Landscape All-around: The Four Famous Embroideries

Written by Juliette Qi

 

As a traditional handicraft art, Chinese embroidery has an important place in the history of Chinese art and the textile industry. Throughout its history and even today, it is still improving technically and is renewed for the new aesthetic designs . It is practiced throughout China and has different characteristics depending on the region, among which we invite you to discover the four best known modern schools.

 

Su Embroidery

Su

 

Suzhou embroidery, which dates back 4000 years, is considered one of the four main schools of this Chinese handicraft, along with those in Hunan, Guangdong and Sichuan. All of the works are handmade on a silk material such as taffeta, satin and raw silk.

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The Suzhou School is renowned for the finesse of its products. To obtain the desired artistic effect, a silk thread is subdivided into 2, 4, 6, 8 or even 48 strands, each as thin as a single silk fiber.

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Girls who practice Su embroider

Suzhou embroidery now has 40 styles instead of the traditional 18, while silk threads have six thousand subtle nuances. Consequently, almost all drawings such as traditional Chinese paintings, oil paintings, gouaches, color photos or calligraphy, can be reproduced using Suzhou embroidery.

 

Yue Embroidery

Yue embroidery refers to embroidered work done in the Guangdong Province. It is said that this style of embroidery was originally created by the Li ethnic minority about 2,000 years ago.

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Yue embroidery is best known for its ingenious designs that incorporate auspicious symbols and best wishes into its embroidery work, and it acts on the merits of various artistic forms such as painting and folk-art paper cutting. The Yue embroidery works collected at the Palace Museum (Forbidden City, Beijing) are the most representative and the most numerous works of this embroidery school.

Yue

There are two branches of the Yue Embroidery School which are “Chao Embroidery” and “Guang Embroidery”. In 2006, the “Guang Embroidery” was included in the representative list of the national intangible heritage and became an art protected by the Guandong Province as traditional folk culture legacy.

 

Shu Embroidery

“Embroidery Shu” is the general term for embroidery work mainly produced in Chengdu, Sichuan Province. It has enjoyed great fame since the Han dynasty and peaked in the Song Dynasty (960-1279). In the middle of the Qing Dynasty (1644-1911), Shu embroidery gradually formed its own industry.

Shu

In this style of embroidery, satin and colored silk are the main materials. The unique sewing methods and embroidery techniques contribute to its expressive and artistic effects.

La broderie Shu est utilisée à la fois sur des pièces artistiques et sur des objets qui peuvent servir chaque jour. Des dessus de lit, des draps, des pantoufles, des vêtements peuvent être brodés en style  Shu apportant couleur et beauté à l’utilisateur. De plaisantes pièces d’art sont également produites dans le style Shu. Elles peuvent être comprises de tentures murales, de paravents ou de rideaux. Les couleurs riches et les images vivantes que l’on trouve dans la broderie  Shu sont censées rappeler au spectateur le plaisir que l’on peut trouver dans chaque chose vivante. C’est peut-être pour ce plaisir que la broderie  Shu reste populaire de nos jours.

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Some artisans sum up the Shu embroidery as “rigorous and fine points, clear and elegant colors, along with beautiful and regular lines “. Shu embroidery is used for both artistic works and objects that can be used in everyday life. Bed covers, sheets, slippers, and clothes can all be embroidered in the Shu style, bringing color and beauty to the user’s possessions. Pleasant art works can also apply embroidery in Shu style, like wall hangings, screens or curtains. The rich colors and vivid images found in Shu embroidery are meant to remind the viewer of the pleasure that can be found in daily life. It is perhaps for this reason that Shu embroidery remains popular today.

 

Xiang Embroidery

Xiang embroidery is the general term given to embroidered work produced in Changsha and the surrounding areas (Hunan Province). This style of embroidery developed from folk Hunan embroidery and absorbed the very essence of embroidery schools like Su and Yue. The unearthed embroidery from tombs of the Chu Kingdom(1115BC-223BC) in 1958 and the 40 embroidered dresses dug out from Mawangdui tombs in Changsha in 1972 indicate that Hunan embroidery techniques reached a fairly high standard over 2000 years ago.

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During  its long history, Xiang Embroidery developed a unique style, relying on traditional features of Chinese paintings. The Award of Excellence and the First Prize were awarded to Xiang Embroidery, at the Turin Exhibition (Italy) in 1911 and at the Panama World Fair in 1933 respectively.

Xiang

Inheriting styles and inventions from long-standing embroiderers and incorporating modern cross-cultural designs, today’s Chinese embroidery has a new development for new designs and modern products, not only for its local specialties, but also for its universal aesthetic traits.

 

 

 

About Interact China


“A Social Enterprise in E-commerce Promoting Oriental Aesthetic Worldwide” 

Aileen & Norman co-founded Interact China in 2004 with specialization in fine Oriental Aesthetic products handmade by ethnic minorities & Han Chinese. Having direct partnerships with artisans, designers, craft masters and tailors, along with 10 years solid experience in e-commerce via InteractChina.com, we position well to bridge talented artisans in the East with the rest of the world, and bring you direct finely selected products that are of good quality and aesthetic taste.

So far we carry 3000+ goods covering Ladies Fashion, Kungfu Clothing, Home Furnishings, Babies & Kids, Painting Arts, Textile Arts, Carving Arts, Tribal Jewelry Art, Wall Masks and Musical Instruments. Our team speak English, French, German, Spanish and Italian, and serve customers worldwide with passion and hearts.


