Clay Figurines Capture Spirit of Life

Working in clay may remind many Chinese people of their happy childhoods.

There are many different styles of clay-sculpting all over China, but Zhang Clay Figurine in Beijing is among the most famous practitioners of the art.

As the fourth generation in the family preserving the traditional technique, Zhang Chang, 71, bears the duty of sharing Chinese history.

Zhang Chang, 71, is the fourth generation of his family preserving the traditional techniques of making clay figurines
 Chinese Crafts

“The ancestor of Chinese clay figurine-making is probably Nuwa,” he jokes, citing the goddess in ancient mythology who used clay to create human beings.

His family business can be dated back to the mid-19th century, when Zhang Mingshan, from Zhejiang province, settled in Tianjin. Craftsmen of the time absorbed Western painting elements into their art to create more vivid details. Though clay figurines were traditionally considered to be grassroots pieces, the delicately made art was soon cherished by royal families in Beijing, especially by the Empress Dowager Cixi (1835-1908).

Zhang explains that he keeps adjusting his work until the clay has completely dried; sometimes the making of one piece will last as long as one year as Zhang seeks just the right mood.

Zhang, who is now an art professor at Tsinghua University, has compiled academic works to document the traditional craft.

Some of the pieces by Zhang clay figurines

 Chinese Crafts

“The figurine-making conveys not only aesthetics and creativity, but experiences of life in society,” he says. “The inheritance of the skill in our family reflects a special spirit to guide generation after generation to find their way when chasing an art career.

“However, not everyone in the family will love the work. Only when they love it will they inject their personal feelings into the work. Figurines made by different people thus have different characteristics even though they follow the same discipline.”

Zhang says a person can usually learn the basics of figurine-making within three months, but much more practice is needed to perfect the art.

“Masters are only ushers at the gate, and each student needs to develop a personal understanding in their heart.”

by Xiao Xiao

About Interact China

“A Social Enterprise in E-commerce Promoting Oriental Aesthetic Worldwide”

Aileen & Norman co-founded Interact China in 2004 with specialization in fine Oriental Aesthetic products handmade by ethnic minorities & Han Chinese. Having direct partnerships with artisans, designers, craft masters and tailors, along with 12 years of solid experience in e-commerce via, we are well positioned to bridge talented artisans in the East with the rest of the world, and directly bring you finely selected products that are of good quality and aesthetic taste.

So far we carry 3000+ goods covering Ladies Fashion, Tailor Shop, Home Furnishings, Babies & Kids, Painting Arts, Textile Arts, Carving Arts, Tribal Jewelry Art, Wall Masks and Musical Instruments. Our team speak English, French, German, Spanish and Italian, and serve customers worldwide with passion and hearts.

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Dongyang Wood Carving

Dongyang, a city in the middle of Zhejiang Province near Shanghai, is famous for its woodcarving. It is one of the major centers of woodcarving production from the Ming (1368-1644) and Qing (1644-1911) dynasties to the present day. Woodcarving in Dongyang has a long history and was named after its place of origin, Dongyang.


Dongyang woodcarving had already developed to a certain level by the Tang Dynasty(618-907), but was most prosperous in the last two feudal dynasties — the Ming(1368-1644)and the Qing(1644-1911).

The magnificent woodcarvings can be found in the imperial palaces in Beijing, Suzhou City, Hangzhou City and Anhui Province. During the reign of Qing Dynasty Emperor Qianlong(1711-1799), over 400 craftsmen came to the capital of Beijing to decorate the palaces and carve the lanterns. Those woodcarving articles are still kept in Gugong, the Imperial Palace in Beijing.

 Dongyang wood carving

After 1910, many carvers from Dongyong gathered in Shanghai and Hangzhou to produce export-oriented furniture and utensils combining Chinese and Western styles. Since the founding of the PRC, highly artistic frescoes and screens appeared on the market with the rapid development of technology. These works, focusing on historical stories and folk legends were designed using the ‘full carving’ technique, which formed a unique artistic style.

