Hanfu or Han Chinese Clothing

Han Fu or Han Chinese clothing, referred in English simply as Silk Robe or Chinese Silk Robe, is the historical dress of the Han Chinese people worn for thousands of years before the conquest by the Manchus of the Qing Dynasty in 1644.

Portrait of Confucius, Showing the Han Fu of the Spring and Autumn Period
Han Chinese Clothing

 

History of Han Chinese Clothing

Han Fu has a history of more than three millennia, and is said to have been worn by the legendary Yellow Emperor.

 

Shang and Zhou Dynasty Han Fu

 

 

Shenyi a type of Han Chinese clothing commonly worn from the pre-Shang periods to the Han Dynasty. This form is known as the quju and worn primarily by women.
Han Chinese Clothing
Another type of Han Chinese Shenyi commonly worn from the pre-Shang periods to the Ming Dynasty. This form is known as the zhiju and worn primarily by men.
Han Chinese Clothing
Two traditional forms of ruqun, a type of Han Chinese clothing worn primarily by women. Cuffs and sleeves on the upper garment may be tighter or looser depending on style. A short skirt or weighted braid (with weight provided by a jade or gold pendant) is sometimes worn to improve aesthetics or comfort of the basic ruqun.
Han Chinese Clothing

The Shang Dynasty (1600 BCE-1046 BCE), developed the rudiments of Han Fu. It consisted of a narrow-cuffed, knee-length tunic tied with a sash, and a narrow, ankle-length skirt worn with a length of fabric that reached the knees.

The dynasty to follow the Shang, the Western Zhou Dynasty (1046-771 BCE), established a strict hierarchical society that used clothing as a status meridian, and inevitably, the height of one’s rank influenced the ornateness of a costume. Such markers included the length of a skirt, the wideness of a sleeve and the degree of ornamentation. In addition to these class-oriented developments, the Han Fu became looser, with the introduction of wide sleeves and jade decorations hung from the sash.

12th century Chinese painting of The Night Revels of Han Xizai showing musicians dressed in Han Fu.
Han Chinese Clothing

In the Eastern Zhou Dynasty (770BCE-221BCE), the “deep robe” appeared a combination of tunic and skirt. The upper and lower halves were cut separately but sewn as a single unit. An additional change was the shaping of the left side of the costume into a corner, fastened on the chest.

 

Tang Dynasty Han Fu

 

Han Chinese Clothing

Tang Dynasty (618CE-907CE) was a period of golden age for the people where culture and economy thriving. Especially, the Women’s dress and personal adornments saw some major reform in this era. Although it still continues the clothing of its predecessors such as Han (206BCE – 220CE) and Sui (581CE – 618CE) dynasties, fashion during the Tang was also influenced by its cosmopolitan culture and arts. Communications and trades were flourishing between the Tang and many places and cultures and that it has changed the thoughts and concepts of the old practices. Before the Tang, Chinese women were restricted by the old Confucian code where a woman’s status was low and her clothing had to be concealed. However during the Tang, women’s clothing gradually became broad and loose. Tang Dynasty was considered by some as another turning point for Han Fu. During the Tang era, foreign culture was lively accepted by the Chinese and blended into Chinese traditional culture.

 

Song Dynasty Han Fu

 

Chinese Traditional Clothing

Some features of Tang Clothing carried into the Song Dynasty (960CE – 1279CE) Such as court customs. Song court customs often use red color for their garments with black leather shoe and hats. Collar edges and sleeve edges of all clothes that have been excavated were decorated with laces or embroidered patterns. Such clothes were decorated with patterns of peony, camellia, plum blossom, and lily, etc. Although some of Song clothing have similarities with previous dynasties, some unique characteristics separate it from the rest. Many of Song Clothing goes into Yuan and Ming.

 

Ming Dynasty Han Fu

 

Chinese Traditional Clothing

Ming Dynasty also brought many changes to its clothing as many dynasties do. They implemented metal buttons and the collar changed from the symmetrical type of the Song Dynasty (960-1279) to the main circular type. Compared with the costume of the Tang Dynasty (618-907), the proportion of the upper outer garment to lower skirt in the Ming Dynasty was significantly inverted. Since the upper outer garment was shorter and the lower garment was longer, the jacket gradually became longer to shorten the length of the exposed skirt. Young ladies in the mid Ming Dynasty usually preferred to dress in these waistcoats. The waistcoats in the Qing Dynasty were transformed from those of the Yuan Dynasty.

