliquéd with pre-cut patterns and decorated with satin stitch.

 

The “patching” is a process of sewing different pieces of cloth together. It has the meaning of “mending the deficiency” and is the icing on the cake for the Dudou.

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Paddy Field Dudou: Period – The Late Qing Dynasty

 

Exquisite craftsmanship is also reflected in the arrangement of layers and the refinement of the decorations. Decorating the connected parts with frog buttons make the underwear more attractive.

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Dudou: Period – The Late Qing Dynasty

 

The garment technique of Chinese traditional underwear is in line with the concept of “harmony between man and nature” and, in particular, the “round sky and square earth” theory. The lower part of the garment is “the circle shape in the front and the square shape in the back”. Putting the pattern of the Ruyi and butterfly in front of the chest is a metaphor of “lucky arrival ”.

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Part Nashao: Period – The Late Qing Dynasty

 

The ancient Chinese people also use batik, hand-painting and other techniques to enrich the style and effect of women lingerie.

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Underwear Cloth: Period – The Republic of China era

 

They not only use silk, brocade and other premium quality fabric, they also use homespun cotton, cambric and fine bamboo to create lingerie.

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Hollowed Out Clothes: Period – The Late Qing Dynasty

 

To connect each part with bead is also one of the most ingenious techniques.

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Dudou: Period – Late Qing Dynasty

 

The spinning technique weaves and wraps fabric into different kinds of tassels. This is very imaginative.

 

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Part Dudou: Period – The Late Qing Dynasty

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Dudou: Period – The Late Qing Dynasty

 

The beautiful lingerie was made simply by a small piece of cloth and with different stitching methods. The lingerie had infinite possibilities of design, full of imagination and creativity. The wisdom of ancient people in China has amazed the world!

 

This article refers to 《Fantasy Beyond Body: The Civilization of Chinese Underwear in Ancient Times》

 

About Interact China


“A Social Enterprise in E-commerce Promoting Oriental Aesthetic Worldwide” 

Aileen & Norman co-founded Interact China in 2004 with specialization in fine Oriental Aesthetic products handmade by ethnic minorities & Han Chinese. Having direct partnerships with artisans, designers, craft masters and tailors, along with 10 years solid experience in e-commerce via InteractChina.com, we position well to bridge talented artisans in the East with the rest of the world, and bring you direct finely selected products that are of good quality and aesthetic taste.

So far we carry 3000+ goods covering Ladies Fashion, Kungfu Clothing, Home Furnishings, Babies & Kids, Painting Arts, Textile Arts, Carving Arts, Tribal Jewelry Art, Wall Masks and Musical Instruments. Our team speak English, French, German, Spanish and Italian, and serve customers worldwide with passion and hearts.


P.S. We Need People with Similar Passion to Join Our Blogging Team!

If you have passion to write about Oriental Aesthetic in Fashion, Home Decor, Art & Crafts, Culture, Music, Books, and Charity, please contact us at bloggers@interactchina.com, we would love to hear from you!

Chinese Shoe Culture(IV)The Multi-Layer Sole

Written by Gioia Zhang

 

The craft of multi-layer-sole cloth shoes was a remarkable achievement in Chinese shoe making history, carrying tremendous history, culture and craft value. It has been listed on China’s second intangible cultural heritage list since 2008. The shoe sole is made of many layers of cloth stitched together under fine processes.

The earliest shoes with sewn soles began in the Zhou dynasty. According to archeological research, these stitched soles were first used in the army because of the requirement for abrasion-resistant shoes. Then, these shoes with sewn soles become popular among the public. This was the first time that friction theory was used in shoe design in China.

4 multilayer shoes.jpeg

In the Qing dynasty, sewn sole shoes evolved into multi-layer-sole shoes which is famous around the world. There is a set of strict procedures for the making of multi-layer-sole shoes. The shoes are good at heat releasing in summer, and can keep feet warm in winter. The modern multi-layer-sole shoes are quite different from the traditional ones. Whether in design or in material, modern multi-layer shoes align with the current aesthetic trend of returning to nature.