 Dongyang wood carving

In 1957, a 19-meter high wooden statue of Sakyamuni Buddha was sculpted for the main hall of Lingyin Temple in Hangzhou. In 1983, Dongyang City was named “the hometown of Chinese woodcarving” by the state council.


The artistic forms of Dongyang woodcarving with distinct gradations and superb carving technology are unique in the handicraft and art fields.

 Dongyang wood carving

Dongyang woodcarving, also called “white woodcarving” (white is the natural color of the wood) is second to none in terms of Chinese crafts. In terms of techniques, Dongyang woodcarving features a high relief, multi-layers, and a rich composition of pictures, presenting a third dimension, full yet in neat order.

Dongyang woodcarving emphasizes relief skill; uses the traditional experience of a discreet, bird’s-eye perspective of the structure; stresses round composition; considers dispersion and multiplicity without looseness or disorder. Moreover, it has other features such as distinct gradations, obvious subjects and expressive plots which often help to tell a larger story.

 Dongyang wood carving

Dongyang woodcarving is mainly used to decorate houses and furniture with mainly realistic depictions of galloping horses, cranes, lotus flowers and human figures.

Nowadays, the assortment of Dongyang woodcarving products amount to more than 2,700 varieties, most of which — covering ninety percent of total output value — are daily wares such as cases, cabinets, stools, desks and tables. They are exported to over 50 countries and regions, while involving thousands of craftsmen in that industry.

by Xiao Xiao

About Interact China

“A Social Enterprise in E-commerce Promoting Oriental Aesthetic Worldwide”

We co-founded Interact China in 2004 with specialization in fine Oriental Aesthetic products handmade by ethnic minorities & Han Chinese. Having direct partnerships with artisans, designers, craft masters and tailors, along with 10 years solid experience in e-commerce via, we position well to bridge talented artisans in the East with the rest of the world, and bring you direct finely selected products that are of good quality and aesthetic taste.

So far we carry 2000+ goods covering Ladies Fashion, Tailor Shop, Home Furnishings, Babies & Kids, Painting Arts, Textile Arts, Carving Arts, Tribal Jewelry Art, Wall Masks and Musical Instruments. Our team speak English, French, German, Spanish and Italian, and serve customers worldwide with passion and hearts.

P.S. We Need People with Similar Passion to Join Our Blogging Team!
If you have passion to write about Oriental Aesthetic in Fashion, Home Decor, Art & Crafts, Culture, Music, Books, and Charity, please contact us at, we would love to hear from you!

Mysterious Tibetan Jewelry

To some extent, Tibetan jewelries convey a traditional cultural tint of Tibet. That is why the Tibetan jewelries look more mysterious and exotic, and why there are so many people like Tibetan jewelry very much.


Religious Symbol


Tibet is a Buddhist nation, which is reflected strongly in its jewelry. Some Tibetan style pendants, which in Buddhism are ritual instruments for subduing demons, believed to dispel all sins and bring people power, courage, and intelligence. Many pieces have Sanskrit inscriptions of a religious symbolic nature.

These are the most common symbolic forms that you will definitely see in Tibetan jewelry:

Tibetan Jewelry

Om . The om symbol is the sound of the universe. It has great significance to Buddhists and Hindus.

Tibetan Jewelry

Tibetan Jewelry

Mantras . The most common mantra is “Om Mani Padme Hum,” which means “The Jewel Lotus Flower within the Heart.” When chanted, this ancient harmony connects us to the tune of the universe.

Tibetan Jewelry

Auspicious Symbols . There are eight auspicious symbols in Tibetan thought. These symbols serve a pedagogical function, teaching Buddhist principles to the people in a form that is easily remembered.

Tibetan Jewelry

The auspicious symbols are as follows:

Conch shell: the sound of the sacred path (Dharma)

Dual fish: spiritual abundance

Interwoven knot: representing the eternity of Lord Buddha’s teachings

Lotus flower: transformation of life into pure spirit

Treasure bowl: symbolizes spiritual jewels

Umbrella: protection from the corruption of personal desire

Victory Emblem: a banner representing spiritual attainment

Wheel of Dharma: the stillness of the soul capable of watching the world while remaining unaffected by it




Tibetan jewelry is seen as a means to keep the wearers close to deities and also believed to have the ability to eliminate disease, fear of death, prolong life and increase wealth.

