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American Navajo Jewelry

The Navajo is one of the largest Native American Tribes in the United States and located on more than 27,000 square miles of land across Arizona, New Mexico and Utah. Jewelry has become one of the most sacred parts of the modern Navajo culture.


Origin of Navajo Jewelry

Navajo Jewelry

Historically the Navajo are believed to have first learned metal working from the Spanish and they combine methods from this early influence with modern techniques, while some others believe that Navajo Indians developed silversmithing skills from their Mexican neighbors around the mid-19th century. After the Navajo people were forced from their land by the U.S. government, they began developing the skill and trade. There are also some Navajo believed that they developed the method themselves or from neighboring tribes.

The Navajo originally made their jewelry for themselves, but after the railroads appeared in the late 19th century, they began making their jewelry to sell to American settlers who came through trading posts of the West.


Navajo Jewelry Designs

Navajo Jewelry

The early Navajo jewelers took inspiration from the Spaniards. The Spaniards were heavily adorned with silver pendants such as the naja, a crescent shaped pendant. The Navajo adopted similar accessories which are still used today. The well known squash blossom and other iconic designs are influenced heavily by Mexican art and jewelry traditions. Yet, the Navajo are still crafting original jewelry that reflects both the history and heritage of their people.

Squash Blossom
Navajo Jewelry

Various original designs in Navajo Art have been displayed by talented artists over the years. Some of the earliest Navajo jewelry was made of metals, mainly silver, without stones of any sort. Conch style belts, flasks, necklaces and bracelets were some of the tribe’s main focus. Designs were done by filing and hammering notches in particular patterns into the metal. Slowly these Navajo designs began incorporating different types of stones and shells into the silver. One of the details enthusiasts pay attention to when it comes to Navajo jewelry is the breath taking turquoise displays. Turquoise is considered to be a sacred stone that protects the wearer from harm. Turquoise quickly became a favored centerpiece by the Navajo silversmiths and many different jewelry designs using this stone evolved. Today Artists use a variety of modern tools to create their customs styles of silver etched patterns and stone mounting designs.

Navajo silver and turquoise jewelry bracelets and rings
Navajo Jewelry


Navajo Silver and Turquoise Jewelry
Navajo Jewelry

Navajo Jewelry is now well-known for its distinctive bold design, and use of silver inlaid with large, bright gems. Other natural stones are also used, including coral and spiny oyster shell. Silver was and still is plentiful in the Southwest, and precious gems can easily be found. Turquoise is a very popular gem used in Navajo jewelry, and this bold blue jewel is native to the Southwestern United States where the Navajo lived. This is the reason that Navajo Jewelry is characterized by large silver pieces and gems, unlike other Native American jewelry, which uses small beads to create patterns. It is for this reason that Navajo jewelry can sometimes be more costly than other forms of Native American Jewelry, but the combination of fine silver and gems and the expert craftsmanship make good quality Navajo jewelry an instant heirloom.

by Xiao Xiao @ InteractChina.com

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The Tuareg people are predominantly nomadic people of the Sahara desert, mostly in the Northern reaches of Mali near Timbuktu and Kidal. The Tuareg are often referred to as “Blue Men of the desert” – because their robes are dyed indigo blue. They live in small tribes with between 30 and 100 family members. Their inventive spirit and skillful hands spring a large number of works of art renowned in the world, notably for their marvelous silver jewelry.

African Tribal Jewelry


Tureg Silver

Tuareg silver is the most luxurious jewelry worn in most West African countries. Many Tuareg people who can afford to wear it will save it for only the most special occasions. They wear it as an indicator of wealth, position and origin.

African Tribal Jewelry

Tuareg silver itself is not a sterling silver, but an alloy of silver and copper, which gives it a brilliant golden tone.

African Tribal Jewelry

Tuareg women have a superstitious fear of gold and will not wear it. Silver has thus taken its place in the Tuareg traditions. Silver jewelry is part of every Tuareg family estate. It has both symbolic and real value, serving also as savings and for (foreign) exchange.


Design and Symbol

African Tribal Jewelry

The highly esteemed Tuareg silversmiths create a wide array of jewelry objects with the traditional Berber markings that you will see on most of the Tuareg jewelry. These etchings are clean cut, concise and geometrical, because in much of Islamic culture, realistic images are considered to be sacrilegious. The markings stand for ancient blessings of good fortune and symbols of protection for the wearer.