4 内联升大鱼海棠系列女鞋.jpgNeiLianSheng Women’s Shoes Series with Big Fish and Begonia Design

(NeiLianSheng is a brand)

4 内联升西瓜圆口布鞋.pngNeiLianSheng’s Watermelon Round-Opening Sewn Shoes

4 内联升千彩女鞋.jpgNeiLianSheng’s Colorful Women’s Shoes

4 内联升织锦婚鞋.pngNeiLianSheng’s Brocade Wedding Shoes

4 内联升蓝印花布方口女鞋.jpgNeiLianSheng’s Indigo Printed Square-Opening Women’s Shoes

4 内联升花卉女鞋.jpgNeiLianSheng’s Floral Women’s Shoes

4 内联升纯手工僧侣凉鞋.jpgNeiLianSheng’s Handmade Monk Sandals

4 内联升锦衣卫手绘工作鞋.jpgNeiLianSheng’s Imperial Guards’ Working Shoes

About Interact China


“A Social Enterprise in E-commerce Promoting Oriental Aesthetic Worldwide” 

Aileen & Norman co-founded Interact China in 2004 with specialization in fine Oriental Aesthetic products handmade by ethnic minorities & Han Chinese. Having direct partnerships with artisans, designers, craft masters and tailors, along with 10 years solid experience in e-commerce via InteractChina.com, we position well to bridge talented artisans in the East with the rest of the world, and bring you direct finely selected products that are of good quality and aesthetic taste.

So far we carry 3000+ goods covering Ladies Fashion, Kungfu Clothing, Home Furnishings, Babies & Kids, Painting Arts, Textile Arts, Carving Arts, Tribal Jewelry Art, Wall Masks and Musical Instruments. Our team speak English, French, German, Spanish and Italian, and serve customers worldwide with passion and hearts.


P.S. We Need People with Similar Passion to Join Our Blogging Team!

If you have passion to write about Oriental Aesthetic in Fashion, Home Decor, Art & Crafts, Culture, Music, Books, and Charity, please contact us at bloggers@interactchina.com, we would love to hear from you!

Chinese Shoe Culture(V)Colorful Tribal Shoes

Written by Gioia Zhang

 

The vast and fertile land of China gives birth to multi-ethnic cultures. Footwear also shows astonishing changes with civilizations from different geographical circumstances.

5满族黑贡呢云纹双梁花鞋.jpgManchu Black Tribute Flower Shoes with Double Beams · The Late Qing Dynasty and Early Period of the Republic of China

Manchu women wore flag shoes, and Manchu men wore boots. Most of the flag shoes were embedded with double beams, but some were sewed in cloud patterns with brocade, called “cloud shoes”. Manchu women’s shoes were divided into flat sole types and high sole types. Some of the high-sole shoes had the design of a “horse hoof”.

5藏族红黑毛呢绣花长靴.jpgTibetan Thigh Wool Boots with Red and Black Embroidery · Contemporary

There are many kinds of Tibetan boots, which can be roughly divided into 3 types: cow leather boots, corduroy boots, and woolen cotton boots. However, there is no difference between men and women’s boots. They were only different in height and thickness.

5侗族挽针绣翘头绣花鞋.jpgDong Tribe’s Warped Head Shoes with Double Chain Stitch Embroidery · Contemporary.

5侗族马尾绣翘头绣花鞋.jpgDong Tribe’s Warped Head Shoes with Horsetail Embroidery · Contemporary

The Dong tribe’s embroidered warped head shoes, also called “hook shoes,” had a pointed end like a ship’s bow or an ox’s horn, a symbol that payed respect to nature and animals. Many Chinese ethnic groups make symmetrical shoes. This simplifies the shoe-making process, and also reduces the difference in abrasion between the two sides caused by constant wearing.

5鄂温克族犴皮靴.jpgEwenki Tribe’s Dog Skin Boots · Contemporary

Before the late Qing dynasty, the Ewenki people made all their clothes from animal skin, as they lived in a cold region and made use of animal husbandry. Their hide boots were warm, portable, and resilient. Walking with Ewenkian hide boots in snow and in mountains made only tiny sounds, which was helpful for hunting.

5鄂温克族犴腿皮靴.jpgEwenki Tribe’s Dog Skin Boots · Contemporary

Ewenki people wear dog skin boots all year round. Generally the summer’s boots are hairless. In winter, people put wula grass, one of the three treasures of Dongbei province, in their shoes to keep their feet warm.