P.S. We Need People with Similar Passion to Join Our Blogging Team!

If you have passion to write about Oriental Aesthetic in Fashion, Home Decor, Art & Crafts, Culture, Music, Books, and Charity, please contact us atbloggers@interactchina.com, we would love to hear from you!

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The Nuo Mask: A Collection of Primitive Art and Shamanism

Written by Juliette Qi

 

Evolution of Nuo Culture

Nuo can be considered as a Chinese ritual dating back to the earliest times, some dating back to the Neolithic period. This ceremony consists of various dances and processions for the gods, similar to the rites of exorcisms. In Chinese,”Nuo” means “expulsion of demons”. The character nuo(傩)refers to exorcism ceremonies performed by masked officiants. The ceremonies to which this term applies involve the expulsion of the used energies of the year and a purification to welcome the new energies. To justify this, most contributors use an etymological approach of looking for the oldest mention of character.

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The Nuo Dance

 

The Nuo culture, inscribed on the list of Chinese national cultural heritage, includes several genres, even though the one with the masks is one of the most important. We can also notice the existence of nuo altars, nuo rituals, nuo dances, nuo theater and even nuo customs. Later, the Nuo culture evolved and developed into an atypical art of Nuoxi, a popular show often to express wishes of prosperity and luck in various ceremonies.

 

Nuoxi: the Archaic Masked Theater

In ancient China, diseases or cataclysms were blamed on the presence of demons. It was therefore during the Nuo ceremonies and processions many masks were displayed, representing a whole pantheon of demons and gods. Thus, the accoutered villagers danced and tried to repel the evil forces and to attract the divine protection by using their thunderous masquerades. Several kinds of ceremonies exist and are devoted to the manufacture, use and protection of masks. Only men are allowed to make, use and protect Nuo masks. During ceremonies, men wearing a mask are considered possessed by a god or a divine spirit. During this period, they are forbidden to speak or move freely.

One can firstly note (a little bit too formal for a blog) through the Nuo masks the solicitation towards nature. Most of the divinations of the Nuo culture are thus representations of elements of nature. All actions seen and performed during rituals such as flattery, veneration and sacrifice are indeed a plea to nature. These ceremonies are not only the portrayal of the contradiction between man and nature. But we can also note the domination of man over the forces of nature. In those ancient times, these forces were seen as ugly, wicked, and weird creatures. By chasing them and beating them, men of that time thought that they could simultaneously drive out disease, death, and all other existences that clogged up human life. Finally, these rituals also represented human relationships as a whole. Through the Nuo ceremonies, we could promote the moral principles of a perfect education governing the human being.

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The nuo masks of Yuanling Town

 

Each scary and often grimacing mask corresponded to a specific god. Most of the time, these masks have jaws and eyes that are sometimes even articulated, which reinforces their terrifying effect. This effect is sought after because its purpose was originally to scare the demon Xiao Gui who was found responsible for diseases and calamities.

If the masks were originally bronze, the material used has evolved over time. Wood was used more and more. Although it is more fragile than bronze, it has the advantage of better weather resistance, especially when it is treated with paint or covered with plaster. According to ancient legends, in some areas travelers encountered Nuo temples every five kilometers. This testified to the importance of Nuo culture in ancient China.

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A Show in front of the Nuo Temple of Nanfeng

 

In recent decades, Nuo masks and documents attesting to the existence of such masks have been unearthed throughout China. Additionally, the masks which have been passed down from generation to generation, now circulate among people or are collected by Nuo actors and artists.

The collectors’ taste for Chinese masks seems to have played a role in spreading the term “Nuo” throughout the world. Through its use, not only does the term become known and commonplace, but masks take on a broader meaning than mere mobile artefacts. Representing or substituting for complex theatrical forms, these masks are collected for both their ritual aspects and entertainment functions.

 

 

 

About Interact China


“A Social Enterprise in E-commerce Promoting Oriental Aesthetic Worldwide” 

Aileen & Norman co-founded Interact China in 2004 with specialization in fine Oriental Aesthetic products handmade by ethnic minorities & Han Chinese. Having direct partnerships with artisans, designers, craft masters and tailors, along with 10 years solid experience in e-commerce via InteractChina.com, we position well to bridge talented artisans in the East with the rest of the world, and bring you direct finely selected products that are of good quality and aesthetic taste.

So far we carry 3000+ goods covering Ladies Fashion, Kungfu Clothing, Home Furnishings, Babies & Kids, Painting Arts, Textile Arts, Carving Arts, Tribal Jewelry Art, Wall Masks and Musical Instruments. Our team speak English, French, German, Spanish and Italian, and serve customers worldwide with passion and hearts.


P.S. We Need People with Similar Passion to Join Our Blogging Team!

If you have passion to write about Oriental Aesthetic in Fashion, Home Decor, Art & Crafts, Culture, Music, Books, and Charity, please contact us atbloggers@interactchina.com, we would love to hear from you!

Yunjin: from Traditional Art to Cultural Heritage

Written by Juliette Qi

 

The Yunjin云锦 brocade craft from Nanjing (Nanjing) has been the traditional Chinese art of weaving for over 1500 years. This technique is still used today in the Jiangsu Province in eastern mainland China. Recognized for its aesthetic values and use, it was named by UNESCO as Intangible Cultural Heritage of Humanity in 2009.

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Yunjin Cloth

 

Recognized Cultural Heritage

Mainly preserved in the Jiangsu Province in eastern China, this artform has more than a hundred processes, including the manufacture of looms, the sketching of patterns, the creation of jacquard cards for the preparation of drawings, the assembly of the craft and the multiple steps of the weaving itself.