 

Han Fu in Modern Day

 

Today, most Han Chinese wear Western-style clothing in everyday life. Han Chinese clothing is presently worn only as a part of historical reenactment, festivals, hobby, coming of age/rite of passage ceremonies, ceremonial clothing worn by religious priests, or cultural exercise and can be frequently seen on Chinese television series, films and other forms of media entertainment.

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What to Wear for Tai Chi Practice

In contrast with many fitness classes or sport options, Tai Chi has minimal clothes and clothing requirements. You can actually wear anything you want during Chi training, loose, comfortable pants and top, with flat-soled shoes is all that is needed to practice a routine. The most common Tai Chi suit is a T-shirt and sweat pants.

Tai Chi

Loose clothing ensures freedom of movement in every direction, while flat shoes are needed for balance and grip on the floor or ground.

 

Why Proper Clothing is So Important in Tai Chi

Tai Chi requires fundamental meditation skills to execute properly. There are a variety of important aspects to your martial arts and exercise workout.

Some of the experts argue that wearing proper clothing during the exercise session is every bit as essential as the mental preparation before actual session itself. The fact that you are wearing a certain ‘uniform’ puts you in a certain state of mind, and spiritual energy is allowed to flow better through the meridians. They rationalize that spiritual energy Qi flows from every pore in the body. Tight and inhibitive clothing can severely diminish the flows of energy in your body. This is especially important to those who are starting to learn the skills of the ancient art. Starters tend to have more difficulty in detecting and managing Qi.

Tai Chi

Tough heavy clothing like jeans and jackets are so rigid and not as flexible, that it will hinder body movement and encumber the practitioner and will be uncomfortable, especially in the middle of a meditation.

Tai Chi

Footwear depends on the location. Some experts insists that students wear flat-soled supportive shoes in class and never bare feet, both for safety and in accord with traditional Chinese medical principles which regard some points on the soles of the feet to be of key importance in health; therefore they must be protected from impact and from cold.

 

Features of Proper Tai Chi Clothing

 

Here are some of the features that you ought to find in Tai Chi clothing. The proper clothing fabric should be soft, light, and supple so that the movements remain uninhibited, the practitioner is not distracted and the postures can be performed in the best of conditions.

Linen pants are a favorite choice since linen is thermo-regulating, strong, durable and more resistant to wear and abrasion. Traditional Chinese martial arts masters use silk since silk was plentiful in china. Cotton is also an alternative if silk and linen are not easily available. Cotton is cool and is also less expensive.

Tai Chi

The most common color of Tai Chi clothing is black and white. Though there are no restrictions to the color of clothing that you wear, you’d better not wear too bright colors because you may disturb the other people in your class, unless of course you train alone. Vivid colors make it a bit difficult to keep the mind focused; they could become a distraction particularly for people in the early training stages.

The proper exercise clothing only serves to make you comfortable while practicing your art, but it does not define the skill in the art. Any person interested in the art of Tai Chi can try it. Tai Chi is supposed to help you balance your mind and body so whatever cloths you decide to wear they should not distract you from your meditation experience. You can even practice the meditation in the middle of Sahara wearing only a swimsuit if you wanted to.

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Chinese Traditional Clothing II

 

Three Types of Traditional Chinese Clothing

Three main types of traditional Chinese clothing are the pienfu, the changpao, and the shenyi.

The pienfu is an ancient two-piece ceremonial costume of a tunic-like top extending to the knees and a skirt or trousers extending to the ankles.
Chinese Traditional Clothing

The changpao is a one-piece garment extending from the shoulders all the way to the heels.

Chinese Traditional Clothing
The shenyi is a cross between the pienfu and the changpao; it consists of a tunic and a skirt or trousers like the pienfu, but the tunic and the skirt are sewed together and essentially one piece like the changpao. Consequently, the shenyi was the most widely worn of the three types. Three types of clothing were wide and voluminous sleeves and a very loose fit. Tunic and trousers or tunic and skirt, utilized a very minimum number of stitches for the amount of cloth used.

 

Features of Chinese Clothing

 

Because of relatively plain design and structure of traditional Chinese clothing, embroidered edgings, decorated bands, draped cloth or silks, patterns on the shoulders, and sashes were often added as ornamentation. These varied designs came to be one of the unique features of traditional Chinese dress.