5青海互助土族绣花鞋.jpgEmbroidered Shoes of Tu Ethnic Group in Qinghai Province · Contemporary

5青海互助土族腰鞋.jpgThigh Boots of Tu Ethnic Group in Qinghai Province · Contemporary

Tu embroidery features delicate stitches, vibrant colors, compact woven structures, and is easy to preserve. Patterns on these shoes are mainly made by simple stiches using bright colors, and show the unique artistic attraction of the Tu people’s embroidery. Rainbow-patterned decoration is usually on Tu women’s clothing, and therefore the ethnic area in Qinghai province is known as the “rainbow town”.

5四川茂汶羌族花鞋.jpgEmbroidered Shoes and Hand-sewn Soles of Maowen Qiang Ethnic Group in Sichuan Province · Contemporary

The cloud shoes, often with embroidered soles, are homemade cotton shoes which the Qiang people wear on holidays. The shoes represent love in Qiang’s traditions.

5赫哲族鱼皮鞋.jpgFish Leather Shoes of the Hezhen Ethnic Group · Contemporary

The Hezhen ethnic group lives along the Songhua River, earning their livelihoods by fishing and hunting. Using fish skin to make clothing, including jackets, pants, bags, and shoes, is the Hezhen ethnic group’s distinct traditional skill.

5白族女花鞋.jpgEmbroidered Shoes of Bai Ethnic Group · Contemporary

Ladies from the Bai tribe also have handmade shoe traditions.

5保安族黑贡缎刺绣女夹袜.jpgBlack Sateen Embroidered Women’s Socks from Baoan Ethnic Group · Contemporary

The Baoan ethnic group’s traditional “shoe-socks,” also known as “worship shoes,” are usually taken off in mosques. Since the bottom of the socks are the hells are shown during worship service, the Baoan people sewed exquisite flower patterns to the bottom of the heel of the “shoe-socks.”

As we can see, there are countless achievements of Chinese handcrafted art.

 

About Interact China


“A Social Enterprise in E-commerce Promoting Oriental Aesthetic Worldwide” 

Aileen & Norman co-founded Interact China in 2004 with specialization in fine Oriental Aesthetic products handmade by ethnic minorities & Han Chinese. Having direct partnerships with artisans, designers, craft masters and tailors, along with 10 years solid experience in e-commerce via InteractChina.com, we position well to bridge talented artisans in the East with the rest of the world, and bring you direct finely selected products that are of good quality and aesthetic taste.

So far we carry 3000+ goods covering Ladies Fashion, Kungfu Clothing, Home Furnishings, Babies & Kids, Painting Arts, Textile Arts, Carving Arts, Tribal Jewelry Art, Wall Masks and Musical Instruments. Our team speak English, French, German, Spanish and Italian, and serve customers worldwide with passion and hearts.


P.S. We Need People with Similar Passion to Join Our Blogging Team!

If you have passion to write about Oriental Aesthetic in Fashion, Home Decor, Art & Crafts, Culture, Music, Books, and Charity, please contact us at bloggers@interactchina.com, we would love to hear from you!

Chinese Shoe Culture (VI) The Spirit Under Foot

Written by Gioia Zhang

 

In northern China, children often wear animal shoes. These animal shoes are a traditional type of embroidery made using the applique technique, where cotton, linen, and other materials are stitched into a variety of patterns.

Women found that children’s shoes were particularly vulnerable to breaking, so they cut clothes into many animal prints and sewed them on the shoes. This not only increased the wear resistance of children’s shoes but also made them have a very interesting aesthetic.

6虎纹婴儿靴 民国.jpgTiger Head Baby Boots · Republic of China

6虎纹婴儿鞋 民国.jpg

6虎纹婴儿鞋 民国2.jpgTiger Head Baby Shoes · Republic of China

Chinese people devote a particular care to wearing shoes. They traditionally believed that wearing tiger head or lion head shoes could dispel evil spirits and bring peace, as tigers and lions are the kings of animals.

6狮子纹童鞋  民国.pngChildren’s Lion Shoes · Republic of China

 6狮子纹婴儿鞋 民国.jpgBaby’s Lion Shoes · Republic of China

6平针绣狮子纹婴儿连脚裤 民国.jpgBaby’s Plain-stitched Lion Pattern Pantyhose · Republic of China

6猪纹婴儿鞋 民国.jpgBaby’s Pig Shoes · Republic of China

 These pig shoes carry parents’ best wishes for their babies to be healthy and grow strong, as pigs both eat well and sleep well.