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Yunjin brocade crafts in Nanjing require the use of a large loom, which must be operated by two craftsmen. The first is on the side of the lower parts and the second on the upper parts. The particularity of this loom is that it allows you to weave fine and noble materials such as silk threads, gold threads and peacock feathers. The tissues obtained are therefore of very good quality. Generally selected to make royal clothes, including the dragon robe and the crown for emperors in the past, this technique continues to be applied to the manufacturing of sumptuous clothing and souvenirs today.

 

Aesthetic and Academic Value

Fabrics made using this technique have a good reputation all over China. Thanks to the fact that this technique has been passed down from generation to generation, we can still make the famous dragon robe of the emperor. Additionally, fabric made using this technique nowadays is mostly intended for use by researchers and museums.

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Today’s Yunjin Weaver

 

The weavers used to perform their task by singing ballads, in order to memorize the technique which was used. Indeed, each rhythm corresponds to a very precise technique. While “passing the chain” and “separating the weft”, the weavers sing mnemonic ballads that help them to memorize the techniques they apply, thus creating san atmosphere of solidarity around the loom, as well as an artistic dimension.

For these weavers, their art is part of a historic mission: in addition to making fabrics for contemporary use, Yunjin is used for the reproduction of ancient silk fabrics for researchers and museums. Renowned for the splendor of its fabrics, Yunjin remains popular throughout the country.

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Reproduced Traditional Design

 

In Chinese history, a Yunjin brocade is a symbol of status and an emblem of the aesthetic notions. Yunjin brocade patterns varied depending on the grade of mandarins. As Guo Jun, a weaver who owns his own workshop, says, “The motives are the soul of the Yunjin brocade. Without these allegorical motifs, the creation of brocades lacks value. Technically, one could change the motif of a unicorn into a portrait of Donald Trump, but the traditional national costume would then become a casual t-shirt”. After forty years of weaving Yunjin brocades, Guo not only takes on apprentices to learn to design brocade motifs, but also teaches them Chinese traditional culture.

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Guo Jun, like many contemporary craftsmen, hopes that his workshop will train some apprentices who can make Yunjin brocade according to the modern aesthetic for that this craft can enter the international collection market and to suit modern styles. He thinks it is only with the recognition of collectors of art objects that the of Yunjin Brocade with noble character will be reborn.

 

 

 

About Interact China


“A Social Enterprise in E-commerce Promoting Oriental Aesthetic Worldwide” 

Aileen & Norman co-founded Interact China in 2004 with specialization in fine Oriental Aesthetic products handmade by ethnic minorities & Han Chinese. Having direct partnerships with artisans, designers, craft masters and tailors, along with 10 years solid experience in e-commerce via InteractChina.com, we position well to bridge talented artisans in the East with the rest of the world, and bring you direct finely selected products that are of good quality and aesthetic taste.

So far we carry 3000+ goods covering Ladies Fashion, Kungfu Clothing, Home Furnishings, Babies & Kids, Painting Arts, Textile Arts, Carving Arts, Tribal Jewelry Art, Wall Masks and Musical Instruments. Our team speak English, French, German, Spanish and Italian, and serve customers worldwide with passion and hearts.


P.S. We Need People with Similar Passion to Join Our Blogging Team!

If you have passion to write about Oriental Aesthetic in Fashion, Home Decor, Art & Crafts, Culture, Music, Books, and Charity, please contact us atbloggers@interactchina.com, we would love to hear from you!

Sculptures of Chinese Seals

Written by Juliette Qi

 

Until modern times ,the seal has been a form of signature recognized in China as the hallmark of its owner. The seal is still widely used in the artistic world but also in Chinese administration. Despite its small size, the seal plays an extremely important role in the life of Chinese people.

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Invented in the 2nd century BC, the seal became a personal mark and gradually an artform. The seal was originally made of metal, for example bronze, silver or sometimes even gold. Over the centuries some seals have also been produced with hard stone and ivory. Their value was also, to a certain extent, a reflection of the quality and talent of the engraver.

 

A Manual Artform

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Traditionally, seals are engraved by hand. With the sculptural techniques, the seals perfectly combine the beauty of Chinese characters with the drawing of lines. A seal reproduces the same image of the same characters or figures whenever it is used, so it can be considered as the precursor of printing ,which is one of the Four Great Inventions together with Compass, Gunpowder and Papermaking.

In the past, the materials which were used to make the seal were generally bronze and jade, both of which are very hard. They must be slowly and carefully melted or abraded by an expert craftsman during a complicated process. Until the end of the Yuan Dynasty (1271-1368), the great painter Wang Mian 王冕 engraved his own seals with pyrophyllite, which is a relatively tender material. This skilled calligrapher not only brought out the beauty of his calligraphy, but also appreciated the special effect achieved by his engraving, which made this method of engraving seals very popular among the scholars of that time.

Later, a new character is added to the seal in the form of a poem on the side of the seal inspired by the artist’s feelings towards his work, or simply their name, hometown and date of engraving. Promoted by scholars over centuries, the art of seal engraving has become one of the three pillars of the fine arts, as well as calligraphy and traditional Chinese painting.

 

Engraving Process and the Application of Seal

The essential part of carving the seals is the engraving of the surface to be stamped. The high- degreed engraving includes the excellence of three aspects: the composition, the technique with the knife and the calligraphic technique. First, one must choose the calligraphic style and decide the disposition of the characters, which is called the “composition” of a seal. In addition, engraving characters with skillful moves is called “knife technique”. The fusion of these two elements results in an entirely new form of expression called “calligraphic technique”.

