Wuxia: Martial Heroes and Chinese Literature

Written by Tom

What is Wuxia?

Wuxia 武俠, literally translated as ‘martial heroes’, is a long-established Chinese literary genre that can be traced back to ancient Chinese history and continues to be produced today. The stories are most often set in fantastical pre-modern Chinese historical settings, generally during times of significant social or political upheaval. The historic events of these periods are sometimes relied on heavily as plot points, and other times merely provide a backdrop for the novel’s story. The plot normally follows a male protagonist who suffers a life-changing hardship during his childhood, such as the death of his family, and goes on to learn martial arts from various martial trainers. He eventually becomes a powerful martial artist who is capable of vindicating himself and his family.

Martial prowess and supernatural ability are blended together in wuxia. Photo credit to Charlein Gracia on Unplash.

Typically, the protagonist follows the code of xia 俠 which is composed of two main virtues: yi 義 ‘rightenousness’ and xin 信 ‘honour’. Benefactors are repaid, revenge is dissuaded, and loyalty to the teacher shifu 師父 is cherished above all else. This code of xia exists outside the bounds of the law of the land; it is instead a set of moral principles or a way of life. This is often referred to as jianghu 江湖: literally meaning ‘lakes and rivers’, the term was first used by a scholar during the Warring States period for those people who deliberately distanced themselves from politics. Those martial artists that refuse to abide by xia and take the power of martial arts for personal use are often the antagonists of wuxia novels.

Wuxia are not only limited to literature, but are also a popular form of television drama. These are often produced with huge budgets and an all star cast.

Protagonists and antagonists in wuxia novels will typically possess a number of skills and abilities. Neigong 内功 or ‘internal ability’ is the ability to channel internal energy or qi 氣 around one’s body, enabling characters to resist poisons and to gain superhuman strength and speed. Dianxue 點穴 is the ability to touch your opponent on certain vulnerable points to cause paralysis or even death. This is related to the art of acupuncture that is still popular today. Many characters combine hand-to-hand combat with weapons: popular in wuxia novels are the sword dao 刀, the staff gun 棍 and the spear qiang 槍.

In wuxia novels neigong is commonly channeled by sitting or lying down and concentrating on the movement of energy throughout one’s body. 

The Legend of the Condor Heroes

One of the most famous wuxia novels, and my personal favourite, is Jin Yong’s The Legend of the Condor Heroes 射鵰英雄傳. Set during the Jin-Song wars (1125-1234) the story follows the protagonist Guo Jing, whose family are killed fighting invading Jurchen forces, and who is trained in martial arts by a group of masters known as ‘the seven freaks of Jiangnan.’ The antagonist, Yang Kang, was also orphaned by the Jurchen, but is instead adopted into a Jurchen aristocratic family and learns martial arts to assist the Jurchen’s conquest of Song China. Both learn from a variety of masters, acquire romantic partners, and fight against a variety of opponents while travelling across China. It is a real page turner, with each chapter bringing new twists and turns to the plot.

This image depicts one of the earlier encounters in Condor Heroes between patriots Yang Tiexin and Guo Xiaotian and the Taoist Qiu Chuji, a real historical figure.

Impact

Jin Yong’s Condor Heroes was nothing sort of a cultural phenomenon in China. Numerous films and television series were made and continue to be made depicting the story of Guo Jing and Yang Kang. Comics, video games and music have also been created for the story. Jin Yong proved that, although the genre of wuxia is extremely old, it can still be popular in the modern era. In addition to this, Anna Holmwood is currently translating into English each section of Condor Heroes, releasing one book per year. Could this be the start of an international wuxia revolution?

Statue of Guo Jing at the Hong Kong Avenue of Comic Stars, Kowloon Park, Hong Kong.

About Interact China 

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“A Social Enterprise in E-commerce Promoting Oriental Aesthetic Worldwide!”  

Aileen & Norman co-founded Interact China in 2004 with specialization in fine Oriental Aesthetic products handmade by ethnic minorities & Han Chinese. Having direct partnerships with artisans, designers, craft masters and tailors, along with 13 years of solid experience in e-commerce via InteractChina.com, we are well positioned to bridge talented artisans in the East with the rest of the world, and directly bring you finely selected products that are of good quality and aesthetic taste. 

So far we carry 3000+ goods covering Ladies Fashion via ChineseFashionStyle.com, Kungfu Fashion, Home Furnishings, Babies & Kids, Painting Arts, Textile Arts, Carving Arts, Tribal Jewelry Art, Wall Masks and Musical Instruments. Our team speak English, French, German, Spanish and Italian, and serve customers worldwide with passion and hearts. 

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A Story About Courage And Love: Mulan, Origin Of The Myth

Written by Maria Giglio

Are you a big fan of Disney movies? I am and will never feel too old to freshen up some Classic from time to time. Mulan is no exception. 

About 20 years ago, way before Kung Fu Panda, another Chinese warrior broke into the movie scene, Mulan.  

As for many other movies, Disney takes inspiration from a folk legend for the script, the Chinese epic poem named Ballad of Mulan

The Ballad dates back to 500 A.D. but only became popular after its transposition in written texts during the late Ming. Just like in the movie, the story talks about a girl, Mulan, who goes to war disguised as a man.  