6龙纹带须婴儿靴 民国.jpgBaby’s Dragon Boots · Republic of China

The dragon, an auspicious totem in Chinese culture, is a popular design in Chinese clothing and adornments.

6猫头鞋 民国.jpgBaby’s Cat Shoes · Republic of China

6兔紋婴儿鞋 民国2.jpg

6兔紋婴儿鞋 民国.jpgBaby’s Rabbit Shoes · Republic of China

Sewing animals on her children’s shoes not only shows a women’s gratitude for nature, but also expresses good wishes for her children’s feature, hoping they grow up to resemble these lovely spiritual animals.

About Interact China


“A Social Enterprise in E-commerce Promoting Oriental Aesthetic Worldwide” 

Aileen & Norman co-founded Interact China in 2004 with specialization in fine Oriental Aesthetic products handmade by ethnic minorities & Han Chinese. Having direct partnerships with artisans, designers, craft masters and tailors, along with 10 years solid experience in e-commerce via InteractChina.com, we position well to bridge talented artisans in the East with the rest of the world, and bring you direct finely selected products that are of good quality and aesthetic taste.

So far we carry 3000+ goods covering Ladies Fashion, Kungfu Clothing, Home Furnishings, Babies & Kids, Painting Arts, Textile Arts, Carving Arts, Tribal Jewelry Art, Wall Masks and Musical Instruments. Our team speak English, French, German, Spanish and Italian, and serve customers worldwide with passion and hearts.


P.S. We Need People with Similar Passion to Join Our Blogging Team!

If you have passion to write about Oriental Aesthetic in Fashion, Home Decor, Art & Crafts, Culture, Music, Books, and Charity, please contact us at bloggers@interactchina.com, we would love to hear from you!

 

 

Chinese Shoe Culture (III) Amazing Women’s Shoes of the Qing Dynasty

Written by Gioia Zhang

 

Handcrafted embroidery is one of China’s finest skills. It has a long history, and has become a respected tradition. This skill was significantly developed in the Qing dynasty. There were a number of traditional methods of stitching. The Suzhou, Hunan, Shu, and Yue types of stitches were known as the four most famous Chinese stitches. These four embroidery methods had a great influence on the embroidered shoes in the Qing dynasty.

 3 19世纪橙色地福寿纹绣花鞋 关键词-清代弓鞋;小脚鞋;三寸金.jpgOrange Embroidered Shoes for Bithday Celebration

3 标题-清代粉地绣花小脚鞋 关键词-清代弓鞋;小脚鞋;三寸金莲;.jpgPink Embroidered Bow Shoes

3 标题-清代黑色绣花底鞋 关键词-清代弓鞋;.jpgBlack Sole Embroidered Shoes

According to historical research, the Chinese foot binding tradition began at the end of the Five Dynasties period. It became popular during the Ming dynasty, the Qing dynasty, and the period of the Republic of China. The foot binding practice reached its peak in the Qing dynasty. Han Chinese women from every social class were expected to bind their feet. Little feet were widely appreciated in that time.

3 标题-清代花卉纹三寸金莲小脚鞋 关键词-清代弓鞋;小脚鞋;三寸金莲;花卉纹;.jpgFlower Embroidered Bow Shoes

3 标题-清代粉地绣花鞋 关键词-清代弓鞋;.jpgPink Embroidered Shoes

3 标题-19世纪紫地花卉纹绣花鞋 关键词-清代弓鞋;小脚鞋;.jpgPurple Flower Embroidered Shoes

3 标题-19世纪黑地花卉蝙蝠纹刺绣弓鞋 关键词-清代弓鞋;小脚鞋;三寸金莲;花卉纹;蝙蝠纹; 通用描述-清代弓鞋;.jpgBlack Bats and Flowers Embroidered Bow Shoes

3 标题-19世纪红地蝴蝶纹绣花弓鞋 关键词-清代弓鞋;.jpgRed Butterflies Embroidered Bow Shoes

The history of bound-feet shoes, also called “bow shoes”, is said to be a history of blood and tears for the Han Chinese women. These fancy looking shoes reflected the harsh foot binding ideology that was prevalent in China’s feudal society.