Tibetan Jewelry

Tibet is famous for its ancient beads, called Dzi beads. Dzi beads have amulet properties, as they are believed to be capable of driving away evil spirits, protecting against natural catastrophes, increase one’s energy, bring good reputation to oneself, and promote decency. Dzi beads have been dated back to 1000 B.C. and were once referred to as God Beads. The beads exist in different shapes and motifs, each serving a different spiritual function.

Tibetan Jewelry

Tibetans often wear a prayer box, known as Ghau (or Gau or Gao). These prayer boxes are amulets (protectors), and are usually made of silver. They are highly ornate in pattern and design, and usually are embedded with gemstones. The Ghau is worn as a necklace, with the box hanging at heart-length. Inside the box is placed a scroll prepared by a Buddhist priest. The scroll contains a mantra, prayer, image of Buddha, or sacred symbol. In place of a scroll, a Tibetan might place a gemstone with protective powers or medicinal herbs in the box.

Tibetan Jewelry

In Tibetans’ views, yak is a kind of beautiful and sacred animal. Among Tibetan people there has been a Legend of yak circulating: “after the death of each yak, it will turn into a guardian to protect those who still respect them. And the way to respect dead yak is putting its fur or bone at home or carrying them along.” Therefore, Tibetan people carve scripture on yak skulls as a sacrifice for religion. At the same time, Yak Bone ornament could be seen worn by a lot of people in Tibet, in such way they commemorate and respect yaks which contribute their whole lives to Tibetans. Yak bone ornament is a unique decoration, original and natural, tough and unconstrained, which adds a wild charm to the wearer. And yak bone jewelry can also used as amulet to avoid evils.

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Shadow Puppet Play The Precursor of Modern Movie

Shadow play is taken as an earliest ancestor of modern cinema; the unique artistic value makes it be reserved from the ancient time. It is a kind of drama in which silhouettes made of ox, sheep, donkey or other animal leathers are projected onto a white screen. The performer plays the characters behind the screen while singing the libretto to tell the story.

shadow puppet


History of Shadow puppet play

The Shadow puppet play has a history of over 2000 years, which originated during the Han Dynasty (B.C 202 – A.D 220) when one of the concubines of Emperor Wu died. The emperor was so devastated that ignored the affairs of state, and he summoned his court officers to bring his beloved back to life. The officers got an idea and made a shape of the concubine using donkey leather. Her joints were animated using 11 separate pieces of the leather, and adorned with painted clothes. Using an oil lamp they made her shadow move, bringing her back to life. After seeing the shadow puppet play, Emperor Wu began to recover. Then the love story was recorded in the book of “The History of the Han Dynasty”.

shadow puppet

The Shadow puppet play began to become quite popular in Song Dynasty (A.D 960 – A.D 1234). During the Ming Dynasty (A.D 1368 – A.D 1644) there were 40 to 50 shadow puppet play troupes in Beijing. In the late 13th century, Yuan Dynasty (AD 1271 – A.D1368), the shadow show became a recreation in the barracks of the Mongolian troops. It was spread by the conquering Mongols to distant countries like Persia, Arabia, Turkey and other Southeastern Asian countries.


Shadow Puppet Play in China


The shadow puppet is the wisdom of Chinese artists, and it is also a popular handiwork in China. It is widely spread in most regions in China, except Tibet and Xinjiang, with different styles of shadow puppet play in different places. However, the characters shaping and performance skills are all quite exquisite, with play themes including the Chinese ancient magic, myths, religions, monarchs, legal cases, wars, as well as talented scholars and pretty ladies, the secular life and etc.

shadow puppet

The shadow play was the earlier form of Chinese Cartoon, and to perform a great shadow play is no easy task for it takes considerable expertise in the fine arts, often requiring artists to perform multiple skills at once.