 

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In order to seek more refinement and beauty for the design of the seal, engravers, in addition to etching the surface to stamp, sometimes also create an exquisite and elaborate sculpture on the top of the seal or carve a decoration on the sides in bas relief. They can also carve an original and amazing drawing by taking advantage of the different textures and colors of the stone in order to give more artistic value to the seal. The combination of two- or three-dimensional techniques on a seal adds more depth and a particular artistic sophistication to it.

 

 

 

About Interact China


“A Social Enterprise in E-commerce Promoting Oriental Aesthetic Worldwide” 

Aileen & Norman co-founded Interact China in 2004 with specialization in fine Oriental Aesthetic products handmade by ethnic minorities & Han Chinese. Having direct partnerships with artisans, designers, craft masters and tailors, along with 10 years solid experience in e-commerce via InteractChina.com, we position well to bridge talented artisans in the East with the rest of the world, and bring you direct finely selected products that are of good quality and aesthetic taste.

So far we carry 3000+ goods covering Ladies Fashion, Kungfu Clothing, Home Furnishings, Babies & Kids, Painting Arts, Textile Arts, Carving Arts, Tribal Jewelry Art, Wall Masks and Musical Instruments. Our team speak English, French, German, Spanish and Italian, and serve customers worldwide with passion and hearts.


P.S. We Need People with Similar Passion to Join Our Blogging Team!

If you have passion to write about Oriental Aesthetic in Fashion, Home Decor, Art & Crafts, Culture, Music, Books, and Charity, please contact us atbloggers@interactchina.com, we would love to hear from you!

Dongba Writing: A Primitive Pictogram

Written by Juliette Qi

 

Dongba Culture and Naxi Ethnicity

In China, the Dongba culture, associated with Lijiang City in the Yunnan Province and Muli District in the Sichuan Province, refers to the traditional culture of the Naxi ethnic group. The Naxi live mostly in northern Yunnan, in Lijiang, Weixi, Zhongdian, Ninglang and Yongsheng prefectures.

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The Naxi in Traditional Costume

 

The Dongba culture is based on the polytheistic religion of the same name and also has own writing, dances, paintings and music. “Dongba” is the name given to shamans, types of wizards, who transmit this culture from generation to generation. The Dongba priest is an important figure in the community because he preaches the harmony between men and nature, which is a fundamental value among the Naxi people, just like the cult of the ancestors.

The Dongba religion, more than a thousand years old, has been influenced by Tibetan Lamaism over the centuries, but also by Taoism and Chinese Buddhism. In this religion, the elements of nature are considered as gods who rule the world.

 

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The polytheist Dongba religion

 

From an artistic perspective, Dongba culture is indeed very rich because it is transmitted and expressed by music and painting. Many colorful scrolls depicting religious scenes or deities can be found in Lijiang.

The city of Lijiang is a research center which studies the Dongba culture and keeps all objects related to this culture. Many Chinese and foreign researchers come to this place to study this fascinating culture. In religious rituals, the Naxis dance in their traditional costumes reminiscent of Tibetan ones. They also sing sacred texts, written in Dongba.

 

Dongba Writing: The Legendary Characters

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Wood Engraving of Dongba Writing

 

The dongba or tomba script (in romanized Naxi: ‘na-‘khi ²ggŏ-¹baw) is one of the scriptures used to write in the Naxi language, which is spoken by the Naxi people. It is more than 1000 years old and is probably the only predominantly pictographic writing system used today; however, some characters are used as syllabic characters.

There are currently 2000 religious works written in the Dongba language in which more than 2000 pictograms are used. These books are of crucial importance to understand the Dongba culture because they inform us about religion and customs but also about philosophy, history, literature, astronomy, medicine, fauna and flora as well as the paintings and music of this culture.

In the Lijiang prefecture in particular, the signs are usually written in dongba, han Chinese and sometimes in English. There are also dongba – hanzi / english dictionaries in the bookstores of the city.

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Dongba calligraphy

 

Dongba calligraphy is still practiced by using bamboo stencils, as well as prints, both of which usually use a high-quality handmade paper specifically made for Dongba.

The traditional production of dongba paper uses the bark of two shrubs, wikstroemia delavayi and wikstroemia lichiangensis, growing at an altitude of 2,000m above sea-level, as in the canton of Sanbei. The barks are cut into thin strips, soaked in a tray, and then dried on boards in the sun. There are also many murals of this writing, in bas-relief or painting.

 

 

 

About Interact China


“A Social Enterprise in E-commerce Promoting Oriental Aesthetic Worldwide” 

Aileen & Norman co-founded Interact China in 2004 with specialization in fine Oriental Aesthetic products handmade by ethnic minorities & Han Chinese. Having direct partnerships with artisans, designers, craft masters and tailors, along with 10 years solid experience in e-commerce via InteractChina.com, we position well to bridge talented artisans in the East with the rest of the world, and bring you direct finely selected products that are of good quality and aesthetic taste.

So far we carry 3000+ goods covering Ladies Fashion, Kungfu Clothing, Home Furnishings, Babies & Kids, Painting Arts, Textile Arts, Carving Arts, Tribal Jewelry Art, Wall Masks and Musical Instruments. Our team speak English, French, German, Spanish and Italian, and serve customers worldwide with passion and hearts.