Every jewel is a message and contains sometimes forgotten symbols. Every necklace worn by a Tuareg woman tells stories of her people, her city.

African Tribal Jewelry

Often, the pendant represents the palace of the sultan. The gems inside the pendant represent the sultan himself and his court. There are also symbols for the man, the woman, maternity and birth.

African Tribal Jewelry

The Southern Cross was originally worn only by men and transferred from father to son. It is a hint of the virility and strength of the young men in relation to their traditional nomad lifestyle. The cross represents saddle pommel of their camels or in a wider view, the four cardinal directions. Traditionally a father would transmit the cross to his son saying “Son, I give you the four directions, as no one knows where your path will end.”

by Xiao Xiao @ InteractChina.com

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Tibetan Jewelry

For Tibetans, jewelry plays an important, traditional role in dress, spirituality, and life. Under the stylish design, Tibetan jewelry implies the archaized style and a unique charm and appeal of art, and they can not be replaced by any other ethnic style jewelry.

Tibetan Jewelry


Style

Handmade Tibetan Jewelry reflects rich Tibetan ethnic cultural connotation and bold styling. In contrast with India, where a piece of jewelry is valued for the preciousness of the metals and gems that go into making it, Tibetans value their jewelry based on its color, size and symbolism.

Tibetan Jewelry Tibetan Jewelry

Tibetan jewelry has a rustic, almost unfinished look to it. In contrast with the perfectly symmetrical and flawless appearance of, say Italian silver jewelry, Tibetan silver pieces are individually made in a process that usually involves hammering and chiseling. No one will ever confuse Tibetan jewelry as machine mass produced because of its simple beauty! Tibetan jewelry, including silver and gold jewelry, also tends to be much larger in size than the jewelry made in most other countries and regions.


Material

Tibetan Jewelry

As for materials, Tibetan jewelry is usually made of copper or silver, although gold jewelry is also produced. Tibetan jewelry also makes extensive use of gemstones. Turquoise and coral are their favorites, but rubies, sapphires, agates, coral, amber, copal, carnelian, garnet, lapis lazuli, amethyst, and jade are also used. Yak bone is also a popular material for jewelry-making.


Silver and Gold Work Traditions in Tibet

Documents in China from the 7th Century were written in praise of Tibetan silversmiths and goldsmiths, which were believed to be one of the wonders of the medieval world. It is not clear where these skills came from or whether they originated from within the Tibetan region. It is known that Tibet has long been subjected to influences from foreigners. It was a stop on the famed Silk Routes that ran from the Mediterranean to China. Trading is known to have taken place between Tibet and such nations as Turkey, Iran, India, China, and all regions of Central Asia. It is possible that silver and gold workers in Tibet had associations with metal workers from other regions.


Silver Jewelry

Tibetan Jewelry

The Tibetans have been skilled silversmiths for many hundreds of years. Silver containers have been found in temples that date back to 600 AD. Ancient metal work exhibiting advanced skills have been also uncovered, usually in the form of Buddhist sculptures.


Gold Jewelry

Tibetan Jewelry

Gold was thought to have restorative qualities in addition to increasing longevity and dispelling demons. In Tibet, gold jewelry has always been rare, a luxury limited to the rich and the powerful.

Gold jewelry reflects not only the personal wealth of the owners, but also social and political status. It also reflects the traditions of Buddhism and Hinduism. Gems and jewelry often serve as a metaphor for the ideals of faith, and Himalayan deities were richly adorned with abundant gold jewelry- crowns, earrings, necklaces, armlets, anklets, finger and toe rings.

by Xiao Xiao @ InteractChina.com

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Mongolian Jewelry

Elaborately detailed filigree and brilliantly colored enamels are the signatures of Mongolian jewelry making. This traditional technique has distinctive Russian and Chinese influences and follows a process that has remained unchanged for generations.

Mongolian Jewelry


Mongolian Jewelry Making

Mongolian Jewelry The filigree work is typically hand-fashioned with tweezers using silver wires which are shaped into flowers, butterflies and other subjects. At approximately 1700 degrees F, the wire structure is then carefully fired in a kiln where they are fused together with silver dust. This first process provides the framework for the piece. Fine enamel powder is then blended and packed into the frame, and briefly fired in the kiln again several times at 1500 degrees F. During this second firing, the enamel fuses into a durable glasslike finish.