Nevertheless, performers find it rewarding because it brings the audience a lot of happiness. The major problem now is that the audience is aging fast, and the vast majority of young people do not really understand the ancient art form.


Shadow Puppet Play in other Countries


shadow puppet

The show began to spread to Europe in the mid 18th century, when French missionaries to China took it back to France in 1767 and put on performances in Paris and Marseilles, causing quite a stir. In time, the ombres chinoises, with local modification and embellishment, became the ombres francaises and struck root in the country.

At present, more than 20 countries are known to have shadow show troupes.

The principle methods of shadow performance adopted by the shadow puppet played an important leading role in the invention of the modern movie and the development of the movies and cartoons. Nowadays, the Chinese shadow puppet plays have been collected by the museums of many countries in the world. Meanwhile they are the best souvenir given by Chinese government officials to their foreign guests.

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The Different Kinds of Shadow Puppets and Silhouettes

Puppets are one of the oldest forms of theater, and shadow puppetry in particular has a rich history in both Asia and the west. Historians trace the origins of shadow puppets to China, at least as far back as the Han Dynastry of around 220 BCE. Unlike three-dimensional puppet figures such as marionettes, shadow puppets appear only as forms on a lit screen. Many world cultures have adopted this art form, with variations both in technique and content.


China and Taiwan


Chinese shadow puppetry is characterized by symbolism conveying information about characters onstage. Red indicates a noble character, green a slightly less august personage, and black means a person of low rank. The Chinese character for longevity marks a puppet character as old. Chinese shadow puppets are multijointed, allowing for a great range of movement.


India and the Hindu Influence


Indian shadow puppets have a single piece for both head and body. Only the hands and feet move, unlike the more flexible Chinese puppets. Shadow puppets have been used for centuries to enact the two Indian epics: the Mahabharata and the Ramayana. Offerings are made before performances to the elephant-headed Hindu God Ganesha, considered the patron of shadow puppet theater.


Southeast Asia


Other Asian cultures were influenced by the Indian rather than the Chinese shadow puppet design. In Thailand, Malaysia and Indonesia, shadow puppet theater traditionally was based on the the two epics of India. More modern influences are changing the content of performances; in Thailand, modern shadow puppetry may even depict cowboys. In Indonesia, stories from Islam and Christianity as well as Hinduism are now performed.


Greece and Turkey


Greek and Turkish shadow puppets have multiple moving parts like the Chinese style. Greek puppet theater has three distinct styles: comic depictions of everyday life, tales of Greek mythology and political tales about the Greek struggle against oppression.


European Silhouettes


While Asian shadow puppetry permits the audience to see the rods that manipulate the puppets, the European style deliberately hides the puppeteer’s tools. European shadow puppets, known as silhouettes, were first used in France in the middle of the 18th century.

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Features of Chinese Paper Cut

The art of paper cutting remains one of the most popular traditional arts in China. It is intended to be decorative, not as a free-standing work of art, but today they are seen as a kind of art by lovers of paper cuttings worldwide.


Balance and Proportion

Paper cuttings come in all sizes, from the usual 3” x 5” to several feet high. Since paper cuttings were intended as decorations to beautify an otherwise unexpressive window, door panel, or other surface, it was important that the balance and proportion of the motif be suited to the space which it would occupy.

Chinese Paper Cut

There are basic cut outs that are a single image. And there are symmetrical designs that are usually created by some folding over a proportioned crease, and then cutting some shape. When unfolded, it forms a symmetrical design. Symmetry was highly prized, as well as extreme neatness in the cutting. Colors were generally vivid, but soft and harmonious. Special techniques were required to achieve crescents or hackle marks.




Chinese Paper Cut

Since the art of paper cutting is a true folk art, its craftsmen were mostly ordinary folk from the countryside and thus common themes were those which depicted scenes from everyday life. The images depicted imbue the paper cutting with a strong sense of Chinese Custom. An understanding and scrutiny of paper cutting is a good beginning to get to know and appreciate the complexity of Chinese folk arts.