P.S. We Need People with Similar Passion to Join Our Blogging Team!

If you have passion to write about Oriental Aesthetic in Fashion, Home Decor, Art & Crafts, Culture, Music, Books, and Charity, please contact us atbloggers@interactchina.com, we would love to hear from you!

Puppet Opera and Folk Belief

Written by Juliette Qi

 

Peoples around the world use puppets in their shows. Puppets have often been used in dramas and comedies, adding of course music and sound effects to make the show more attractive. Puppet shows are very famous in China and many characters (Chinese) are as famous as Pinocchio is for Westerners.

 

 

The History of Shadow Play

It is said that the Mongols who participated in the conquest of China in the 13th century enjoyed being entertained by watching shadows in their camps. They took their own entertainment with them, and it became a popular form of recreation in the Ottoman Empire that later spread to the western parts of the territory.

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Puppets used for Chinese Shadow Play

 

Shadow plays were introduced in France when French missionaries returned from China in 1767 and gave performances in Paris and Marseille. Isst is in this way that the shadow play entered European territories. The performances of shadow plays were very successful in China and we began to call them the ” Ombres chinois “, which is the French equivalent of the shadow plays coming from China. This artform had its glory days in Paris during the 19th century. The cabaret ” Chat Noir ” (Black Cat) of Montmartre (Paris) also produced a large number of shows in the 80s.

 

The Popular Theatrical Show

It was usually the leader of the temple community who invited the troupe and decided on the show on the occasion of the birthday of the deity. The shows were presented in front of the temples on a stage set up for the occasion, in camphor wood sheds richly carved and covered with gold foil.As a reflection of the architecture of the temples, the shed has colonnades of dragons and the sculptures of characters or animals as symbols of good auguries.

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A Traditional Show in the Countryside

 

Like the classical spectacles intended for the deities, the audience, if there was one, did not pay to watch the puppet shows. Sometimes in the countryside, the presentation had only the god of the soil as a spectator. His altar was built in the middle of a rice field and no human spectator came to attend the performance.

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A Modern Show

 

Nowadays technical devices have appeared, computers control lighting, machines, modern paintings and dyes allow artists to create shadows and colorful figures. It is very difficult for some shadow show artists to cope with new technology, but some of them take advantage of these new technologies and use them wisely for the development of their performances in China.

 

The Relationship to Belief: Ceremony for the Deities

Even though the puppet performances were intended for the entertainment of the deities, the show itself was purely profane. In addition, the performance master always had some magic skills, mainly in exorcism. For example they used a wire puppet representing Zhong Kui for the purification of places infested by ghosts.

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The Character Zhong Kui

 

Other ceremonies could involve puppets with sheaths; they took place in the open air and usually at the event site. The ceremony was intended to pacify some wandering souls deemed responsible for disasters such as fires, floods and diseases.

After these ceremonies, the show was played normally in the sheds. People prepare suggestively their show about water if there was a fire, about healing if someone was ill etc … but without referring directly to the reason for the ceremony during the show.

 

 

 

About Interact China


“A Social Enterprise in E-commerce Promoting Oriental Aesthetic Worldwide” 

Aileen & Norman co-founded Interact China in 2004 with specialization in fine Oriental Aesthetic products handmade by ethnic minorities & Han Chinese. Having direct partnerships with artisans, designers, craft masters and tailors, along with 10 years solid experience in e-commerce via InteractChina.com, we position well to bridge talented artisans in the East with the rest of the world, and bring you direct finely selected products that are of good quality and aesthetic taste.

So far we carry 3000+ goods covering Ladies Fashion, Kungfu Clothing, Home Furnishings, Babies & Kids, Painting Arts, Textile Arts, Carving Arts, Tribal Jewelry Art, Wall Masks and Musical Instruments. Our team speak English, French, German, Spanish and Italian, and serve customers worldwide with passion and hearts.


P.S. We Need People with Similar Passion to Join Our Blogging Team!

If you have passion to write about Oriental Aesthetic in Fashion, Home Decor, Art & Crafts, Culture, Music, Books, and Charity, please contact us at bloggers@interactchina.com, we would love to hear from you!

Most Inspiring Oriental Home Decorations

Written by Juliette Qi

 

It seems that Asian-style decoration is slowly infiltrating contemporary decor. It attracts everyone due to its serenity, its relaxing forms and its diversity which is in harmony with modern interior design.

But how can we integrate the original Asian style into our interior? Can we create a modern and elegant decor while adding Zen elements or oriental beauty? Here, we present you with the most inspiring projects to give you some ideas.

 

Asian Decoration of a Modern Living Room

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Zen deco implies the almost ethereal effect of harmony and perfect balance. You can create this effect in your interior by incorporating natural materials, a neutral and calm color palette and furniture with a simple and minimalist design. Just like for other decorating styles, exquisite balance is a key concept in Asian decoration.

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Original Decoration Inspired by Asian style

Open and airy spaces are much sought after in Zen oriental interiors where positive energy is encouraged to flow through the space. The inner harmony created by the objects and their negative white space is accentuated by using other elements of natural design such as wooden blinds and bamboo details in addition to Asian art paintings.

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Round shapes are also very important in Asian decor because they represent a complete and perfect model. You can use circular decorative elements for the decoration of the front door or the doors of your storage furniture.

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Elegant Living Room with Chinese Cultural Objects

Chinoiserie represents the whimsical Chinese influence through imaginative and complex designs.