Chinese Traditional Clothing

Darker colors were much more favored than lighter ones in traditional Chinese clothing so the main color of ceremonial clothing tended to be dark while bright, elaborate tapestry designs accented. Lighter colored clothing was worn more frequently by the common people for everyday use.

Chinese Traditional Clothing

The Chinese associate certain colors with specific seasons. Green represents spring, red symbolizes summer, white represents autumn, and black symbolizes winter. The Chinese are said to have a fully developed system of matching, coordinating, and contrasting colors and shades of light and dark in apparel.

Chinese Traditional Clothing

Red is favorite for most Chinese people since Red symbolizes good luck. Chinese people prefer to wear red when they are celebrating some important festivals or events in their life, such as wedding ceremony.

 

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Chinese Traditional Clothing I

Chinese culture is one of the few surviving ancient cultures of the world. For thousands of years, generations of clothing designers have devoted themselves to building the Kingdom of Clothes, making the garments that cover the human body into an important component of Chinese culture. The progress of nation can be seen through its changes in clothing styles.

 

History of Chinese Clothing

China has many ethnic groups, and each had their own influences, but the overall style was set by rulers of each dynasty. Invasions and contacts with trading partners brought influences from the Middle East, Mongolia, Manchuria and Korea. With the opening of China in the 1840s, modern Western dress began to be adopted.

Chinese Traditional Clothing Chinese Traditional Clothing

 

Ancient China

 

Silk cloth was in use by 1600 B.C. and was reserved for nobility or wealthy people. Most early Chinese wore clothing woven from hemp or ramie. Women wore floor-length tunics or shorter tunics over skirts, while men wore shorter tunics with skirts. In cold weather, pants and padded jackets were used. Silk could be plain or patterned and was decorated with embroidery. During the Zhou Dynasty, from 1046 to 256 B.C., clothing was for court robes, religious ceremonies, military uniforms and weddings. Things changed in the Han Dynasty from 256 to 25 A.D., when people were allowed to wear whatever they wished. Women wore jackets and skirts in colors depending on the season, black for winter, blue in spring, red for summer and yellow in autumn.

 

Further Cultural Admixture

 

From the second to the fifth centuries, northern peoples moved south, bringing their costume styles with them. During the Sui (581-618CE) and Tang Dynasties (618-907CE), jackets, coats, robes, waist cloths, long and short trousers, jackets, socks, shoes and boots were worn, and styles of ethnic minorities were adopted. The Song Dynasty (960- 1279CE), saw the introduction of pleated skirts, and pomegranate red was the most popular color. Fabrics were gauze, damask, crepe and brocade. The Yuan Dynasty (1206- 1368 CE) had Mongol influence incorporated into the predominant Han Dynasty styles, and Korean clothing became popular toward the end of the Yuan.

Chinese Traditional Clothing Chinese Traditional Clothing Chinese Traditional Clothing

 

Ming and Qing Dynasty

 

Chinese Traditional Clothing

The Ming Dynasty lasted from 1368 to 1644 and re-established a rigid clothing protocol. Only Han-type clothing was allowed and it again defined social and official classes. Broad belts and buttons were popular. The Qing or Manchu Dynasty (1644 to 1911) began with the conquest of China by Manchuria. They brought cotton with them and introduced its use and culture. The Manchurian invaders also added fur, leather, suede, bamboo hats and felt. Men were made to wear Manchurian-style clothing — long silk gowns and mandarin jackets — and to wear their hair in a braided queue. Women could wear Manchurian long gowns or Han coats and skirts.

 

Modernization

 

Chinese Traditional Clothing

The Manchurian women’s dress, called Qipao, cheongsam or mandarin gown, was the predominant women’s garment when China was opened to trade with the West. This gown features a high neck and a slit skirt. When it became an international style in the 1920s, sleeves narrowed, and the waist thinned. Men wore Western dress during the day and traditional dress at home. Republic of China founder Sun Yat Sen introduced the Zhongshan suit, which was then popularized by Mao Zedong and called the Mao suit. Western-style dress is now widely worn throughout China.

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Chinese Ethnic Costume

Costumes of Chinese ethnic minorities are flowery, colorful, extremely exquisite, and highly distinctive. They play an important role of the rich history and culture of the ethnic groups.