Finally, gemstones are set, and the piece is typically plated with 24KT gold. Stones such as Chrysocolla, Rhodocrosite, Chrysoprase, Water Sapphires and Black Star of India are favorites of Mongolian artisans. Semiprecious stones like Garnets, Lapis, Amethyst, Madeira Citrine, Onyx and Turquoise are also popular in traditional Mongolian designs.

Tibetan Jewelry

The work is exacting and demanding, since working with any filigree frame could involve destruction of the fragile framework. The artists are all extensively trained in the basic techniques and over time are considered master craftsmen. Interestingly, because filigree and enameling are very different skills, many Mongolian jewelry items require two artists to complete. No one artist is trained in both procedures.

Many of the young people of the area are turning their backs on the old ways and going into urban areas of China to make lives for themselves. It is an endangered and dying art form and because of the sheer beauty and quality of the jewelry, several museums around the world are selling the works of art in their museum shops. They consider it a Chinese cultural treasure.


Caring for Filigree Jewelry:

Although it is sterling silver and very sturdy, it is made of hundreds of fine wires. The brilliant colors are achieved by the use of enamel powder, kiln-fired to create “glass”. Consequently, gentle care should be used with these unique pieces. Keep in a plastic bag with the air expelled to minimize oxidation. Clean with a liquid cleaner acceptable for use with pearls, lapis, turquoise or other porous stones.

by Xiao Xiao @ InteractChina.com

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Africa is a large and diverse continent. Split into many different countries, each with its own people and tribal traditions, Africa has shores bordering two oceans, impenetrable tropical jungles, vast deserts, range of mountains and huge expanses of savanna. Africans are natural craftsmen; African jewelry is colorful and bold. Each African country’s unique conditions and resources have created a much sought after range of jewelry designs and materials.


History of African Adornment

The oldest African jewelry known to date was discovered in Blombos Cave located on the coast of South Africa. The cave was the site of beads made from the shells of a sea snail and punctured with small holes so they could be strung on a necklace. These shell beads have been dated to around 75,000 years, and tribal jewelry has played an important role in African culture ever since, used in dancing, religious rituals, as a sign of wealth and status, as a currency, as burial offerings, and for personal adornment.


Significance

Tribal jewelry could represent wealth and power, and were used as currency in some cultures.

African Tribal Jewelry
African Tribal Jewelry

Wearing jewelry in many cultures is a form of self expression. It was used to display tribal identity, and to represent the wearer’s history and status. Royalty in ancient Egypt wore ostrich shell necklaces as a symbol of their status, while a groom in Ghana gave his bride a beaded belt on their wedding day, which she continued to wear afterward to denote her married status.

African Tribal Jewelry

In addition to being used to signify royalty in some tribal cultures, African jewelry is commonly used in clothing and dance. Egyptians wore beaded jewelry around their waist and ankles called binbins as part of belly dancing. It was used to symbolize the coming of age of young girls.

In many regions of Africa, jewelry is not just ornamental; it serves a religious or ritualistic purpose. In South Africa, people wore elephant bracelets as a respect to the gods they worshiped and to show respect to the mighty elephant. The jewelry used for ornamentation in West Africa was traditionally used to tell a story. These articles were created according to sacred tradition, with each bracelet, pendant, knot or bead having a spiritual significance.

African Tribal Jewelry

Others used jewelry for its magical protection and strength. Superstition played a role in the use of tribal jewelry, with some tribes believing that certain beads and other materials had magical powers. Cowrie shells were associated with a woman’s spirituality and fertility. An amulet was worn by the mother of twins in West Africa to celebrate her twins’ power and magic, and tribes in Mali and Ivory Coast believed that copper had strong, protective powers.

It is said that, “Owning a piece of African jewelry is owning a world of African culture and history.” African tribal jewelry was not only portrays historic values and meanings, it also showcased the diversity of the people and the skills of the various craftsmen, goldsmiths, carvers and jewelry makers of Africa.

by Xiao Xiao @ InteractChina.com

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Islamic Jewelry in Vogue

Gold and silver adornments are significantly popular in Muslim culture; traditional Islamic Jewelry is worn in almost every Muslim country like Saudi Arabia, Egypt, Iran, and Pakistan. Elaborate latticed pattern with suggestions of minarets and domes is a typical reflection of Arabic designs. Despite keeping up with modern times, conventional designs are still inherent in Islamic jewelry.

Islamic Jewelry


Muslim Female Jewelry

Any Muslim wedding is a gala for the display of dazzling gold ornaments. Women cover themselves from head to toe with conservative as well as contemporary samples of Islamic jewelry.