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The chinoiserie can create an almost magical atmosphere and it is most often found in embroidery and textiles, as decorative motifs on furniture, or on porcelain objects. Feel free to incorporate colorful Chinese motifs into your minimalist decor.

 

Bamboo as a Decoration for your Bedroom and Bathroom

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Asian deco is also characterized by the use of many screens. No matter if it’s a simple screen placed in one of the corners of the room or a sliding screen-holder that separates two spaces, the screens create a beautiful Asian-style decor. They also act as room dividers for privacy while keeping connections among different rooms (They don’t completely separate the rooms like a wall).

 

Modern Asian Interior Decorated using Wood

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Un des moyens les plus faciles et les plus versatiles d’incorporer des éléments de déco asiatique dans l’intérieur contemporain est d’intégrer du bambou. Les options sont vraiment illimitées et le bambou peut être présent sous forme de revêtement du sol, stores pour les fenêtres, meubles et même comme cadres de photos et de miroirs. Quelques tiges de bambou dans un vase haut pour décorer le salon est aussi une très bonne idée.

One of the easiest and most versatile ways to incorporate Asian deco elements into the your contemporary interior is to use bamboo. The options are truly endless and bamboo can be made into flooring, window blinds, furniture and even picture frames and mirrors. Some bamboo stems in a tall vase to decorate the living room is also a very good idea.

 

Asian Interior Decoration with Neutral Colors

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Red is a color that evokes passion and its presence is very strong in Chinese culture. As the color of the sun, red symbolize life, energy and vitality. It is not without consideration that red and other strong colors must be incorporated in a space. But when they are there, it should be done with confidence and strength.

 

Bedroom with Canopy Bed

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Mixing and matching Chinese prints on fabrics and furniture brings richness and taste to the space. As for achieving harmony in the interior design, try to combine rich shades with simple design elements and neutral colors. Remember that the purpose of your interior decor is to make you and all your guests feel good and serene.

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About Interact China


“A Social Enterprise in E-commerce Promoting Oriental Aesthetic Worldwide” 

Aileen & Norman co-founded Interact China in 2004 with specialization in fine Oriental Aesthetic products handmade by ethnic minorities & Han Chinese. Having direct partnerships with artisans, designers, craft masters and tailors, along with 10 years solid experience in e-commerce via InteractChina.com, we position well to bridge talented artisans in the East with the rest of the world, and bring you direct finely selected products that are of good quality and aesthetic taste.

So far we carry 3000+ goods covering Ladies Fashion, Kungfu Clothing, Home Furnishings, Babies & Kids, Painting Arts, Textile Arts, Carving Arts, Tribal Jewelry Art, Wall Masks and Musical Instruments. Our team speak English, French, German, Spanish and Italian, and serve customers worldwide with passion and hearts.


P.S. We Need People with Similar Passion to Join Our Blogging Team!

If you have passion to write about Oriental Aesthetic in Fashion, Home Decor, Art & Crafts, Culture, Music, Books, and Charity, please contact us at bloggers@interactchina.com, we would love to hear from you!

The Weaving, Dyeing and Embroidery of the Li People: 2000-Year-Old Techniques

Written by Juliette Qi

 

The weaving and dyeing techniques of the Li* have a long history and unique characteristics. The Li mainly produce linen fabrics, cotton, brocade, printed and dyed products, embroidery and long bedspreads (a kind of brocade, the most delicate to make). Li women are skilled in spinning and weaving, and especially show their ingenuity in spinning and weaving “bombax” cotton and local cotton. Even before Song Dynasty (960-1279), Li women already knew how to weave and could weave colorful bed sheets and curtains.

 

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According to historical records, the traditional spinning and weaving techniques of Li cotton have a history of more than 2,000 years. Since the Han Dynasty (207 BC-220 AD), Li brocade has been offered as a tribute to feudal emperors of later dynasties. Cheng Bingzhao, a poet of the Qing Dynasty (1644-1911) once praised the exquisite work of Li brocade in these terms: “Li brocade is as beautiful and brilliant as the sun in the sky “. “Li” brocade is appreciated because it is exquisitely manufactured, beautiful in its design, practical, and has the characteristics of the spinning, weaving, dyeing and embroidery of the ethnic group.

 

The Different Techniques

The Li minority has its own spinning, weaving, dyeing and embroidery techniques and, in different regions, has also developed them according to local preferences.

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Spinning: The main tools involved are the hand wheel and the wheel driven by a pedal. Spinning using the hand wheel is the oldest spinning technique. Before cotton sheets grew in popularity, wild linen sheets were predominant in areas inhabited by the Li minority. People peeled the wild flax fibers they picked up during the rainy seasons and turned them into a base material after soaking and rinsing. After dyeing, they spun it by hand or with the spinning wheel and wove it.

Dyeing: The dyes are based on wild or cultivated plants. They are characterized by bright colors, speed of catch and various resources. Dyeing is important empirical knowledge of the Li people. In the Meifu dialect area there was also a knot dyeing technique, called “Jiaoxie dyeing” in the old days. This unique process follows the process of “knotting first, then dyeing and finally weaving” and has obviously integrated these three techniques.

Weaving: There are mainly two types of looms, the loom powered by a pedal and the craft “Juyao”. The craft “Juyao” is rather old, similar to that used by the Banpo clan six or seven thousand years ago. Li women could use the “Juyao” craft to weave exquisite, sumptuous and complicated patterns. The loom is even far ahead of the big modern jacquards in jacquard weaving technology.