 

Material

Chinese Traditional Clothing Chinese Traditional Clothing

Every aspect of their garments, such as raw materials, textile technology, fashion and decoration, retains a distinct characteristic of the ethnic group and the locality. The Hezhen ethnic minority people, who mainly make a living on fishing, used to make clothes with fish-skin. The hunting ethnic groups, such as Oroqen and Ewenki, used roe skin and animal tendon to stitch up their clothes. The Mongolians, Tibetans, Kazakstans, Khalkhases, Uygurs, etc., who are mainly engaged in stockbreeding, make their apparel mostly from animal skin and hair. And, farming ethnic minorities usually take the locally produced cotton or hemp thread as raw materials to spin cloth and silk and make clothes.

Chinese Traditional Clothing

The spinning and weaving, tanning and felting techniques of Chinese ethnic people boast a long history. For example, bombax, cloth of the Li ethnic minority, woolen fabric of the Tibetan, Adelis, silk of the Uygur, fur products of the Oroqen have enjoyed a worldwide reputation all along.

 

Style

 

Chinese Traditional Clothing

There are numerous clothing designs and forms in Chinese ethnic minorities. Generally speaking, they can be classified into two types: long gowns and short clothes. People usually wear a hat and boots to match long gowns, and headcloth and shoes to match short clothes. The gowns take various forms. The high-collar and big-front type is worn by the Mongolian, the Manchu and the Tu. The collarless tilted-front type is worn by the Tibetan and the Moinba. The tilted-front type is worn by the Uygur and other ethnic minorities. As for short clothes, they fall into two types: trousers and skirts.

Chinese Traditional Clothing

In terms of skirts, there are pleated skirts, tube skirts, short skirts and one-piece dress. In any kind of clothes, no matter it is a gown, a coat, a skirt, or trousers, different ethnic minority groups employ different structures, techniques and styles. Women of the Li, Dai, Jingpo and De’ang ethnic minorities all wear tube skirts, but those tube skirts worn by the Li are brocade skirts made of cotton, those worn by the Jingpo are woolen multicolored skirts, those worn by the De’ang are skirts with horizontal stripes, and those worn by the Dai are usually skirts made of ordinary cloth.

Chinese Traditional Clothing

Costumes of ethnic minorities vary greatly not only with different nationalities, but also with different branches and different regions within the same ethnic group. Difference can be seen from province to province, from county to county, and even from village to village. Costume is the most obvious symbol of an ethnic group, and in the history, many ethnic groups were named just by their garments.

Chinese Traditional Clothing

In a vast country like China, with so many ethnic groups and an unbalanced social development, styles of clothes vary a lot due to different economic lives, cultural levels, natural environments and geographical conditions and climatic conditions. This is one of the characteristics of folk garments.

 

Technique

 

Chinese Traditional Clothing

Techniques such as embroidery and batik are much developed, and are widely used in making clothing adornments. This is another feature of their costumes.

Chinese Traditional Clothing

Embroidery is a technique generally favored by all ethnic groups, and it is usually used in the headband, the waistband, the apron, and some rapid-wearing parts such as the border of the front, the round shoulder, the lower hem, the wristband, the bottom of trouser legs, the edge of the skirt, etc., being both decorative and practical. Embroidery techniques include cross-stitch work and appliqué. Embroidery methods include surface, twine, chain, net, stab and stack embroidery. Motifs are natural scenes, auspicious patterns and geometric patterns.

Chinese Traditional Clothing

 

Culture

 

Chinese ethnic costumes are often thought to provide a record of the history and folklore and bear the totems of the minorities’ beliefs, as the weaving together of every yarn also bears the marks of the delicate craftsmanship and wisdom of people.

Chinese Traditional Clothing

Chinese Traditional Clothing

These costumes bear a wide range of symbols, many of which are motifs drawn from their daily life but with hidden meanings. For example, in Miao minority, birds and butterfly motifs are found, indicating that these people have once worshipped them as totems.

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Bai Ethnic Costume Simple But Elegant

Bai people’s costume has a long history. During the Nanzhao Regime (738-937 AD) and the Dali Kingdom (937 -1253 AD), Bai people created their own styles of clothing. The clothes of the Bai people are bright and well-matching in colors, delicate and fine in embroideries, and plain and simple in style.