Islamic Jewelry

Islamic Jewelry

Heavy gold bangles, solid gold necklaces and dangling earrings, set with or without gems, typically conform to Islamic jewelry. With changing times, now silver, platinum and palladium articles are also in vogue. Anklets made with any of these expensive elements are considered a worthy addition.

Islamic Jewelry

Islamic Jewelry

A Muslim bride’s trousseau is incomplete without a measure of her personal treasure of Islamic jewelry. Depending on her status in the society, gold, silver or platinum ornaments will complete her possessions. From her very birth, an infant girl starts receiving gifts of various articles of gold or silver. Her very first gift can be in the form of an ‘Allah’ pendant, with Allah written elaborately and beautifully. To further enhance its beauty it can be embedded with gems of the most precious kind. Tiny gold or silver bangles, sometimes decorated with bells, make a charming present for the young one. Another suitable gift for the infant is its own name pendant, again set in the most exotic patterns.


Muslim Male Jewelry

Islamic Jewelry

As Muslim males are forbidden from wearing gold, they prefer to adorn their fingers with silver rings that are embedded with valuable gems of their own choice. They also favor silver bracelets that have Arabic inscriptions or their own names carved on them. ‘Allah’ pendants, made from silver, are equally popular with males. Silver cufflinks and tie pins with Arabic engravings can be added to their collection by Muslim brothers. These items, a more modern aspect of Islamic jewellery, meet the needs of contemporary men; they can be worn to official gatherings as well as to formal occasions that are of a personal nature.

Inscription of Ayat Al Kursi is also seen on various articles of Islamic jewellery; it is engraved on pendants and bracelets of gold, silver and platinum. Men and women from every strata of life wear them alike with a firm belief of seeking Allah’s protection from all harms.

by Xiao Xiao @ InteractChina.com

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Indian Jewellery

India has been representing the prosperous legacy of jewelry that demonstrates affluence, supremacy, profusion and proficiency of artisans for 5000 years old. Jewelry has not only been designed for men or women but also for gods, temples and traditional dances.

Indian Jewelry

Indian men and women have traditionally adorned themselves with different types of jewelry. Available ornaments were made of gold, silver, ivory, beads, pottery and precious stones like rubies, corals, sapphires and crystals. Over the time, a number of jewelry types have flourished in India and has again become outmoded.


Gold Jewelry

Indian Jewelry Indian Jewelry

Among all emerging metals, gold jewelry is yet coveted by the larger mass. Since the traditional days gold has been considered the best metal to enhance the beauty of an individual, especially the women, and till today the tradition continues. Moreover gold is also considered auspicious by people and so that is another reason why jewelry made of gold holds such a prominent place.


Antique Jewelry

Indian Jewelry

The Antique Jewelry is those which have a dull, rough and unique look. In the present day, antique jewelry is no more manufactured.


Bead Jewelry

Indian Jewelry

The concept of bead jewelry in India had originated from the time of the Indus Valley Civilization. Rather it can be said that bead jewelry has existed in the Indian subcontinent for around five thousand years. Use of beads made of gold, silver, clay, wood, copper and ivory were a common practice among the people of the early days and since then the use of beads in ornaments in various forms have continued.


Bridal Jewelry

Indian Jewelry

The ceremony of marriage is of utmost importance in the Indian land and hence the practice of using maximum jewelry during marriage is prevalent among all the communities of the country. The jewelry used during the Indian marriages is made of superior quality metals and are gaudy in look. Though in some marriages silver and platinum are used yet the popularity of gold ornaments during marriages still tops the list. The main reason to use heavy and gaudy jewelry during a marriage is to enhance the beauty of the bride.

Jewelry in India is varied and has changed over times. The new forms of jewelry have enriched the stock of Indian jewelry but it has not yet replaced the older forms completely.

by Xiao Xiao @ InteractChina.com

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Mysterious Tibetan Jewelry

To some extent, Tibetan jewelries convey a traditional cultural tint of Tibet. That is why the Tibetan jewelries look more mysterious and exotic, and why there are so many people like Tibetan jewelry very much.


Religious Symbol

Tibet is a Buddhist nation, which is reflected strongly in its jewelry. Some Tibetan style pendants, which in Buddhism are ritual instruments for subduing demons, believed to dispel all sins and bring people power, courage, and intelligence. Many pieces have Sanskrit inscriptions of a religious symbolic nature.