 

Li Knot Dyeing

Knot dyeing, known as “Jiaoxie” in the past, played a major role in the textile printing and dyeing of the Li. The raw materials are knotted, dyed, spun and woven into colored fabric. The dye is mainly made from leaves of plants, flowers, bark or tree roots. Natural mineral dye is also an addition.

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Currently, Li-knot dyeing is widespread particularly in the Meifu dialect region. In this region, there are stands that support the fabric reserved for dyeing knots.The patterns are fine and exquisite. In the dialect region Ha, however, there is no support for knot dyeing. People tie one end of the vertical line to their waist and the other to their feet. The patterns consist of thick and irregular lines. The process of dyeing knots consists of drawing the pattern, tying, dying, re-dyeing, rinsing etc. However, the pattern decision process is often omitted by Li women, as various drawings are already in their memory.

 

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Knotting, also known as “wrapping”, plays a crucial role in knot dyeing because it directly affects the result. When the knotting is finished, the skeins are lowered from the wooden bearing and then dyed. After being dyed repeatedly too? Does not make sense on its own), they are dried to allow the indigo to be oxidized and air dried. Then the hanks are dyed repeatedly, until they reach the required color. When the dyeing process is complete, the skeins are loosened, rinsed with clear water to remove the excess color, and then dried. The vertical lines (weft) will then present a pattern. People can then weave the horizontal lines of color (chain) with the loom “Juyao”. An exquisite piece of art will then be born.

The Li process of ” dyeing knots first and then weaving”, although different from the other ethnic methods of “weaving first and then dyeing knots”, not only allows the pattern to show all its fineness, but also adds more color changes and causes the pattern to have a distinct color gradation. Such a kind of naturally formed chromatic halo makes the brocade more exquisite and superior in its artistic efficiency.

 

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NOTES*

The Li 黎族 (Lí Zú) is one of 56 ethnic minorities living in China. Their population was just over 1.2 million at the end of the 20th century. The majority of the Li live off the south coast of China on the island-province of Hainan, where they are the most numerous natives.

 

 

 

About Interact China


“A Social Enterprise in E-commerce Promoting Oriental Aesthetic Worldwide” 

Aileen & Norman co-founded Interact China in 2004 with specialization in fine Oriental Aesthetic products handmade by ethnic minorities & Han Chinese. Having direct partnerships with artisans, designers, craft masters and tailors, along with 10 years solid experience in e-commerce via InteractChina.com, we position well to bridge talented artisans in the East with the rest of the world, and bring you direct finely selected products that are of good quality and aesthetic taste.

So far we carry 3000+ goods covering Ladies Fashion, Kungfu Clothing, Home Furnishings, Babies & Kids, Painting Arts, Textile Arts, Carving Arts, Tribal Jewelry Art, Wall Masks and Musical Instruments. Our team speak English, French, German, Spanish and Italian, and serve customers worldwide with passion and hearts.


P.S. We Need People with Similar Passion to Join Our Blogging Team!

If you have passion to write about Oriental Aesthetic in Fashion, Home Decor, Art & Crafts, Culture, Music, Books, and Charity, please contact us at bloggers@interactchina.com, we would love to hear from you!

Chinese Inspirations in Modern Home Décor

Written by Juliette Qi

 

Nowadays, China and its ancestral traditions still inspire decorators looking for new ideas. At the same time, Chinese style deco accessories have become a kind of travel guides to the other side of the world.

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For Europe, China represents above all exoticism and passion from elsewhere. In the eighteenth century, it was also the symbol of a fantasy Orient where everything was luxurious, calm and pleasant. Today China still fascinates as it once did due to the richness of its culture and its traditions. It is also where we can find some decorative objects to bring a little serenity to our home.

 

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To decorate the walls, Chinese calligraphy adds some fun to the decor. Choose the characters that correspond to the message you want to convey in your home: calm, purity, serenity and harmony in life, or, on the contrary, strength and vitality for your career. And for the rest of the house, you will also find calligraphies or paintings that will perfectly echo the original styles of your rooms.

 

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Privilege all the objects that suggest meditation and soothe the mind: bamboo objects, plants, aerial lanterns, screens to isolate oneself in a quiet place … and the essential accessory: a Buddha statue. You can place it on tables or cupboards, it will bring its wisdom to your daily life.

 

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For a Chinese-style Asian decoration, choose curtains matching the background color of the furniture. This will be diffused on the white walls when creating a luminous and warm atmosphere.

 

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The Chinese- or Asian- style decoration has had a strong presence for our home deco for a decade. This is indeed the popular style with the large consumer community in all major furniture decoration stores.

 

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A simple and clear style, a mix of various materials and scents, Asian style is a call for rest and exotic travel that we can do at home thanks to all our decorations and decor accessories.

 

 

 

 

About Interact China


“A Social Enterprise in E-commerce Promoting Oriental Aesthetic Worldwide” 

Aileen & Norman co-founded Interact China in 2004 with specialization in fine Oriental Aesthetic products handmade by ethnic minorities & Han Chinese. Having direct partnerships with artisans, designers, craft masters and tailors, along with 10 years solid experience in e-commerce via InteractChina.com, we position well to bridge talented artisans in the East with the rest of the world, and bring you direct finely selected products that are of good quality and aesthetic taste.

So far we carry 3000+ goods covering Ladies Fashion, Kungfu Clothing, Home Furnishings, Babies & Kids, Painting Arts, Textile Arts, Carving Arts, Tribal Jewelry Art, Wall Masks and Musical Instruments. Our team speak English, French, German, Spanish and Italian, and serve customers worldwide with passion and hearts.