White is the favorite color of the Bai. They believe white represents dignity and high social status, and this can be seen in their clothing. It is typical for men to wear white outer upper garments and white trousers. Girls and women have more choices of colors. They like to wear white, light blue or pink outer upper garments and rosy, purple or black waistcoats. Bai Ethnic

The Bai enjoy their lives and love flowers. Bai clothing is usually adorned with camellia flowers because this flower is commonly see in Bai area and they view these flowers as a symbol of beauty. They like to wear a red scarf on their shoulders and a white outer upper garment, a combination that resembles blooming camellias. An unmarried girl always combs her hair into one pigtail, tied with a red string at its end, and then coils it over her head. She also likes to wear an apron with embroideries. In general, girls enjoy dressing up like beautiful camellia flowers.

 

Women Clothing

 

The clothes for young women of the Bai ethnic group mainly include the headdress, top garment, waistcoats, apron and pants. The top garment is usually white, yellow cream, lake blue or light green and the waistcoats are black or red, with silver dangling ornaments attached to the button area at the right. An embroidered or dark-colored apron is tied to the waist and a pair of blue or white pants is the usual lower garment. In some cases, the upper and lower garments are of the same color; in others, a different color is applied to the top garment, the waistcoat, the apron and the pants respectively. The multiple colors go perfectly well with one another. Bai Ethnic Bai Ethnic

In addition, the Bai women wear exquisite headdress that nicely match with their clothes. The headdresses worn by women in different areas have different features. Bai Ethnic

Figurines in the Shibaoshan Grottoes in Jianchuan County are lifelike, possessing both the common features of figure creation in China and the unique features of the Bai artists. The architectural group in the Jizushan Temple, with bow-shaped crossbeams, bracket-inserted columns, and gargoyles representing people, flowers and birds created with the open carving method, shows the excellent workmanship of the Bai people. The Bais also have high attainments in lacquer ware.

 

Men Clothing

 

Bai Ethnic

Typical dresses for men of the Bai ethnic group include a white jacket, pants, leggings, straw sandals, and the outer black jacket with no sleeves and made of fine fabric like leather or silk. The whole set of costume, commonly known as three drops of water. A belt bag is tied to the waist and the pants are mostly black or blue.

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Stunning Features of Miao Hmong Costume

Miao costume The most rich and colorful attire of the Miao Hmong people is found in the south of China. Every different branch of the Miao Hmong people brings with them a different kind of costume. Their designs range from the exquisitely gorgeous costumes of the Shidong area to the primitive and coarse ones of the Nandan area. These people are extremely talented in art, especially those living in the Guizhou province. Their embroidery works, batik and silver accessories are perfect examples of showing characteristics of Miao Hmong clothing art.

 

Techniques

 

Sophisticated weaving, dyeing, batik, pleating, embroidery, appliqué, interlacing, and quilting techniques are used to produce the costumes and have evolved to exceptional artistry. Traditionally, these skills are passed down from mother to daughter. Making a set of traditional Miao clothes usually takes a Miao Hmong woman 1 to 2 years. Moreover, as hand-made Miao Hmong costumes are sewn individually by Miao women in their homes, there are hardly two costumes with the same style or pattern.

 

Materials

 

The materials used in Miao Hmong costumes are hemp, cotton, silk and natural dyestuffs, including indigo. The geographic location of the villages has a great bearing on the materials from which the garments are made. Cotton is produced in western Hunan and eastern Guizhou and is traditionally used in the making of clothes. Wool is produced in the cold highland areas of north-eastern Yunnan and is used for making warm clothes in that region. Flax is grown is Sichuan, western Guizhou and south-eastern Yunnan and so linen is used in the manufacture of clothes.

 

Embroidery

 

Miao costume Embroidery techniques are varied. Satin stitch and cross-stitch are widely used. In some areas, such as south-east Guizhou, girls also use braid or plaited stitch. The satin stitched is bright and smooth with delicate, clear patterns of animals and plants. The cross-stitch is done on the reverse side of the fabric, the patterns appearing on the obverse side or on both sides. And the braid stitch is done by plaiting silk thread into braids, folding it on cloth and then fixing it with thread. The patterns of this embroidery create a striking decorative effect.

 

Batik

 

Miao costume Miao Hmong women are proficient in batik. Their colored batiks are renowned at home and abroad. The process is all manual and rather tedious, which involves drawing, waxing (with special wax knife using beeswax), dyeing and wax melting. This technique had been lost among Han Chinese but being kept very well by ethnic Miao Hmong. In fact, the United Nation (UN) reported that Miao Hmong costume is one of the world cultural relics, where batik plays a major role.