3 清末粉地花卉纹“三寸金莲”高跟,一般见客时套在小脚鞋上,以增加鞋的高度,该类脚跟的使用不太普遍。面料是粉红刺绣花卉纹缎.jpgPink floral high heels

3 清代蓝地花草纹弓靴  标题-清代蓝地花草纹弓靴 关键词-清代弓鞋;小脚鞋;三寸金莲;花草纹.jpgBlue Bottom Floral Bow Shoes

3 标题-19世纪红地盘金绣弓鞋 关键词-清代弓鞋;小脚鞋;三寸金.jpgRed and Gold Thread Embroidered Bow Shoes

3 标题-19世纪花卉纹刺绣高跟小脚鞋 关键词-清代弓鞋;高跟小脚鞋;三寸金莲;花卉纹; 通用描述-清代弓鞋;.jpgFloral Embroidered High-Heeled Bow Shoes

Manchu women, however, didn’t have the foot-binding habit. Therefore their shoes were much larger than the Han Chinese women’s shoes.

3 清代满族蓝缎地梅花纹绣花鞋.jpgBlue Satin Manchu Embroidered Shoes with Plum Blossoms

3 清代满族浅粉地暗八仙.jpgManchu Women’s Light Pink Embroidered Shoes with Eight Immortals Design

3 清光绪 红色缎绣金鱼纹元宝底女棉鞋.jpgRed Silk Cotton-Padded Shoes with Golden Fish Design

Because of the weather and other geographical causes, Manchu women wore shoes with thick soles, commonly known as “horse hoof shoes”. However, as they became older the height of their soles reduced gradually, and sometimes they even wore flat shoes.

3 标题-清乾隆黄缎彩绣皮里马蹄底鞋 关键词-清代旗鞋.jpgYellow Silk Embroidered “Horse Hoof Shoes”

3 标题-清代满族紫地花蝶动物纹刺绣高底鞋 关键词-清代旗鞋;.jpgManchu Purple Embroidered High Heeled Shoes with Animal Design

3 标题-清康熙绿色缎缉米珠珊瑚珠凤纹头尖底鞋 关键词-清代旗鞋.jpgGreensilk Satin Crested Thick-Soled Shoes

3 清代湖色缎绣盘长纹花盆底鞋.jpgEmbroidered “Horse Hoof Shoes” with Lake Blue Silk Strings of Beads

3 清代黄色缎绣花卉纹花盆底鞋.jpgYellow Satin Floral Embroidered “Horse Hoof Shoes”

3 清代蓝缎彩绣暗八仙钉.jpgBlue Satin Embroidered Horse Hoof Shoes with Design of Covert Eight Immortals

3 清代蓝地绣花元宝底棉鞋.jpgBlue Satin Ingot-Shaped Cotton Padded Shoes

3 清代满族白缎地马蹄底鞋.jpgManchu Women’s White Satin Horse Hoof Shoes

3 清代湖色缎绣人物纹元宝底鞋.jpgLake Blue Satin Embroidered Ingot-Shaped Shoes with Character Designs

3 清代蓝地金鱼荷花纹刺绣高底鞋.jpgBlue Satin Ingot-Shaped Cotton Padded Shoes

3 清光绪 红色缎緝线绣花卉纹元宝底棉鞋副本.jpgRed Floral Ingot-Shaped Cotton Padded Shoes

The Manchu women’s shoes became more exquisite and luxurious after hundreds of years of development. These shoes are a landmark of the Qing dynasty’s footwear. People from all over the world have been amazed at the extraordinariness of Qing footwear.

 

About Interact China


“A Social Enterprise in E-commerce Promoting Oriental Aesthetic Worldwide” 

Aileen & Norman co-founded Interact China in 2004 with specialization in fine Oriental Aesthetic products handmade by ethnic minorities & Han Chinese. Having direct partnerships with artisans, designers, craft masters and tailors, along with 10 years solid experience in e-commerce via InteractChina.com, we position well to bridge talented artisans in the East with the rest of the world, and bring you direct finely selected products that are of good quality and aesthetic taste.