P.S. We Need People with Similar Passion to Join Our Blogging Team!

If you have passion to write about Oriental Aesthetic in Fashion, Home Decor, Art & Crafts, Culture, Music, Books, and Charity, please contact us at bloggers@interactchina.com, we would love to hear from you!

Feng-Shui and the Art of Feeling Good at Home

Written by Juliette Qi

In recent years, Feng Shui has been experiencing a huge craze. It is neither science nor religion and is based on ancient Chinese knowledge. The purpose of Feng Shui is to arrange the space in order to optimize the circulation of Cosmic Energy and to improve your quality of life. If Feng Shui was a modern artform, it would be called the “psycho-energetics of places” or the “psycho-sociology of space” … Indeed, this is exactly the relationship of ourselves to everything around us.

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Feng-Shui: the “psycho-sociology of space”

 

The Foundation of Feng Shui: A Positive Energy to Stay at Peace with Oneself

Based on coexistence, on nature and ourselves, and on the two contrary forces of Yin (feminine) and Yang (masculine), here energy is fundamental in our daily life. The more fluid the circulation, the more you feel a subtle but real well-being.

At home, decoration is an attempt to appropriate the place in which we try to project our identity. That’s why we say it’s the human who gives his or her identity to the place. Trying to improve our wellbeing by harmonizing the energy of the habitat, Feng Shui, an Asian discipline more than 5,000 years old, brings modern answers to our desires to feel good at home.

 

The entrance

Ideally, the entrance to your home should be spacious, bright and clear of any bulky object. Shoes, umbrellas, storage boxes, shelves, tools: all these objects that sometimes adorn our entrance halls will block the “chi” (positive energy coming from outside) by preventing it from circulating freely in the house.

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A Spacious and Unobstructed Entrance

 

Any object placed in the entrance to your home will influence the overall image of your home. Hang a picture of a beautiful landscape or other positive symbol in front of the front door. A shoe cupboard topped with a beautiful bouquet of flowers (fresh!) or a vase filled with small colored candles are the best effect for visitors (they bring vitality and are welcoming).

 

The living room

The living room should preferably be large and bathed in daylight. Some apartments or houses are from this point of view very poorly designed (narrow living rooms and large bedrooms). If this is the case in your home, you should only keep the furniture which is absolutely necessary in the living room so as to enlarge the available space.

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The Vast and Bright Living Room

 

The sofas must always be placed back to the harmonization of the energies of the habitat, against a wall or, failing that, against a room divider or a cupboard. Armchairs and sofas should also face the front door of the living room. These precepts address one of the most important rules of Feng Shui: protect your back – by using a wall, a wardrobe, a screen – but keep a vision in front of you, so as to see those who enter the room. This provides a great sense of security.

Choose decorative elements (carpets, cushions, lamps, curtains, paintings) in warm colors. To increase the feeling of intimacy and warmth, place small indirect lights (reading lamp or wall-mounted).

 

The Dining Room

As a place of conviviality for exchanges, the dining room should preferably be used regularly, so as not to make a dead room where energy does not circulate. Choose a round or oval table, the corners of a rectangular table are considered in Feng Shui as sharp arrows. If your table is square or rectangular, you can soften the corners by covering it with a tablecloth.

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A Dining Room with Warm Decorations

 

Hang some positive pictures or symbols related to food and abundance, with bright and appetizing colors (no war scenes!), onto the walls of the dining room. A mirror that reflects the food on the table is also a sign of abundance and prosperity. On the cupboard or table, place a vase filled with fruit, nuts or other food (another sign of plenty).

 

Bedroom

Known as a place of sleep and healing, the room is a vital piece: we sleep a third of our lives! Its primary function is recovery, so it cannot be used as an office annex or storage space for everything that cannot be stored elsewhere.

The orientation of the bed is very important for a good sleep. The safest position is to place the headboard against a wall (north or east), with a view of the front door if possible. To avoid: the bed against a window or bay window because it gives creates a feeling of insecurity.

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A comfortable and intimate room

 

Move everything away from the head of the bed that is reminiscent of work and stress: books, files, clocks, telephones if possible. Avoid mirrors, separate mattresses (symbol of division of the couple) and ventilate the room more often in order to renew the air of the room. Indirect lighting is also preferred (small bedside lamps, wall sconces) to central lighting.

 

 

 

 

About Interact China


“A Social Enterprise in E-commerce Promoting Oriental Aesthetic Worldwide” 

Aileen & Norman co-founded Interact China in 2004 with specialization in fine Oriental Aesthetic products handmade by ethnic minorities & Han Chinese. Having direct partnerships with artisans, designers, craft masters and tailors, along with 10 years solid experience in e-commerce via InteractChina.com, we position well to bridge talented artisans in the East with the rest of the world, and bring you direct finely selected products that are of good quality and aesthetic taste.

So far we carry 3000+ goods covering Ladies Fashion, Kungfu Clothing, Home Furnishings, Babies & Kids, Painting Arts, Textile Arts, Carving Arts, Tribal Jewelry Art, Wall Masks and Musical Instruments. Our team speak English, French, German, Spanish and Italian, and serve customers worldwide with passion and hearts.


P.S. We Need People with Similar Passion to Join Our Blogging Team!

If you have passion to write about Oriental Aesthetic in Fashion, Home Decor, Art & Crafts, Culture, Music, Books, and Charity, please contact us at bloggers@interactchina.com, we would love to hear from you!