The motifs on batik are plain, naive, rough and powerful. Its shapes are boldly diversified and exaggeratedly drawn. Since Miao Hmong language do not have scripts, abstract symbols or totems are also commonly found.

 

Silver Ornaments

 

Miao costume Silver ornaments make up an important part of Miao Hmong dress. Miao believe silver can dispel evil spirits and is also a symbol of wealth. Miao Hmong families dress up their daughters with silver ornaments for special occasions. Silver worn by young women sometimes weighs more than 10 kg, which makes the whole body sparkling and shinning.

The Miao Hmong silver ornaments include silver hat, silver horns, silver combs, silver earrings, ear pendants, neckbands, necklaces, collars, bracelets and rings. Most of them are handmade by Miao Hmong silversmiths. Skills and techniques employed are casting, hammering, plaiting, cutting flowers and carving lines. Patterns are mostly dragon, phoenix, horses, flowers and birds, lively and delicately exquisite.

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Miao Hmong Costume-A History Book Worn on Body

Miao costume If you are fortunate enough to visit a Miao Hmong village during festivals or wedding ceremonies, you will be dazzled by the varied and colorful costumes and silver ornaments of Miao Hmong women.

Miao Hmong clothes are appealing not only because of their unique styles and craftsmanship, but also because they reveal the rich Miao Hmong culture and its long history. Their costumes are an integral part of their culture.

 

Long History

 

Miao costume Mountains and rivers make Miao Hmong villages difficult to access, which reduce the impact of modern civilization and help them maintain old traditions. Some old costumes from Chinese history recorded in ancient books from the Han Dynasty (206BC-AD220) have long since disappeared in many parts China, however, such costumes can still be found in the Miao Hmong community. Some foreigners who have visited the Miao Hmong call them “Living Terra Cotta Warriors.”

 

Great Artistry

 

Miao Hmong costumes are skillfully made with rich colors and great artistry. The crafts of embroidery, batik dyeing, appliqué quilting, weaving and silversmith technique have been handed down from generation to generation. Miao Hmong girls learn to embroider and do batik dyeing from the age of six or seven. Girls who live near water often use fish and shrimp as motifs, whilst those who live in the mountains use flowers and birds as motifs. The designs are symmetrical flowers, butterflies, birds, animals and geometric patterns. Many motifs used in Sichuan, Guizhou and Yunnan are similar to those used by the Yao people of Guang Xi and of the Golden Triangle of northern Thailand who are of the same ethnic origin. The designs used in south-eastern Guizhou are similar to the ancient Chinese Chu culture and other designs are similar to those used by the Han, Manchu, Yi, Buyi and Dong people of China, showing their ethnic relationship to those cultures. Miao costume

 

Strong Culture Message

 

The Miao people, whose religious beliefs are thought of as primitive, have a strong sense of nation. Without written script, they pass their cultural and traditions not just through oral literature, but also clothing.

The clothes bear strong culture message. Different patterns and designs on the clothes retain rich meaning and refer to legendary stories about such things as their origins, wars and religious beliefs. Therefore, historians view them as the “Wearable History Book”.

The patterns of The Butterfly Mother, which records the origin of human beings, and Jiangyang who shot the sun and the moon, narrate the heroic legend of their ancestors. Many theme patterns such as Yellow River, Yangtze River, the plain and the city portray the tragic immigration history of their ancestors. The Miao Hmong people look to these patterns as history books with which no nationality can compare. The patterns have been passed down through generations as a symbol of the Miao Hmong group to memorize their ancestors and ancient homes. The Miao Hmong costumes speak to the world: “We are the Miao Hmong people and we came from the Yellow River and out of the Yangtze River and through long journeys and rugged paths, we have developed our splendid culture.”

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Distinguished Varieties of Miao Hmong Costume

The Miao Hmong has a large and widely distributed population, their clothes and accessories are regionally distinctive. The variation are expressed in the length, color, collar, button, silver ornaments and the hairstyle.

 

Five Major Styles

 

Miao Hmong costumes are divided into five major styles: Southeastern Guizhou style, Mid and Southern Guizhou style, Sichuan-Guizhou style, Western Hunan style and Hainan style. Among these, Western Hunan, and Southeastern Guizhou are typical and more distinguishable.