Chinese Paper Cut

Paper cuttings are popular because of their expression of wishes and hopes. Wishes for wealth, health and longevity are conveyed through paper cuttings. For example, during the Chinese New Year, the character ‘ Fu (福, blessing)’ is posted upside down on the door to express people’s wish for the coming of ‘Fu’. At a wedding ceremony, a red paper cutting with the character ‘Xi (囍, double happiness)’ is a traditional and essential decoration. At a birthday party of an old person, paper cuttings with the character ‘Shou (寿, longevity)’ are often seen.

Chinese Paper Cut

Chinese Paper Cut

Chinese Paper Cut

The auspicious designs symbolize good luck and the avoidance of evil. For example, the peach symbolizes longevity; the pomegranate, fertility; the mandarin duck, love; the pine tree, eternal youth; the peony, honor and wealth; while the magpie perched on the branch of a plum tree presages a lucky event that will soon happen. In the world of Paper-cut art, the skillful folk craftsmen make full use of their imagination to create various works with beauty and originality.




As the art has been passed down through the generations, the mainstream techniques developed many diverse forms, and paper cuts made in different areas have different characteristics. There are mainly 3 categories of paper cutting.

a. The South School

Chinese Paper Cut

The representatives are Foshan paper-cutting in Guangdong Province and Fujian Province folk paper cuttings. The former is rigorous, decorative, elegant, and splendid. The latter has different features in terms of its themes, among which the gift flowers of Putian are the most special.

b. The Jiangzhe (Jiangsu and Zhejiang Provinces) School

Chinese Paper Cut

The representatives are Yangzhou paper cuttings in Jiangsu Province, and Zhejiang Province folk paper cuttings. The former is spiritual and elegant. The latter focuses on themes of flowers, fruits, birds and fish.

c. The North School

Chinese Paper Cut

Chinese Paper Cut

The representatives are Shanxi Province paper cuttings, Shaanxi Province folk paper cuttings and Shandong Province folk paper cuttings. Paper cuttings in Shanxi Province are relatively simple and concise among the three. Shaanxi Province paper cuttings have odd shapes and interesting connotations. Paper cuttings in Shandong Province have unique aesthetic and unrestrained styles with rich patterns.

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Making Chinese Shadow Puppet

A shadow puppet takes as many as 24 procedures and more than 3000 cuts. The process for making the puppets is as follows.

First, remove the fur and blood from a sheepskin, donkey skin or other animal skin; Shadow puppets are made of leather for the simple reason that leather is much lighter, easier to play and carry around.

shadow puppet

Second, apply chemical treatment to the skin, making it thinner and semi-transparent;

shadow puppet

Third, apply tung oil on the skin;

shadow puppet

And fourth, engrave the skin into your desired images.

The trunk, head and limbs of a puppet are separately carved but joined together by thread so that each part could be controlled by the operator to simulate human movements.

The height of finished puppets can be as tall as 55 centimeters and as short as around 10 centimeters.


The Design of the Figures

The design of the figures follows traditional moral evaluation and aesthetics.

To overcome the limit imposed when only the profile of puppets can be seen, shadow puppets use exaggeration and heavy dramatization. The faces and the costumes of puppets are vivid and humorous. The flowery color, the elegant sculpting and smooth lines make shadow puppets not only props but also artwork.

There are two kinds of shadow puppet face, full face and outlined face. The former is applying color to a piece of leather to show the character of the figure, which is usually colored red or black, while the later is hollowed-out facial outline, which requires an exceptional skill in craftsmanship. Regular shadow puppet face is just an outline, known as “half face”, sometimes clown and villain are carved into the outline with both eyes can be seen. The body of shadow puppet figure is engraved using chisel, which has variety of designs, such as snow flake, fish scale, pine needle, etc.

shadow puppet

The figures all have a large head and a small body, which tapers down. A man has a big head and a square face, broad forehead and a tall strong body without being too masculine. A woman has a thin face, a small mouth and slim body without being too plump. Effeminacy and gentleness are the norm for Chinese beauty. The hair and dresses of female figures are usually adorned with patterns like flowers, grass, clouds and phoenixes and patterns like dragons, tigers, water and clouds are usually used on male figures.