These are the most common symbolic forms that you will definitely see in Tibetan jewelry:

Tibetan Jewelry

Om . The om symbol is the sound of the universe. It has great significance to Buddhists and Hindus.

Tibetan Jewelry

Tibetan Jewelry

Mantras . The most common mantra is “Om Mani Padme Hum,” which means “The Jewel Lotus Flower within the Heart.” When chanted, this ancient harmony connects us to the tune of the universe.

Tibetan Jewelry

Auspicious Symbols . There are eight auspicious symbols in Tibetan thought. These symbols serve a pedagogical function, teaching Buddhist principles to the people in a form that is easily remembered.

Tibetan Jewelry

The auspicious symbols are as follows:

Conch shell: the sound of the sacred path (Dharma)

Dual fish: spiritual abundance

Interwoven knot: representing the eternity of Lord Buddha’s teachings

Lotus flower: transformation of life into pure spirit

Treasure bowl: symbolizes spiritual jewels

Umbrella: protection from the corruption of personal desire

Victory Emblem: a banner representing spiritual attainment

Wheel of Dharma: the stillness of the soul capable of watching the world while remaining unaffected by it


Amulet

Tibetan jewelry is seen as a means to keep the wearers close to deities and also believed to have the ability to eliminate disease, fear of death, prolong life and increase wealth.

Tibetan Jewelry

Tibet is famous for its ancient beads, called Dzi beads. Dzi beads have amulet properties, as they are believed to be capable of driving away evil spirits, protecting against natural catastrophes, increase one’s energy, bring good reputation to oneself, and promote decency. Dzi beads have been dated back to 1000 B.C. and were once referred to as God Beads. The beads exist in different shapes and motifs, each serving a different spiritual function.

Tibetan Jewelry

Tibetans often wear a prayer box, known as Ghau (or Gau or Gao). These prayer boxes are amulets (protectors), and are usually made of silver. They are highly ornate in pattern and design, and usually are embedded with gemstones. The Ghau is worn as a necklace, with the box hanging at heart-length. Inside the box is placed a scroll prepared by a Buddhist priest. The scroll contains a mantra, prayer, image of Buddha, or sacred symbol. In place of a scroll, a Tibetan might place a gemstone with protective powers or medicinal herbs in the box.

Tibetan Jewelry

In Tibetans’ views, yak is a kind of beautiful and sacred animal. Among Tibetan people there has been a Legend of yak circulating: “after the death of each yak, it will turn into a guardian to protect those who still respect them. And the way to respect dead yak is putting its fur or bone at home or carrying them along.” Therefore, Tibetan people carve scripture on yak skulls as a sacrifice for religion. At the same time, Yak Bone ornament could be seen worn by a lot of people in Tibet, in such way they commemorate and respect yaks which contribute their whole lives to Tibetans. Yak bone ornament is a unique decoration, original and natural, tough and unconstrained, which adds a wild charm to the wearer. And yak bone jewelry can also used as amulet to avoid evils.

by Xiao Xiao @ InteractChina.com

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Shadow play is taken as an earliest ancestor of modern cinema; the unique artistic value makes it be reserved from the ancient time. It is a kind of drama in which silhouettes made of ox, sheep, donkey or other animal leathers are projected onto a white screen. The performer plays the characters behind the screen while singing the libretto to tell the story.

shadow puppet


History of Shadow puppet play

The Shadow puppet play has a history of over 2000 years, which originated during the Han Dynasty (B.C 202 – A.D 220) when one of the concubines of Emperor Wu died. The emperor was so devastated that ignored the affairs of state, and he summoned his court officers to bring his beloved back to life. The officers got an idea and made a shape of the concubine using donkey leather. Her joints were animated using 11 separate pieces of the leather, and adorned with painted clothes. Using an oil lamp they made her shadow move, bringing her back to life. After seeing the shadow puppet play, Emperor Wu began to recover. Then the love story was recorded in the book of “The History of the Han Dynasty”.

shadow puppet

The Shadow puppet play began to become quite popular in Song Dynasty (A.D 960 – A.D 1234). During the Ming Dynasty (A.D 1368 – A.D 1644) there were 40 to 50 shadow puppet play troupes in Beijing. In the late 13th century, Yuan Dynasty (AD 1271 – A.D1368), the shadow show became a recreation in the barracks of the Mongolian troops. It was spread by the conquering Mongols to distant countries like Persia, Arabia, Turkey and other Southeastern Asian countries.