 

Men and Women Costume in Hunan

 

Miao Hmong living in the western part of Hunan province have kept close ties with the Han Chinese since ancient times. They wear a similar style of clothing to the Han Chinese. Men wear a short Chinese-style jacket with buttons on the front and wrap their head in a turban. Women used to wear red skirts, but now prefer pants with an embroidered apron over the top and a vest over a jacket. They usually decorate the cuffs of the sleeves, edges of pants, and jacket hems with lace. They like to wear a kerchief and silver ornaments on their head. Miao costume

 

Men and Women Costume in Guizhou

 

Miao Hmong women in southeastern Guizhou province have more choices in their dress. Some like to wear a Chinese-style jacket with buttons on the right, and some wear a half-length jacket with loose sleeves. Most wear either a pleated skirt or pants. Women in this area have long hair tied in a knot on the top of the head, which they tie with a cotton kerchief. Some also have their hair tied with a scarf into a bun, and then pin a silver ornament on the bun. Men wear a short Chinese-style jacket with buttons down the front or a long gown with buttons on the right side of the front. All men wrap a band around their head.

Miao costume

Miao Hmong women wear more colorful and decorative costumes in the central and southern parts of Guizhou province. They wear a long pleated skirt and V-style jacket with buttons down the front with ribbons and ornaments. Women wrap their head with a kerchief, or wear a hat in addition to a silver necklace, silver pins, and earrings. Men in these areas wear a long gown with buttons on the right of the front and long pants.

 

Costume Distinguished in Line with Ages

 

Miao clothing is distinguished in line with ages. Dresses are often in bright colors for unmarried women, and more subdued blue, black, and gray for married or older women. The older women have a distinct hairstyle and less silver ornaments on their hair.

Miao costume While there are variations in costumes between Miao Hmong villages, there is a predominant use of silver jewelry, embroidery, and batik in women’s costumes and the Miao Hmong culture embedded in the costumes is likewise complex and rich in tradition.

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Dazzling Miao Festival Costumes

Miao Hmong festival costumes are worn at festivals and sacrificial rituals or at weddings. The wedding dresses are also called “floral dresses”.

 

Miao Festival Costume Full of National Flavors

 

Miao Costume Blazing with colors, Miao Hmong festival clothes are full of nation flavors. Red, blue, yellow, white, and black are the main colors used in Miao Hmong clothing. The Miao Hmong people normally use white gunny, cotton or silk as fabric. The making of the festival costume include dyeing, wax printing and ingenuous embroidery. In addition, bright and shining silver ornaments are embedded in the dresses. With extraordinary silver ornaments, like big silver headdress, necklaces, bracelets, and earrings to match these clothes, Miao Hmong women proudly claim they are the most beautiful women in the world.

 

Motifs on the Festival Costumes

 

Miao Costume The motifs on the festival costumes are mostly living creatures in real life. For example, the “Miao Hundred Bird Jacket”, originally worn on major ceremonies to worship ancestors, is now festival attire. The jacket is big and loose with no collar. Hundred of birds and dragons are embroidered on the jacket. It is made with 7 to 10 strips of bands of embroidered motifs of frogs, dragons, birds, butterflies and insects, symbols of the Miao’s mystic culture. These elaborate motifs are in a wide range of colors and have strong ideographic expression in nation, clan and language identification.

 

Festival Jacket and Skirt

 

During festivals, weddings and important ceremonies, Miao Hmong women usually wear a short jacket with beautifully embroidered patterns on the sleeves, shoulders, and collar. In some areas, they have silver ornaments and silver bells sewn onto the jacket and they call it a “silver jacket”.

Some Miao Hmong women wear long skirts which extend to their feet, and some wear short skirts which only arrive at their knees. Their beautiful pleated skirts have as many as 40 layers with over 500 pleats.

On top of the skirts, they wear embroidered apron dropping down to the knees or feet. At the edge of the apron, there are four or five long embroidered bands like a peacock’s plumage. Under the skirts, they wear leggings to match with their embroidered shoes.

Miao Costume Miao Costume Festival costumes of the Miao Hmong are a precious element of Chinese ethnic arts and crafts and have high artistic and cultural values. The exquisiteness of the Miao Hmong clothes has put the Miao Hmong at the top of the 56 ethnic groups of China in terms of artistic standards.

by Xiao Xiao @ InteractChina.com

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