The audience can also tell a figure’s character by seeing his mask.

shadow puppet

The leather puppets are painted with various colours to show their different qualities as kind or wicked, beautiful or ugly. Like the masks in Beijing Opera, a red mask represents uprightness, a black mask, fidelity, and a white one, treachery.

The positive figure has long narrow eyes, a small mouth and a straight bridge of nose, while the negative one has small eyes, a protruding forehead and sagging mouth. The clown has a circle around his eyes, projecting a humorous and frivolous air even before he performs any act.

shadow puppet

Lavish background pieces including architecture, furniture, vessels and auspicious patterns are featured in shadow puppet shows.

Earthy art that it is, shadow puppet shows impress audiences by their vividness and refinement. A framed puppet can be a novel and pleasant souvenir.

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Chinese Paper Cut- Artistic Creations from Nimble Fingers

China paper cut, also literally called window flower or cutting picture in Chinese, refers to handicrafts made by cutting paper with scissors or knives to form different patterns and pasting them on walls, windows, doors and ceilings.



The art of paper cutting has a long and rich history. Prior to the invention of paper, the cutting art had already been practiced on leather and gold and silver foils.

Chinese Paper Cut It is generally believed that the craft of paper cutting emerged soon after paper was invented during the Han dynasty (206 BCE-221 CE). As paper was highly precious in the early days, the art of paper cutting first became popular in the royal palaces and houses of nobility as a favorite pastime among court ladies. Later, during the 7th through 13th centuries, paper cutting was immensely popular during folk festivals and celebrations. By the 14th century, the art had spread to the Middle East and Europe; and by the 15th century onward, paper cutting art works had become an integral part of the everyday life of the people. Throughout the Qing Dynasty (1644CE-1912CE) many paper cutting skills, including drafting and the use of smoked papers, were developed.

However, the art of paper cutting was on the verge of dying out during late Qing Dynasty as old China experienced successive years of the disaster of war brought on by domestic turmoil and foreign invasion. Amidst a myriad of changes in their lives, most people had no leisure time to engage in the study of the art of paper cutting. The Republic of China later tried to revive the art in the 1980s. The art of paper cutting has again received a great deal of attention because of heavy publicity, resulting in even more innovative artwork.




The early paper cutting might be related to worshipping gods, evocation and sacrificing to the dead. In the past, paper was cut into images of people or things such as money and clothes, which were buried with the dead or burned at funerals. This is a superstition that these things burned or buried would accompany the dead in another world. Paper cuttings were also used to decorate sacrifices.

Chinese Paper Cut

Chinese Paper Cut

Today, paper cuttings are chiefly decorative and still widely used today at important festivals, especially during the New Year. They are usually made with red paper, which is the most popular and propitious color in Chinese culture. They ornament walls, windows, doors, columns, mirrors, lamps and lanterns in homes and are also used on presents or are given as gifts themselves. Entrances are decorated with paper cut outs are supposed to bring good luck. In addition, they can be used as embroidery patterns for clothes and lacquer works.


Handmade Paper Cut


Paper cut are all handmade. There are two methods of making paper cuts, one use scissors, the other use knives.

Chinese Paper Cut

In the scissor method, several pieces of paper — up to eight — are fastened together. The motif is then cut with sharp, pointed scissors.

Knife cuttings are fashioned by putting several layers of paper on a relatively soft foundation consisting of a mixture of tallow and ashes. Following a pattern, the artist cuts the motif into the paper with a sharp knife which is usually held vertically. Skilled crafters can even cut out different drawings freely without stopping. More paper cuts are made with the knife-cutting technique rather than scissors since it is less time consuming.

In rural areas, paper cut is traditionally a handicraft for women. In the past, every girl was supposed to master it and brides were often judged by their skills. Professional paper cutting artists are, on the other hand, usually males who earned guaranteed incomes by working in workshops.

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Chinese Shadow Puppet Play

Chinese shadow puppet play wins the heart of an audience by its lingering music, exquisite sculpture, brisk color and lively performance and gets a name as “a magic, lighting-like art”.