In a time when enemies are threatening invasion at the Chinese border, the Emperor calls for one male for each family to join the army. The call is not refutable.  

In the Hua family, the only man eligible is Mulan’s father Hu, since the other male, Mulan’s brother is just a kid. Hu is a decorated veteran, though too weak and old to survive. Concerned with her father’s fate, Mulan decides to replace her father and secretly leaves to join the army, pretending to be a man.

Incredibly smart and brave, not only Mulan succeeds to deceive her comrades until the end, but she also proves to be an excellent fighter and most of all a brilliant war strategist. 

Thanks to her skills, Mulan gains the respect of the Commander in chief and becomes his closest adviser, leading soon Chinese Army to victory. 

To show gratitude to Mulan the Commander offers her his daughter’s hand, thus forcing Mulan to reveal her real identity: possibly the most beautiful woman in China, whose beauty is only second to her braveness.

With Mulan release, Disney was trying to promote a brand-new idea of woman, thus breaking with a long tradition of harmless princesses waiting for rescue. In Mulan, the message is particularly powerful, since the story itself tracks the change of Mulan’s condition from innocent girl to strong woman. Rather than a dragon surrounding her tower, this new kind of woman has a dragon as a pet!

About Interact China


“A Social Enterprise in E-commerce Promoting Oriental Aesthetic Worldwide!”

Aileen & Norman co-founded Interact China in 2004 with specialization in fine Oriental Aesthetic products handmade by ethnic minorities & Han Chinese. Having direct partnerships with artisans, designers, craft masters and tailors, along with 13 years of solid experience in e-commerce via InteractChina.com, we are well positioned to bridge talented artisans in the East with the rest of the world, and directly bring you finely selected products that are of good quality and aesthetic taste.

So far we carry 3000+ goods covering Ladies Fashion via ChineseFashionStyle.com, Kungfu Fashion, Home Furnishings, Babies & Kids, Painting Arts, Textile Arts, Carving Arts, Tribal Jewelry Art, Wall Masks and Musical Instruments. Our team speak English, French, German, Spanish and Italian, and serve customers worldwide with passion and hearts.


P.S. We Need People with Similar Passion to Join Our Blogging Team!
If you have passion to write about Oriental Aesthetic in Fashion, Home Decor, Art & Crafts, Culture, Music, Books, and Charity, please contact us at bloggers@interactchina.com, we would love to hear from you!

The Secret of the Golden Flower

The Secret of the Golden Flower,太乙金華宗旨- TàiyǐJīnhuáZōngzhǐ, translation by Richard Wilhelm, commentary by C.G Jung (first published 1931, constant re-prints)

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Highlight: One of the first works to explain Taoist concepts and Chinese meditation techniques to a Western audience, this book is a great read for those who would like to understand more about the philosophy behind Martial Arts, especially Tai’Chi.

Key themes: Spirituality, meditation, philosophy

Jung and Wilhelm were some of the first westerners to systematically try to understand Chinese philosophy with reference to the I Ching (“Book of Changes”), which the distinguished Sinologist Richard Wilhelm also translated, with a foreword by renowned psychologist Carl Jung. They explore their interpretation of concepts such asqi(气) in English, which is translated as a sort of “breath energy”.

The original text The Secret of the Golden Flowerwas thought to have been written by the late Tang dynasty master LüDongbin (呂洞賓), but actually, we now know that it was first published in the early Qing dynasty (清代前期), around the years 1668-1692.

In Chinese, the central idea of this book can be described asnèidānshù (內丹术). The challenge, for modern readers (as for the original translators) is to find a meaningful description and explanation of this concept in English, bearing in mind the fundamental differences between the Eastern and Western psyche. In short, this book provides details on a range of meditation practices which originate from the Taoist tradition, focusing on the immortal spirit-body, and designed to prolong life.

“Action through non-action”.

“Though one does not destroy things, neither does one pay attention to them; this is the contemplation of the Centre”.

“If, when stimulated by external things, one moves, it is the impulse of the being. If, when not stimulated by external things, one moves, it is the movement of heaven”.

 

 

Posted by Yuqing @ InteractChina.com


About Interact China

“A Social Enterprise in E-commerce Promoting Oriental Aesthetic Worldwide”

Aileen & Norman co-founded Interact China in 2004 with specialization in fine Oriental Aesthetic products handmade by ethnic minorities & Han Chinese. Having direct partnerships with artisans, designers, craft masters and tailors, along with 12 years of solid experience in e-commerce via InteractChina.com, we are well positioned to bridge talented artisans in the East with the rest of the world, and directly bring you finely selected products that are of good quality and aesthetic taste.

So far we carry 3000+ goods covering Ladies Fashion, Tailor Shop, Home Furnishings, Babies & Kids, Painting Arts, Textile Arts, Carving Arts, Tribal Jewelry Art, Wall Masks and Musical Instruments. Our team speak English, French, German, Spanish and Italian, and serve customers worldwide with passion and hearts.