So far we carry 3000+ goods covering Ladies Fashion, Kungfu Clothing, Home Furnishings, Babies & Kids, Painting Arts, Textile Arts, Carving Arts, Tribal Jewelry Art, Wall Masks and Musical Instruments. Our team speak English, French, German, Spanish and Italian, and serve customers worldwide with passion and hearts.


P.S. We Need People with Similar Passion to Join Our Blogging Team!

If you have passion to write about Oriental Aesthetic in Fashion, Home Decor, Art & Crafts, Culture, Music, Books, and Charity, please contact us at bloggers@interactchina.com, we would love to hear from you!

 

Chinese Shoe Culture (II) Why Were Toes Upturned?

Written by Gioia Zhang

 

Upturned toecap shoes are the most typical kind of ancient Chinese shoe. Yet if we look at the global history of shoes, we find that an upturned toecap is a common feature of ancient shoes from many different cultures. Shoes with upturned toecaps began in the Qin Dynasty. During the Spring and Autumn Period, these shoes were highly valued by people. In the Tang dynasty, people made many colorful upturned toecap shoes.

 2 唐 赤舄.jpgRed Shoes · The Shang Dynasty

2 宝相花锦履 唐.jpgFlower Brocade Shoes · The Tang Dynasty

2 翘头兰绢鞋.pngUpturned Blue Silk Shoes

2 翘头绮鞋.pngUpturned Damask Shoes

2 唐代履头款式.jpgUpturned Toecap Style in the Tang Dynasty

Pointed shoes and “three-inch lotus” shoes originated in the Five Dynasties period and developed into “tip of the small feet” shoes in the Song dynasty.

2 江西明墓出土的明代翘尖弓鞋(三寸金莲裹脚女性用鞋).jpgUpturned Pointed Shoes · The Ming Dynasty

After the Qing dynasty, women generally wore shoes with thick soles, which were called “lotus” shoes and round head shoes. Except for boots, Men wore similar styles of shoes to what people wear today. A new trend of “flat shoes” was formed in the Qing dynasty. However, ethnic groups in southwest and northwest China still make and wear beautiful upturned toecap shoes.

2 翘尖绣花布鞋 彝族传统布鞋,翘尖,绣彩色花纹,适宜在山区穿着行走.pngUpturned Embroidered Shoes · The Yi Ethic Group in China

 2 旧时西藏僧官所穿长筒船形靴。靴面为金丝花缎料,靴帮用多层白布纳制而成,厚实坚硬。靴尖呈船形,靴底为双层皮革,靴筒用紫红色氆氇制成。孜忠鞋.pngZi Zhong shoes, a pair of knee high boat boots from a Tibetan monk in old days

 2 Jin_Wu_Di.jpg

Why were ancient shoes upturned? There are 4 reasons:

 

  1. Ancient Chinese wore long coats and long dresses. These upturned toecap shoes could provide some support for those long clothes to prevent people from slipping and falling.
  2. Upturned toecap shoes could better prevent people from accidentally hitting dangerous objects, and protect them from some acute injuries.
  3. The upturned part is made with soles that are resilient. This design could extend the useful life of the shoes.
  4. Upturned toecap shoes share the same features as the apexes of ancient buildings. It could be explained that this design was to show respect to gods and supernatural beings.

 

About Interact China


“A Social Enterprise in E-commerce Promoting Oriental Aesthetic Worldwide” 

Aileen & Norman co-founded Interact China in 2004 with specialization in fine Oriental Aesthetic products handmade by ethnic minorities & Han Chinese. Having direct partnerships with artisans, designers, craft masters and tailors, along with 10 years solid experience in e-commerce via InteractChina.com, we position well to bridge talented artisans in the East with the rest of the world, and bring you direct finely selected products that are of good quality and aesthetic taste.

So far we carry 3000+ goods covering Ladies Fashion, Kungfu Clothing, Home Furnishings, Babies & Kids, Painting Arts, Textile Arts, Carving Arts, Tribal Jewelry Art, Wall Masks and Musical Instruments. Our team speak English, French, German, Spanish and Italian, and serve customers worldwide with passion and hearts.


P.S. We Need People with Similar Passion to Join Our Blogging Team!

If you have passion to write about Oriental Aesthetic in Fashion, Home Decor, Art & Crafts, Culture, Music, Books, and Charity, please contact us at bloggers@interactchina.com, we would love to hear from you!