Music accompaniments are four string and south string instrument, bowed instrument, four-string moon-shaped instrument, drum, gong, flute, hand allegro and horn.

Nicknamed the business of the five, a shadow puppet troupe is made up of five people. One operates the puppets, one plays a horn, a suo-na horn, and a yu-kin (a kind of Chinese folk musical instrument), one plays banhu fiddle (a kind of Chinese folk musical instrument), one is in charge of percussion instruments, and one sings. This singer assumes all the roles in the puppet show, which of course is very difficult. That is not all; the singer also plays several of the over 20 kinds of musical instruments in a puppet show. These ancient musical instruments enhance this ancient folk art.

As shadow puppet plays are popular all over China and in the long-time evolving process in different areas, the styles and rhythms of the singing tunes absorbed the essence of operas, folk art forms, ballads and music. Therefore, various schools of shadow puppet plays have been formed.


Lively Performance


shadow puppet

A balladry from Shaan Xi Province described how the shadow puppeteer works.

Folk Shadow Play
Speaking behind paper partition screen,
Expressing variable feelings by shadows,
One shadow play actor can tell thousand years stories,
Both hands can operate millions of soldiers.

shadow puppet

The stage for shadow puppet is a white cloth screen on which the shadows of flat puppets are projected. Shadow puppet looks similar to paper-cut except that their joints are connected by thread so that they can be operated freely. The scene is simple and primitive; it is the consummate performance that attracts the audience. For example, a puppet can smoke and breathe out a smoke ring with operator help. In one drama, as a maid sits in front of a mirror, her reflection matches her actions.


Roles of Shadow Play


shadow puppet

Roles in shadow plays are the same with the Peking opera. Sheng, Dan, Jing, Mo, Chou all can be found in shadow play. The difference is that every ‘player’ consists of 11 parts including head, two body parts, two legs, two upper arms and lower arms as well as two hands. Drawn by the performers through controlling bars and threads, ‘players’ can do various kinds of vivid movements. Shadow play demands for high performing skills. The operator plays five puppets at the same time, each of which has three threads. Ten fingers handle 15 threads. No wonder the operator is compared to the 1000-hand Kwan-yin. Besides control three or four ‘players’ at a time, performers have to catch up with the tempo and musical accompany as well as pay attention to dialogue and singing. Hence, it is not an easy job to train a mature shadow play performer.


Popular Plays


The wonder of the shadow puppet play based on Chinese History and culture. If one is unfamiliar with the customs of northwest China, the value of the art is abated.

shadow puppet shadow puppet

In terms of the content, shadow puppet plays feature historical novels, folk legends, legal cases involving swordsmen, love stories, mythological stories, fables and modern costume plays. In terms of the length, there are highlights of plays, single-section plays and series, etc. Popular traditional plays include the Tale of the White Snake, the Cowherd and the Weaving Girl, Outlaws of the Marsh, Romance of the Three Kingdoms, Journey to the West and The Creation of the Gods, etc. Modern costume plays and fairy tale or fable plays created between the revolutionary wartime and 1949 include the White-Haired Girl, Liu Hulan, Sea of Forest and Land of Snow, The Red Lantern and Mr. Gongguo, etc.

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Miao Hmong Silver Jewelry Showcase

A saying of the Miao goes like this “The beauty of golden pheasant lies in its feather, and the beauty of Miao Hmong girl lies in her silver jewelries.” The sparkling and clanking silver jewelries are stunning and are highlights to the landscape of the Miao Hmong village.

Miao women love to dress in unique silver jewelries from head to toe. Here are just a few kinds.


Silver Headdress


Miao Hmong silver headdresses are quite a sight and are worn only on very special occasions, like weddings or significant festivals. They include five different parts: the horn, the crown, the comb, the flowers and the hairpin.


Silver Horn


Miao Hmong silver horns are crafted to mimic the horns of an ox. The two horns can be as much as three feet apart! And they’re quite tall, almost doubling the height of the wearer.