P.S. We Need People with Similar Passion to Join Our Blogging Team!
If you have passion to write about Oriental Aesthetic in Fashion, Home Decor, Art & Crafts, Culture, Music, Books, and Charity, please contact us at bloggers@interactchina.com, we would love to hear from you!

 

Chinese Martial Arts Film

Martial arts film is a film genre. A sub-genre of the action film, martial arts films contain numerous fights between characters, usually as the films’ primary appeal and entertainment value, and often as a method of storytelling and character expression and development. Martial arts are frequently featured in training scenes and other sequences in addition to fights. Martial arts films commonly include other types of action, such as stuntwork, chases, and/or gunfights.

Chinese Kungfu

As with other action films, martial arts films are dominated by action to varying degrees; many martial arts films have only a minimal plot and amount of character development and focus almost exclusively on the action, while other martial arts films have more creative and complex plots and characters along with action scenes. Films of the latter type are generally considered to be artistically superior films, but many films of the former type are commercially successful and well received by fans of the genre.

Martial arts films contain many characters who are martial artists, and these roles are often played by actors who are real martial artists. If not, actors frequently train in preparation for their roles, or the action director may rely more on stylized action or filmmaking tricks like camera angles, editing, doubles, undercranking, wire work, and computer-generated imagery. Trampolines and springboards can also be used to increase the height of jumps. These techniques are sometimes used by real martial artists as well, depending on the style of action in the film.

Hong Kong kung Fu film.
A poster of “The Big Boss”
Chinese Kungfu

During the 1970s and 1980s, the most visible presence of martial arts films was the hundreds of English dubbed kung fu and ninja films produced by the Shaw Brothers, Godfrey Ho, Joseph Lai, and other Hong Kong producers. These films were widely broadcast on North American television on weekend timeslots.

Jackie Chan
Chinese Kungfu
Jet Li
Chinese Kungfu
Donnie Yen
Chinese Kungfu

Martial arts films have been produced all over the world, but the genre has been dominated by Hong Kong action cinema, peaking from 1971 with the rise of Bruce Lee until the mid 1990s with a general decline in the industry. Other notable figures in the genre include Jackie Chan, Jet Li, Sammo Hung, Yuen Biao, and Donnie Yen.

 

Subgenres

Chinese Kungfu Chinese Kungfu

Kung Fu films are a significant movie genre in themselves. Like westerns for Americans, they have become an identity of Chinese cinema. As the most prestigious movie type in Chinese film history, Kung Fu movies were among the first Chinese films produced and the wuxia (Chinese name for martial arts) period films are the original form of Chinese Kung Fu films. The wuxia period films came into vogue due to the thousands of year’s popularity of wuxia novels. For example, Jin Yong and Gu Long, their wuxia novels directly led to the prevalence of wuxia period films.

In Chinese-speaking world, martial arts films are commonly divided into two subcategories – the wuxia period films, and the more modern Kung fu films (best epitomized in the films of Bruce Lee).

Jet Li filmed in movie Tai Chi Master

by Xiao Xiao @ InteractChina.com

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Crouching Tiger, Hidden Dragon

Crouching Tiger, Hidden Dragon is a Chinese-language martial arts film released in 2000.

The film was directed by Ang Lee and cast by internationally famed Chinese actors, including Chow Yun-Fat, Michelle Yeoh, Zhang Ziyi and Chang Chen. The movie was based on the fourth novel in a pentalogy by martial arts novelist Wang Dulu. The martial arts and action sequences were choreographed by Yuen Wo Ping, well known for his work in The Matrix and other films.

Chinese Kungfu

Made on a mere US$15 million budget, with dialogue in Mandarin, Crouching Tiger, Hidden Dragon became a surprise international success. After its US premiere at the Hawaii International Film Festival, it grossed US$128 million in the United States alone, becoming the highest-grossing foreign-language film in American history. It has won over 40 awards. The film won the Academy Award for Best Foreign Language Film (Taiwan) and three other Academy Awards, and was nominated for six other Academy Awards, including Best Picture. The film also won three BAFTAs (British Academy of Film and Television Arts) and two Golden Globes, one for “Best Foreign Film” as well as additional nominations for ten BAFTAs including “Best Picture”.

 

Reception and aftermath

The film was screened out of competition at the 2000 Cannes Film Festival.

Crouching Tiger was very well received in the Western world, receiving critical acclaim and numerous awards. The review aggregator Rotten Tomatoes reported that 97% of critics gave Crouching Tiger positive reviews, based on 141 reviews, while Metacritic reported the film had an average score of 93 out of 100, based on 31 reviews.

Chinese Kungfu Chinese Kungfu

The film led to a boost in popularity of Chinese martial art films in the western world, where they were previously little known and led to films such as House of Flying Daggers and Hero marketed towards western audiences. The film also provided the breakthrough role for Zhang Ziyi’s career, who noted that: “Because of movies like Crouching Tiger, Hidden Dragon, and Hero and Memoirs of a Geisha, a lot of people in the United States have become interested not only in me but in Chinese and Asian actors in general. Because of these movies, maybe there will be more opportunities for Asian actors”.

by Xiao Xiao @ InteractChina.com

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