Shadow Puppet Play in China

The shadow puppet is the wisdom of Chinese artists, and it is also a popular handiwork in China. It is widely spread in most regions in China, except Tibet and Xinjiang, with different styles of shadow puppet play in different places. However, the characters shaping and performance skills are all quite exquisite, with play themes including the Chinese ancient magic, myths, religions, monarchs, legal cases, wars, as well as talented scholars and pretty ladies, the secular life and etc.

shadow puppet

The shadow play was the earlier form of Chinese Cartoon, and to perform a great shadow play is no easy task for it takes considerable expertise in the fine arts, often requiring artists to perform multiple skills at once.

Nevertheless, performers find it rewarding because it brings the audience a lot of happiness. The major problem now is that the audience is aging fast, and the vast majority of young people do not really understand the ancient art form.


Shadow Puppet Play in other Countries

shadow puppet

The show began to spread to Europe in the mid 18th century, when French missionaries to China took it back to France in 1767 and put on performances in Paris and Marseilles, causing quite a stir. In time, the ombres chinoises, with local modification and embellishment, became the ombres francaises and struck root in the country.

At present, more than 20 countries are known to have shadow show troupes.

The principle methods of shadow performance adopted by the shadow puppet played an important leading role in the invention of the modern movie and the development of the movies and cartoons. Nowadays, the Chinese shadow puppet plays have been collected by the museums of many countries in the world. Meanwhile they are the best souvenir given by Chinese government officials to their foreign guests.

by Xiao Xiao @ InteractChina.com

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Thangkas are intended to convey iconographic information in a pictorial manner.

Thangka Painting

There is a vast amount of iconographic information provided in thangkas, some of it literally spelled out for you. If you look closely, many thangkas spell identification of figures and scenes in formal and delicately rendered scripts.

Thangka Painting Thangka Painting

Even a subtle change in colour alters the message of an icon. For example, a particular shade of the colour green indicates effective activity, while a white often indicates peacefulness and unassailable compassion. It is significant therefore if the same form of a feminine figure is rendered in green or white.


Anonymity of Thangka Painting

The vast majority of created thangkas, therefore, have taken shape as a scientific arrangement of content, colour and proportion, all of which follow a prescribed set of rules. These rules, however, differ by denomination, geographical region and style.

Only rarely do thangkas express the personal vision or creativity of the painter, and for that reason thangka painters have generally remained anonymous as have the tailors who made their mountings.

There are, however, exceptions to this anonymity. Rarely, eminent teachers will create a thangka to express their own insight and experience. This type of thangka comes from a traditionally trained meditation master and artist who creates a new arrangement of forms to convey his insight so that his students may benefit from it. Other exceptions exist where master painters have signed their work somewhere in the composition.


Factors Causing Damages to Thangka Paintings

Without date and artist’s name on thangka paintings, if a piece of thangka painting is damaged, especially for those ancient ones, even indigenous Tibetan scholars trained in the iconographic details of Buddhist deities generally would not presume to know the iconography associated with every deity, it is unlikely that most conservators could guess the identity and details of unfamiliar figures.

Thangka Painting

There are several factors which would cause damages to Thangka paintings.

Sometimes water damage (yak-hide glue is susceptible to water damage) washes away several fine layers of pigment on final paint layers or shading layers. This damage exposes either underdrawing or flat colours which the artist never wanted you to see.

Thangka Painting

Often, a combination of water-damage, greasy butter lamp soot and smoky incense grit permanently alters the original colours. Evidence of this is often seen at the edges where a mounting has protected the original colours.

Thangka Painting

Damage was particularly likely given the tendency of Tibetans to travel long distances in harsh conditions. Thangkas were important articles of the tent culture of nomadic monastic groups in medieval Tibet. It was not unusual for a group of scholars, yogins and priests to travel by yak to distant regions, set up tents, unroll the thangkas and serve the local people by teaching before moving on to another area.

This was good for the people but intense for the thangkas! Rolling and unrolling was, and still is, unavoidably damaging for thangkas. Rough handling and damp walls damaged both the paintings and their mountings, in medieval Tibet and today as well.

The monks in this monastery value their thangkas. But rolling and unrolling combined with rough handling and poor storage constantly damages their treasured thangkas.

In summary, the conservation treatment of a thangka is a complex process which requires superb skills and rich experience as thangka paintings are such complicated composite objects which are designed to communicate iconographic ideas in a beautiful and practical form.

by Xiao Xiao @ InteractChina.com

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