An image of two dragons playing with a pearl is often engraved, symbolizing wishes for an auspicious future. But each silver horn is unique. Some women adorn the horns with different kinds of silver pendants like phoenixes, birds, and butterflies. A pair of white feathers is usually put on the horns to make them even taller and more attractive. Miao silver jewelry


Silver Crown


A silver crown is the base of the headdress and can be a foot tall and quite heavy. There are three kinds of silver crown.

The first kind is a hat completely covered with silver flowers, birds, animals, bells, and tassels. There are twelve pieces of silver feathers hanging behind the hat and reaching to their waist. This type is popular in the Huangping area of Guizhou province. Miao silver jewelry

The second kind is usually seen in Leishan, Guizhou province, which has no top and a piece of 10-centimeter wide silver with three parts. The first part on the top features 29 silver flowers. The second part in the body has warriors riding horses. The silver fringes make up the last part. Miao silver jewelry

Another type is worn by Miao Hmong women in Shidong area of Guizhou. Miao silver jewelry


Silver Comb


Miao Hmong women wear silver combs on their heads as ornaments. Patterns of flowers, birds, dragons, or deer are carved on the silver ornaments. Some combs feature the image of a Bodhisattva, with several layers of silver chains dropping down. Miao silver jewelry


Silver Hairpin


The design of Miao Hmong silver hairpins varies, but they usually feature birds, butterflies, and flowers. The most striking designs feature 10 silver flowers which look like a Chinese fan. Some hairpins look like chopsticks decorated with silver bells or long tassels.

Miao silver jewelry


Silver Earring


Tiny Miao Hmong earrings are often shaped like flowers, birds, butterflies, dragons, or plants. Miao Hmong women usually wear 3 or 4 pieces of silver earrings at one time. In some areas a single silver earring can weigh 200 grams, and reach all the way down to their shoulders. But many small earrings have threads which are as thin as a piece of paper.

Miao silver jewelry


Silver Necklace


A Miao Hmong silver necklace is wide and heavy, and has many pendants hanging from it. Smaller silver necklaces are rarely worn.

There are many kinds of necklace popular in the Miao Hmong areas. One kind of dragon silver necklace is quite impressive. It features two dragons playing with a pearl and has 11 silver tassels dangling from the bottom. Another kind of necklace has 14 silver rings linked tightly together, while silver birds or butterflies hang down from each ring. Miao silver jewelry Miao silver jewelry


Silver Bracelet


The Miao Hmong silver bracelets are engraved with the images of flowers, fish, or dragons. Some bracelets feature wide band which is like the cuffs worn by warriors in ancient times. Miao Hmong women usually show off 4 or 5 silver bracelets at one time, sometimes more during festivals or holidays. Miao silver jewelry


Silver Ring


A Miao Hmong silver ring is usually quite small and has fine pieces of silver bent and shaped into flowers, birds, or plants. In some Miao Hmong areas, women have rings on all eight fingers except their thumbs. Some rings are big enough to cover half the length of their fingers!

Miao silver jewelry Miao silver jewelry


Silver Costume


A silver costume in Leishan area normally has 44 silver pieces sewn onto the fabric. Each silver piece has vivid patterns like flowers, butterflies, tigers, lions, and dragons engraved on them. Whereas in Shidong area, silver costume have as many as 380 silver pieces sewn onto the costume. When they walk and dance, the silver ornaments make beautiful sounds.

Miao silver jewelry Miao silver jewelry


Silver Waistband


A silver waistband displays tens or even hundreds of silver images of Bodhisattvas sewn on a piece of cloth. The Miao Hmong wrap it tightly around their waist, and they sparkle when the Miao Hmong dance.

One famous waistband displayed in a Miao Hmong museum features 105 unique silver Bodhisattvas images, each of which has different facial expression and gesture, reflecting the incredible imagination and creativity of the Miao Hmong artisan. Miao silver jewelry


Silver Anklet


Last but not least are small but sturdy silver anklets that clasp above the foot. Silver anklets are usually worn by children to drive away evil spirits and bring them a bright future.

Miao silver jewelry

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